Канал: Isaac Raz

What is "Whole Music" about

What is "Whole Music" about

"Build-a-Barry" How to build a line on All the things you are

"Build-a-Barry" How to build a line on All the things you are

Barry Harris “5-4-3-2” Melodic Patterns Redux

Barry Harris “5-4-3-2” Melodic Patterns Redux

Barry Harris Approaches to “Woody ’n You”

Barry Harris Approaches to “Woody ’n You”

Barry Harris Major Chromatic Redux

Barry Harris Major Chromatic Redux

Barry Harris Approaches to "Dance of the Infidels"

Barry Harris Approaches to "Dance of the Infidels"

Barry Harris Approaches to "April in Paris"

Barry Harris Approaches to "April in Paris"

Barry Harris Omit 8ths Rhythmic Exercise

Barry Harris Omit 8ths Rhythmic Exercise

Applying Barry Harris ideas to “There Will Never Be Another You”

Applying Barry Harris ideas to “There Will Never Be Another You”

Applying Barry Harris ideas to What Is This Thing Called Love"

Applying Barry Harris ideas to What Is This Thing Called Love"

Barry Harris: Triads are the Hippest!

Barry Harris: Triads are the Hippest!

Your Questions Answered: How to break up lines

Your Questions Answered: How to break up lines

"Everything Happens Round Midnite" Barry Harris Move

"Everything Happens Round Midnite" Barry Harris Move

A Nice Minor Six Diminished Barry Harris Move

A Nice Minor Six Diminished Barry Harris Move

Barry Harris Approaches to "Smoke Gets In Your Eyes"

Barry Harris Approaches to "Smoke Gets In Your Eyes"

Barry Harris “Tritone Double Sus”

Barry Harris “Tritone Double Sus”

Barry Harris “Relative Minor to Minor with 6 in the bass” Move

Barry Harris “Relative Minor to Minor with 6 in the bass” Move

Playing Around with Barry Harris Diminished and Augmented Runs

Playing Around with Barry Harris Diminished and Augmented Runs

Barry Harris Two Ways of Inverting Chords, and behold the “Drop 2+3”!

Barry Harris Two Ways of Inverting Chords, and behold the “Drop 2+3”!

My 10 Chord Barry Harris Routine, Drop 3 Version with "Borrowing"

My 10 Chord Barry Harris Routine, Drop 3 Version with "Borrowing"

Barry Harris Note Dive: A beautiful run on “Round Midnight”

Barry Harris Note Dive: A beautiful run on “Round Midnight”

Barry Harris approaches to the “Ladybird Turnaround”

Barry Harris approaches to the “Ladybird Turnaround”

Barry Harris Note Dive: three chords over a G7

Barry Harris Note Dive: three chords over a G7

Building a Barry Harris Scale Outline “After You’ve Gone”

Building a Barry Harris Scale Outline “After You’ve Gone”

My Barry Harris Sixth Chord Rules “Etude”

My Barry Harris Sixth Chord Rules “Etude”

“Everything’s Close”: Applying Barry Harris thinking to Modern (Don’t tell Barry!)

“Everything’s Close”: Applying Barry Harris thinking to Modern (Don’t tell Barry!)

Barry Harris whole tone ideas

Barry Harris whole tone ideas

The BH “Echappe”: An extremely useful Barry Harris 2-5-1 move

The BH “Echappe”: An extremely useful Barry Harris 2-5-1 move

Isaac Raz Live Stream

Isaac Raz Live Stream

Barry Harris Notes Dive: The Body Glove, Make an exercise from Hallucinations, Mixing 6 Diminished

Barry Harris Notes Dive: The Body Glove, Make an exercise from Hallucinations, Mixing 6 Diminished

Practicing 2 5 1 Barry Harris Style

Practicing 2 5 1 Barry Harris Style

Your Questions Answered: Applying my Barry Harris 10-Chord Routine to songs

Your Questions Answered: Applying my Barry Harris 10-Chord Routine to songs

Isaac Raz's "If I Didn't"

Isaac Raz's "If I Didn't"

Your Questions Answered: Barry Harris 5-4-3-2 in Minor, Dominant and applying to tunes

Your Questions Answered: Barry Harris 5-4-3-2 in Minor, Dominant and applying to tunes

My 10 Chord Barry Harris Routine 3 Note version

My 10 Chord Barry Harris Routine 3 Note version

More Barry Harris “Major Chromatic”

More Barry Harris “Major Chromatic”

Barry Harris Minor Half Step Rules

Barry Harris Minor Half Step Rules

Barry Harris Major Half Step Rules

Barry Harris Major Half Step Rules

Barry Harris Dominant 7 Half Step Rules

Barry Harris Dominant 7 Half Step Rules

Barry Harris approaches to “Giant Steps”

