Канал: Paul Mellon Centre for Studies in British Art

How to Apply for Funding from the Paul Mellon Centre

How to Apply for Funding from the Paul Mellon Centre

Shining Lights: Photography Symposium - Art, Community, Spaces and Activism

Shining Lights: Photography Symposium - Art, Community, Spaces and Activism

Shining Lights: Photography Symposium - Interogating Decolonisation

Shining Lights: Photography Symposium - Interogating Decolonisation

Shining Lights: Photography Symposium - Contextualising Black Feminism

Shining Lights: Photography Symposium - Contextualising Black Feminism

Shining Lights: Photography Symposium - Changing Landscapes EOD

Shining Lights: Photography Symposium - Changing Landscapes EOD

The Lives and Legacies of Black Women Ceramicists

The Lives and Legacies of Black Women Ceramicists

The Body of the Maharani: Portraiture, Gender and Empire at the Royal Academy 1791–1865

The Body of the Maharani: Portraiture, Gender and Empire at the Royal Academy 1791–1865

Maps, Malaria and the Visual Construction of Early Hong Kong

Maps, Malaria and the Visual Construction of Early Hong Kong

Preview of The Enduring Legacy of Ladi Kwali (2024)

Preview of The Enduring Legacy of Ladi Kwali (2024)

Extractivism / Activism: Art, Activism and Ecological Extraction - Ancestral Futures

Extractivism / Activism: Art, Activism and Ecological Extraction - Ancestral Futures

Rereading Constable: Letters, Life and Art | Session 3

Rereading Constable: Letters, Life and Art | Session 3

Global Houses of the Efik

Global Houses of the Efik

Extractivism / Activism: Art, Activism and Ecological Extraction - Ecology Politics

Extractivism / Activism: Art, Activism and Ecological Extraction - Ecology Politics

Extractivism / Activism: Art, Activism and Ecological Extraction - Repair / Reparations

Extractivism / Activism: Art, Activism and Ecological Extraction - Repair / Reparations

Extractivism / Activism: Art, Activism and Ecological Extraction - Litigation / Climate Crimes

Extractivism / Activism: Art, Activism and Ecological Extraction - Litigation / Climate Crimes

Extractivism / Activism: Art, Activism and Ecological Extraction - Data Ecologies

Extractivism / Activism: Art, Activism and Ecological Extraction - Data Ecologies

Extractivism / Activism: Art, Activism and Ecological Extraction - Forest Rights

Extractivism / Activism: Art, Activism and Ecological Extraction - Forest Rights

Naval Gazing: Portraiture and the Royal Navy

Naval Gazing: Portraiture and the Royal Navy

Rosetti: In Relation Day 2: Closing Discussion

Rosetti: In Relation Day 2: Closing Discussion

Rosetti: In Relation Day 2 Panel 5: International Exchanges

Rosetti: In Relation Day 2 Panel 5: International Exchanges

Rossettis: In Relation - Day 2 - Panel 4: Labour(ing) and Art(work)

Rossettis: In Relation - Day 2 - Panel 4: Labour(ing) and Art(work)

Rossettis: In Relation - Day 2 - Panel 3: Close Reading

Rossettis: In Relation - Day 2 - Panel 3: Close Reading

“Not Just for Sailors Any More”: Maritime Tattooing in Context

“Not Just for Sailors Any More”: Maritime Tattooing in Context

Ocean Liners in Interwar London: Art and Performance

Ocean Liners in Interwar London: Art and Performance

Rossettis: In Relation - Day 1 - Panel 2: Relationships

Rossettis: In Relation - Day 1 - Panel 2: Relationships

(M)otherhood: Art and Life: Babs: Re complicating Artist Mother Narratives

(M)otherhood: Art and Life: Babs: Re complicating Artist Mother Narratives

Extractivism / Activism: Art, Activism and Ecological Extraction - Imaging Extraction

Extractivism / Activism: Art, Activism and Ecological Extraction - Imaging Extraction

Space | Time | Life: a gathering

Space | Time | Life: a gathering

Deep Sea Divers Below the City: The Case of Sydney Harbour

Deep Sea Divers Below the City: The Case of Sydney Harbour

Extractivism / Activism: Art, Activism and Ecological Extraction - Locating Environmental Justice

Extractivism / Activism: Art, Activism and Ecological Extraction - Locating Environmental Justice

Rossettis: In Relation - Day 1 Panel 1: Methodologies

Rossettis: In Relation - Day 1 Panel 1: Methodologies

'Oxfordshire: Oxford and the South-East' Virtual Book Launch (Pevsner)

'Oxfordshire: Oxford and the South-East' Virtual Book Launch (Pevsner)

Enter British Art in Motion 2024

Enter British Art in Motion 2024

The Practice of Art History in Britain: 1900-60 Day 1 Sessions 1 & 2

The Practice of Art History in Britain: 1900-60 Day 1 Sessions 1 & 2

The Practice of Art History in Britain: 1900-60: Paul Oppés Art Worlds - Session 3

The Practice of Art History in Britain: 1900-60: Paul Oppés Art Worlds - Session 3

Resist, Persist: Gender, Climate and Colonialism: Introductions, Katherine Fein

Resist, Persist: Gender, Climate and Colonialism: Introductions, Katherine Fein

Resist, Persist: Gender, Climate and Colonialism: Greta LaFleur

Resist, Persist: Gender, Climate and Colonialism: Greta LaFleur

Resist, Persist: Gender, Climate and Colonialism: Camila Marambio

Resist, Persist: Gender, Climate and Colonialism: Camila Marambio

Cosmetics, Beauty and the Nature of Renaissance Women

Cosmetics, Beauty and the Nature of Renaissance Women

A Body For Stubbs

A Body For Stubbs

Resist, Persist: Gender, Climate and Colonialism: Chrys Papaioannou, Syrus Marcus Ware

Resist, Persist: Gender, Climate and Colonialism: Chrys Papaioannou, Syrus Marcus Ware

Resist, Persist: Gender, Climate and Colonialism: Saba Khan, Buhle Francis, Imani Jacqueline Brown

Resist, Persist: Gender, Climate and Colonialism: Saba Khan, Buhle Francis, Imani Jacqueline Brown

Resist, Persist: Gender, Climate and Colonialism: Shelly Rosenblum, Susanne Winterling

Resist, Persist: Gender, Climate and Colonialism: Shelly Rosenblum, Susanne Winterling

Frank Bowling The Mother’s House Paintings

Frank Bowling The Mother’s House Paintings

The Practice of Art History in Britain: 1900-60: Paul Oppé's Art Worlds

The Practice of Art History in Britain: 1900-60: Paul Oppé's Art Worlds

Why Edwardian Baroque Architecture Matters: Empire, Identity, and Geo-political Rivalry

Why Edwardian Baroque Architecture Matters: Empire, Identity, and Geo-political Rivalry

(M)otherhood Melanie Stidolph

(M)otherhood Melanie Stidolph

Feminism Meets Art History

Feminism Meets Art History

Hepworth, Motherhood and Loss - Katy Norris

Hepworth, Motherhood and Loss - Katy Norris

(M)otherhood - The Otherhood in Motherhood Dr Pragya Agarwal audio only

(M)otherhood - The Otherhood in Motherhood Dr Pragya Agarwal audio only

(M)otherhood - The Presence of absence, Jody Day

(M)otherhood - The Presence of absence, Jody Day

Printmaking and LGBTQIA+ Communities

Printmaking and LGBTQIA+ Communities

Introductory Session: Printmaking For Change

Introductory Session: Printmaking For Change

Thermal Governance: Air-conditioning Complexes and Climate Modulation in Urban Asia

Thermal Governance: Air-conditioning Complexes and Climate Modulation in Urban Asia

Re-making The Tudors

Re-making The Tudors

Making The Tudors

Making The Tudors

The Architecture of Disability

The Architecture of Disability

Globalising The Tudors

Globalising The Tudors

Landscapes of Waste: Towards an Urban History of Coal Spoil in Modern Britain

Landscapes of Waste: Towards an Urban History of Coal Spoil in Modern Britain

History Designing Architecture: Performance and Architecture in Africa & its Diaspora

History Designing Architecture: Performance and Architecture in Africa & its Diaspora