Barry Harris approaches to “Giant Steps”

Staying Busy with Barry Harris: Making Connections

Staying Busy with Barry Harris: Making Connections

Your questions answered: how to do a scale outline on “Bouncing with Bud”

Your questions answered: how to do a scale outline on “Bouncing with Bud”

Applying Barry Harris “diminished family“

Applying Barry Harris “diminished family“

Barry Harris 21st Psalm Move

Barry Harris 21st Psalm Move

Barry Harris "Double the Diminished"

Barry Harris "Double the Diminished"

More thoughts on Barry Harris seven flat five diminished moves

More thoughts on Barry Harris seven flat five diminished moves

Barry Harris scale outline on “Cherokee“

Barry Harris scale outline on “Cherokee“

Barry Harris’ move on the end of “Stella by Starlight”

Barry Harris’ move on the end of “Stella by Starlight”

Your questions answered: how to do Barry Harris short long on the minor six diminished

Your questions answered: how to do Barry Harris short long on the minor six diminished

Your questions answered: how to use Barry Harris seven flat five diminished scale

Your questions answered: how to use Barry Harris seven flat five diminished scale

Whole Music's Mission

Whole Music's Mission

Staying busy with Barry Harris: ideas on “Rhythm”

Staying busy with Barry Harris: ideas on “Rhythm”

Staying busy with Barry Harris: ideas to keep you practicing while you’re stuck at home.

Staying busy with Barry Harris: ideas to keep you practicing while you’re stuck at home.

Barry Harris “major chromatic” and his move on “like someone in love”

Barry Harris “major chromatic” and his move on “like someone in love”

Your questions answered: How to apply Barry Harris 6-diminished on “Body and Soul“

Your questions answered: How to apply Barry Harris 6-diminished on “Body and Soul“

Barry Harris: The “Ruby My Dear” move

Barry Harris: The “Ruby My Dear” move

“Pivoting”: Octave displacement according to Barry Harris

“Pivoting”: Octave displacement according to Barry Harris

Barry Harris 5-4-3-2 Melodic Patterns

Barry Harris 5-4-3-2 Melodic Patterns

Barry Harris “Diminished Genealogy”

Barry Harris “Diminished Genealogy”

Your Questions Answered: How to modulate using diminished chords according to Barry Harris

Your Questions Answered: How to modulate using diminished chords according to Barry Harris

Barry Harris Drop Voicings Drop 2, 3, 2&4, and 3-note.

Barry Harris Drop Voicings Drop 2, 3, 2&4, and 3-note.

Your Questions Answered: How to Apply Barry Harris “Short Long” Voicings on “Misty”

Your Questions Answered: How to Apply Barry Harris “Short Long” Voicings on “Misty”

“Up a fifth Down a fifth” How to connect two 6th chords using Barry Harris’s diminished theory

“Up a fifth Down a fifth” How to connect two 6th chords using Barry Harris’s diminished theory

Barry Harris “Reversible Chords” Add color and movement to your accompaniment!

Barry Harris “Reversible Chords” Add color and movement to your accompaniment!

Barry Harris short and long voicings: easy movement for stationary chords

Barry Harris short and long voicings: easy movement for stationary chords

Barry Harris 6th chord rules – how to get eight chords out of two

Barry Harris 6th chord rules – how to get eight chords out of two

Barry Harris six diminished “borrowing”

Barry Harris six diminished “borrowing”

How I started with Barry Harris and what I learned and still learn

How I started with Barry Harris and what I learned and still learn

My 10 chord Barry Harris Routine

My 10 chord Barry Harris Routine

Connecting Chords Part 2

Connecting Chords Part 2

Connecting Chords

Connecting Chords

Great Warm Up for Keyboard

Great Warm Up for Keyboard

Quick Lesson: Improvisation basics

Quick Lesson: Improvisation basics

Quick Lesson: Jazz Harmony Basics

Quick Lesson: Jazz Harmony Basics

Quick Lesson: Scale of Chords

Quick Lesson: Scale of Chords

Case Study SG

Case Study SG

musical theater compilation

musical theater compilation

Case Study TG

Case Study TG

Case Study SF

Case Study SF

Case Study SB

Case Study SB

Case Study ED

Case Study ED

Case Study GB

Case Study GB

Case Study AH

Case Study AH

Case Study HP

Case Study HP

Case Study BM

Case Study BM

Case Study BP

Case Study BP

Case Study AA

Case Study AA

Case Study AT

Case Study AT