(M)otherhood: Holly Slingsby Unheard Songs

(M)otherhood: Holly Slingsby Unheard Songs

(M)otherhood The Last Portrait Lucy Willow

(M)otherhood The Last Portrait Lucy Willow

(M)otherhood: Fog & Milk & Glass with Kerri ní Dochartaigh

(M)otherhood: Fog & Milk & Glass with Kerri ní Dochartaigh

Mass Data Methodologies

Mass Data Methodologies

Synthetic Histories: Plastics, Climate and Colonialism | Session 4

Synthetic Histories: Plastics, Climate and Colonialism | Session 4

Synthetic Histories: Plastics, Climate and Colonialism | Session 5

Synthetic Histories: Plastics, Climate and Colonialism | Session 5

Making the Print Room at Woodhall Park, Hertfordshire

Making the Print Room at Woodhall Park, Hertfordshire

The Print Room at Woodhall Park, Hertfordshire

The Print Room at Woodhall Park, Hertfordshire

Synthetic Histories: Plastics, Climate and Colonialism | Session 3

Synthetic Histories: Plastics, Climate and Colonialism | Session 3

Synthetic Histories: Plastics, Climate and Colonialism | Session 1

Synthetic Histories: Plastics, Climate and Colonialism | Session 1

The Small Spaces of Empire

The Small Spaces of Empire

Synthetic Histories: Plastics, Climate and Colonialism | Session 2

Synthetic Histories: Plastics, Climate and Colonialism | Session 2

Food and the Senses

Food and the Senses

Rereading Constable: Letters, Life and Art | Session 1

Rereading Constable: Letters, Life and Art | Session 1

Feminist Revisions of Chinoiserie

Feminist Revisions of Chinoiserie

Cinema and Empire: Technologies and Practices

Cinema and Empire: Technologies and Practices

Indigenous Objects Abroad

Indigenous Objects Abroad

Neo-colonial Visions: Artificial Intelligence and Epistemic Violence

Neo-colonial Visions: Artificial Intelligence and Epistemic Violence

Heathrow’s Genius Locus

Heathrow’s Genius Locus

Rereading Constable: Letters, Life and Art | Session 2

Rereading Constable: Letters, Life and Art | Session 2

Frank Auerbach Drawings of People

Frank Auerbach Drawings of People

British Art in Motion

British Art in Motion

Architecture Summer Series 2023

Architecture Summer Series 2023

Tudors Now!

Tudors Now!

Infrastructures of Thought, Networks of Practice: Indian Feminist Art in & with Britain in the 1990s

Infrastructures of Thought, Networks of Practice: Indian Feminist Art in & with Britain in the 1990s

Rereading Constable: Letters, Life and Art | Session 5

Rereading Constable: Letters, Life and Art | Session 5

Grafted Arts by Holly Shaffer

Grafted Arts by Holly Shaffer

Frank Auerbach: Drawings of People

Frank Auerbach: Drawings of People

Georgian Provocations II: Panel Discussion

Georgian Provocations II: Panel Discussion

New Narratives Funding Opportunities

New Narratives Funding Opportunities

A World Wide Book: Charles Jencks and the Language of Post-Modern Architecture, 1977–1991

A World Wide Book: Charles Jencks and the Language of Post-Modern Architecture, 1977–1991

English Garden Eccentrics by Todd Longstaffe-Gowan

English Garden Eccentrics by Todd Longstaffe-Gowan

Georgian Provocations II: Establishing a Female Lineage at the Royal Academy's Show

Georgian Provocations II: Establishing a Female Lineage at the Royal Academy's Show

Georgian Provocations II: George Romney in the Prison-World of Europe

Georgian Provocations II: George Romney in the Prison-World of Europe

Georgian Provocations Series II: Joseph Wright of Derby: Self-portrait as an Experimental Artist

Georgian Provocations Series II: Joseph Wright of Derby: Self-portrait as an Experimental Artist

Georgian Provocations II: A Black King in Georgian London: British Art and Postrevolutionary Haiti

Georgian Provocations II: A Black King in Georgian London: British Art and Postrevolutionary Haiti

Georgian Provocations II: The Haunted Eighteenth Century: Fuseli's 'The Nightmare'

Georgian Provocations II: The Haunted Eighteenth Century: Fuseli's 'The Nightmare'

Join us for the Synthetic Histories: Plastics, Climate and Colonialism symposium

Join us for the Synthetic Histories: Plastics, Climate and Colonialism symposium

Rethinking the Artist Catalogue for the Online Age: Thomas Girtin 1775–1802

Rethinking the Artist Catalogue for the Online Age: Thomas Girtin 1775–1802

Brian Sewell Library and Archive Collections

Brian Sewell Library and Archive Collections

Peter and Renate Nahum Library Collection

Peter and Renate Nahum Library Collection

Postwar Contemporary - Liquid, Crystal, Concrete: The Arts in Postwar Britain 1945–1965

Postwar Contemporary - Liquid, Crystal, Concrete: The Arts in Postwar Britain 1945–1965

British Cybernetic Art - Liquid, Crystal, Concrete: The Arts in Postwar Britain 1945–1965

British Cybernetic Art - Liquid, Crystal, Concrete: The Arts in Postwar Britain 1945–1965

Environmental Surrounds - Liquid, Crystal, Concrete: The Arts in Postwar Britain 1945–1965

Environmental Surrounds - Liquid, Crystal, Concrete: The Arts in Postwar Britain 1945–1965

Postwar Colonialism - Liquid, Crystal, Concrete: The Arts in Postwar Britain 1945–1965

Postwar Colonialism - Liquid, Crystal, Concrete: The Arts in Postwar Britain 1945–1965

Paul Oppé Archive and Library

Paul Oppé Archive and Library

Recollections of Paul Mellon with John Baskett

Recollections of Paul Mellon with John Baskett

Finding Common Ground: Making the Landscape Radical

Finding Common Ground: Making the Landscape Radical

Experimental Modes of Making - Liquid, Crystal, Concrete: The Arts in Postwar Britain 1945–1965

Experimental Modes of Making - Liquid, Crystal, Concrete: The Arts in Postwar Britain 1945–1965

Marginalised Spaces & Émigré Artists-Liquid, Crystal, Concrete: The Arts in Postwar Britain 1945-65

Marginalised Spaces & Émigré Artists-Liquid, Crystal, Concrete: The Arts in Postwar Britain 1945-65

Museums – Britain and the World in the Middle Ages: Image and Reality

Museums – Britain and the World in the Middle Ages: Image and Reality

Movement – Britain and the World in the Middle Ages: Image and Reality

Movement – Britain and the World in the Middle Ages: Image and Reality

Metamorphosis – Britain and the World in the Middle Ages: Image and Reality

Metamorphosis – Britain and the World in the Middle Ages: Image and Reality

Maps – Britain and the World in the Middle Ages: Image and Reality

Maps – Britain and the World in the Middle Ages: Image and Reality

Myth – Britain and the World in the Middle Ages: Image and Reality

Myth – Britain and the World in the Middle Ages: Image and Reality

Introduction – Britain and the World in the Middle Ages: Image and Reality

Introduction – Britain and the World in the Middle Ages: Image and Reality

Pevsner Architectural Guides: Birmingham and the Black Country Book Launch

Pevsner Architectural Guides: Birmingham and the Black Country Book Launch

Liquid Crystal Concrete Seminar Series

Liquid Crystal Concrete Seminar Series

The Making of 'Old Ways New Road: Travels in Scotland 1720-1832'

The Making of 'Old Ways New Road: Travels in Scotland 1720-1832'

Making and Remaking the Edwardian House

Making and Remaking the Edwardian House

Illustrations and Illuminations

Illustrations and Illuminations

Aesthetic Encounters

Aesthetic Encounters

Clean Air, Bright Light: Mackintosh’s School of Art (Research Lunch)

Clean Air, Bright Light: Mackintosh’s School of Art (Research Lunch)

Concerning Photography, Day 2: Magazine, Books (Afternoon session)

Concerning Photography, Day 2: Magazine, Books (Afternoon session)

An Evening in Celebration of Mark Girouard

An Evening in Celebration of Mark Girouard

Concerning Photography, Day 1: Pedagogies (Afternoon session)

Concerning Photography, Day 1: Pedagogies (Afternoon session)

Concerning Photography, Day 3: Archival Futures (Afternoon session)

Concerning Photography, Day 3: Archival Futures (Afternoon session)

Black British Artists and Political Activism: 'She is not Bullet Proof'

Black British Artists and Political Activism: 'She is not Bullet Proof'

Concerning Photography, Day 1: Institutions, Infrastructures (Morning session)

Concerning Photography, Day 1: Institutions, Infrastructures (Morning session)

Concerning Photography, Day 3: Exhibitions, Touring (Morning session)

Concerning Photography, Day 3: Exhibitions, Touring (Morning session)

Concerning Photography, Day 2: Keynote: 'Photography and Collage in the Art of Performance' (Eve)

Concerning Photography, Day 2: Keynote: 'Photography and Collage in the Art of Performance' (Eve)

Concerning Photography, Day 2: Material, Process (Morning session)

Concerning Photography, Day 2: Material, Process (Morning session)

British Art in Motion: the PMC’s undergraduate film competition

British Art in Motion: the PMC’s undergraduate film competition

Black British Artists and Political Activism: Artists Against Apartheid

Black British Artists and Political Activism: Artists Against Apartheid

Maud Sulter: The Centre of the Frame, a Panel Discussion

Maud Sulter: The Centre of the Frame, a Panel Discussion

The Paul Mellon Lectures: Maria Balshaw, Director of Tate

The Paul Mellon Lectures: Maria Balshaw, Director of Tate

Print, Politics and Industrialisation: Graphic Landscape

Print, Politics and Industrialisation: Graphic Landscape

Print and Property: Graphic Landscape

Print and Property: Graphic Landscape

Revisiting the Canon: Graphic Landscape

Revisiting the Canon: Graphic Landscape

Black British Artists and Political Activism: Introduction

Black British Artists and Political Activism: Introduction

Black British Artists and Political Activism: Abstraction and Anti-colonialism

Black British Artists and Political Activism: Abstraction and Anti-colonialism

Staging BLAST!

Staging BLAST!

Retouching the Archive: Encountering the Paper Calotype

Retouching the Archive: Encountering the Paper Calotype

Antarctica, Art and Archive

Antarctica, Art and Archive

The Paul Mellon Lectures: Iwona Blazwick, Director of Whitechapel Gallery

The Paul Mellon Lectures: Iwona Blazwick, Director of Whitechapel Gallery

A Wider View: From Collaboration to Empire: Graphic Landscape

A Wider View: From Collaboration to Empire: Graphic Landscape

The Archival Researcher

The Archival Researcher

Maud Sulter: The Centre of the Frame

Maud Sulter: The Centre of the Frame

What is a Photo Archive?

What is a Photo Archive?

The Conservator

The Conservator

The Artist/Researcher

The Artist/Researcher

The Art Dealer

The Art Dealer

The Researcher

The Researcher

The Curator

The Curator

The Archivist

The Archivist

The Photographer

The Photographer

Collage Dreamings and Collage Hauntings (Part of Cutting Edge: Collage in Britain conference)

Collage Dreamings and Collage Hauntings (Part of Cutting Edge: Collage in Britain conference)

Collage Politics and Punk Practices (Part of Cutting Edge: Collage in Britain conference)

Collage Politics and Punk Practices (Part of Cutting Edge: Collage in Britain conference)

Collage as Method, Manuscript and Moving Image (Part of Cutting Edge: Collage in Britain conference)

Collage as Method, Manuscript and Moving Image (Part of Cutting Edge: Collage in Britain conference)

Cuts, Copies, Clips and the Curatorial (Part of Cutting Edge: Collage in Britain conference)

Cuts, Copies, Clips and the Curatorial (Part of Cutting Edge: Collage in Britain conference)

Cutting Edge Collage: Workshop 2 (Part of Cutting Edge: Collage in Britain, 1945 to Now conference)

Cutting Edge Collage: Workshop 2 (Part of Cutting Edge: Collage in Britain, 1945 to Now conference)

The Paul Mellon Lectures: Gabriele Finaldi, Director of the National Gallery

The Paul Mellon Lectures: Gabriele Finaldi, Director of the National Gallery

Cutting Edge Collage Workshop 1 (Part of Cutting Edge: Collage in Britain, 1945 to Now conference)

Cutting Edge Collage Workshop 1 (Part of Cutting Edge: Collage in Britain, 1945 to Now conference)

Art is Not an Island: on Interdependence and Complicity

Art is Not an Island: on Interdependence and Complicity

Victorian Exodus: Visualising the Old Testament in the Dalziels' Bible Gallery

Victorian Exodus: Visualising the Old Testament in the Dalziels' Bible Gallery

Robert & James Adam's Grand Tour Letters and Writings

Robert & James Adam's Grand Tour Letters and Writings

Thomas Becket: Murder and Making of a Saint

Thomas Becket: Murder and Making of a Saint

Video Activism before the Internet

Video Activism before the Internet

Amusing, Interesting and Curious: A Study of English Paper Peepshows

Amusing, Interesting and Curious: A Study of English Paper Peepshows

Robert Turnbull Macpherson and his Photographic Vedute of Rome

Robert Turnbull Macpherson and his Photographic Vedute of Rome

Pioneering Women at the Heart of the Royal Society of Sculptors

Pioneering Women at the Heart of the Royal Society of Sculptors

Maclise's Anatomical Atlases: The Scientific and Intellectual Contexts of Anatomical Production

Maclise's Anatomical Atlases: The Scientific and Intellectual Contexts of Anatomical Production

William Hunter's Atlas of Human “Gravid Uterus”: The Production and Uses of Atlases

William Hunter's Atlas of Human “Gravid Uterus”: The Production and Uses of Atlases

Joseph Maclise's Anatomical Atlases: His Works and Influences

Joseph Maclise's Anatomical Atlases: His Works and Influences

London, Asia, Art, Worlds: "Spell" performance by Sam Reynolds

London, Asia, Art, Worlds: "Spell" performance by Sam Reynolds

London, Asia, Art, Worlds: Thinking Through Empire

London, Asia, Art, Worlds: Thinking Through Empire

London, Asia, Art, Worlds: Thinking from Asia

London, Asia, Art, Worlds: Thinking from Asia

Pevsner Architectural Guides, Buildings of England: Wiltshire

Pevsner Architectural Guides, Buildings of England: Wiltshire

London, Asia, Art, Worlds: Aesthetics & Ways of Knowing

London, Asia, Art, Worlds: Aesthetics & Ways of Knowing

London, Asia, Art, Worlds: Bureaucracy & Agency

London, Asia, Art, Worlds: Bureaucracy & Agency

London, Asia, Art, Worlds: Potential Histories & Solidarities

London, Asia, Art, Worlds: Potential Histories & Solidarities

London, Asia, Art, Worlds: Circulation & Encounter

London, Asia, Art, Worlds: Circulation & Encounter

London, Asia, Art, Worlds: Pedagogy & Learning

London, Asia, Art, Worlds: Pedagogy & Learning

Pevsner Architectural Guides, Buildings of England: County Durham

Pevsner Architectural Guides, Buildings of England: County Durham

London, Asia, Art, Worlds: Sociality & Affect

London, Asia, Art, Worlds: Sociality & Affect

London, Asia, Art Worlds

London, Asia, Art Worlds

From Hogarth to Thatcher: Lubaina Himid's 'A Fashionable Marriage', 1986/2014

From Hogarth to Thatcher: Lubaina Himid's 'A Fashionable Marriage', 1986/2014

The Original: Hogarth's 'A Harlot's Progress', 1732

The Original: Hogarth's 'A Harlot's Progress', 1732

Hogarth In and Out of History: Yinka Shonibare’s 'Diary of a Victorian Dandy' (1998)

Hogarth In and Out of History: Yinka Shonibare’s 'Diary of a Victorian Dandy' (1998)

Art Criticism and the Pandemic II - Safer Spaces

Art Criticism and the Pandemic II - Safer Spaces

Art Criticism and the Pandemic II - Wearing Out

Art Criticism and the Pandemic II - Wearing Out

Pleasure and Violence: Hogarth’s "The Four Stages of Cruelty" (1751)

Pleasure and Violence: Hogarth’s "The Four Stages of Cruelty" (1751)

London Lives: Hogarth’s "Industry and Idleness" (1747)

London Lives: Hogarth’s "Industry and Idleness" (1747)

The Sequel: Hogarth’s "A Rake’s Progress" (1734–5)

The Sequel: Hogarth’s "A Rake’s Progress" (1734–5)

"Shadows From Light" a film discussion: with Rachel Garfield and Will Fowler

"Shadows From Light" a film discussion: with Rachel Garfield and Will Fowler

Speaking of Art: Art, Histories and the Podcast

Speaking of Art: Art, Histories and the Podcast

Duncan Macmillan: French Art and Scotch Ideas

Duncan Macmillan: French Art and Scotch Ideas

Foto Studio Bluefields: Photography and Political Life on the Nicaraguan Caribbean

Foto Studio Bluefields: Photography and Political Life on the Nicaraguan Caribbean

Accommodating the Picturesque: The Country Houses of Wyatt, Nash and Soane, 1793–1815

Accommodating the Picturesque: The Country Houses of Wyatt, Nash and Soane, 1793–1815

Rewriting the Script: Theatre Playwriting Practice & the Design of an Ecological Sustainable Theatre

Rewriting the Script: Theatre Playwriting Practice & the Design of an Ecological Sustainable Theatre