Канал: Boston Baroque

Announcing Boston Baroque's 2024-2025 Season

Announcing Boston Baroque's 2024-2025 Season

Boston Baroque - Don Fernando Scene from Beethoven’s Fidelio

Boston Baroque - Don Fernando Scene from Beethoven’s Fidelio

Boston Baroque - Don Fernando Entrance from Beethoven’s Fidelio

Boston Baroque - Don Fernando Entrance from Beethoven’s Fidelio

Boston Baroque - "Comfort Ye...Ev'ry Valley" from Handel's Messiah with Karim Sulayman

Boston Baroque - "Comfort Ye...Ev'ry Valley" from Handel's Messiah with Karim Sulayman

Boston Baroque - Mozart's Sinfonia Concertante in Eb Major for violin and viola, III. Presto

Boston Baroque - Mozart's Sinfonia Concertante in Eb Major for violin and viola, III. Presto

Boston Baroque - "And the Glory of the Lord" - from Handel's Messiah

Boston Baroque - "And the Glory of the Lord" - from Handel's Messiah

Boston Baroque - An die Freude (Ode to Joy) from Beethoven's Symphony No.9

Boston Baroque - An die Freude (Ode to Joy) from Beethoven's Symphony No.9

Boston Baroque — "Le calme rentre dans mon coeur" Gluck's Iphigénie en Tauride with Jesse Blumberg

Boston Baroque — "Le calme rentre dans mon coeur" Gluck's Iphigénie en Tauride with Jesse Blumberg

Boston Baroque — "Divinite des grands ames" from Gluck's Iphigénie en Tauride with William Burden

Boston Baroque — "Divinite des grands ames" from Gluck's Iphigénie en Tauride with William Burden

Boston Baroque — "Je t'emplore" from Gluck's Iphigénie en Tauride with Soula Parassidis

Boston Baroque — "Je t'emplore" from Gluck's Iphigénie en Tauride with Soula Parassidis

Boston Baroque — "Ô malheureuse Iphigénie" from Gluck's Iphigénie en Tauride with Soula Parassidis

Boston Baroque — "Ô malheureuse Iphigénie" from Gluck's Iphigénie en Tauride with Soula Parassidis

Boston Baroque—"He was despised" from Handel's Messiah with Ann McMahon Quintero

Boston Baroque—"He was despised" from Handel's Messiah with Ann McMahon Quintero

Boston Baroque—"O thou that tellest good tidings to Zion" from Handel's Messiah

Boston Baroque—"O thou that tellest good tidings to Zion" from Handel's Messiah

Boston Baroque—Fund-A-Need 2023

Boston Baroque—Fund-A-Need 2023

Boston Baroque — "Godete, oh cori amante" from Handel's Amadigi di Gaula

Boston Baroque — "Godete, oh cori amante" from Handel's Amadigi di Gaula

Boston Baroque — "Domine Deus" from Bach's Mass in B Minor with Nicholas Phan and Amanda Forsythe

Boston Baroque — "Domine Deus" from Bach's Mass in B Minor with Nicholas Phan and Amanda Forsythe

Boston Baroque — "Benedictus" from Bach's Mass in B Minor with Nicholas Phan and Joseph Monticello

Boston Baroque — "Benedictus" from Bach's Mass in B Minor with Nicholas Phan and Joseph Monticello

Boston Baroque—Jacob van Noort's "Den Nachtegael" with Aldo Abreu, recorder

Boston Baroque—Jacob van Noort's "Den Nachtegael" with Aldo Abreu, recorder

Boston Baroque—Jacob van Eyck's "Engels Nachtegaeltje" with Aldo Abreu, recorder

Boston Baroque—Jacob van Eyck's "Engels Nachtegaeltje" with Aldo Abreu, recorder

Boston Baroque—"For Unto Us a Child is Born" from Handel's Messiah

Boston Baroque—"For Unto Us a Child is Born" from Handel's Messiah

Boston Baroque—"The Trumpet Shall Sound" from Handel's Messiah with Sidney Outlaw and Justin Bland

Boston Baroque—"The Trumpet Shall Sound" from Handel's Messiah with Sidney Outlaw and Justin Bland

Boston Baroque — "Qui sedes ad dexteram Patris" from Bach's Mass in B Minor with Tamara Mumford

Boston Baroque — "Qui sedes ad dexteram Patris" from Bach's Mass in B Minor with Tamara Mumford

Boston Baroque — "Ti pentirai, crudel" from Handel's Amadigi di Gaula with Camille Ortiz

Boston Baroque — "Ti pentirai, crudel" from Handel's Amadigi di Gaula with Camille Ortiz

Boston Baroque — "Sussurate, onde vezzose" from Handel's Amadigi di Gaula with Anthony Roth Costanzo

Boston Baroque — "Sussurate, onde vezzose" from Handel's Amadigi di Gaula with Anthony Roth Costanzo

Boston Baroque — "Sento la gioia" from Handel's Amadigi di Gaula with Anthony Roth Costanzo

Boston Baroque — "Sento la gioia" from Handel's Amadigi di Gaula with Anthony Roth Costanzo

Boston Baroque — "Pena tirana" from Handel's Amadigi di Gaula with Daniela Mack

Boston Baroque — "Pena tirana" from Handel's Amadigi di Gaula with Daniela Mack

Boston Baroque — "Non sa temere questo mio petto" from Handel's Amadigi di Gaula

Boston Baroque — "Non sa temere questo mio petto" from Handel's Amadigi di Gaula

Boston Baroque — "Han' penetrato i detti tuoi l'inferno" from Handel's Amadigi di Gaula

Boston Baroque — "Han' penetrato i detti tuoi l'inferno" from Handel's Amadigi di Gaula

Boston Baroque — "Destèro dall'empia" from Handel's Amadigi di Gaula with Amanda Forsythe

Boston Baroque — "Destèro dall'empia" from Handel's Amadigi di Gaula with Amanda Forsythe

Boston Baroque — "Ah! spietato! e non ti muove" from Handel's Amadigi di Gaula with Amanda Forsythe

Boston Baroque — "Ah! spietato! e non ti muove" from Handel's Amadigi di Gaula with Amanda Forsythe

Boston Baroque — "Agitato il cor mi sento" from Handel's Amadigi di Gaula with Daniela Mack

Boston Baroque — "Agitato il cor mi sento" from Handel's Amadigi di Gaula with Daniela Mack

Boston Baroque — "Affannami, tormentami" from Handel's Amadigi di Gaula with Camille Ortiz

Boston Baroque — "Affannami, tormentami" from Handel's Amadigi di Gaula with Camille Ortiz

Boston Baroque — "Crudel, tu non farai" from Handel's Amadigi di Gaula

Boston Baroque — "Crudel, tu non farai" from Handel's Amadigi di Gaula

Boston Baroque — "As from the pow'r of sacred lays" from Handel's Ode for St. Cecilia's Day

Boston Baroque — "As from the pow'r of sacred lays" from Handel's Ode for St. Cecilia's Day

Boston Baroque—Mykola Lysenko's "Prayer for Ukraine"

Boston Baroque—Mykola Lysenko's "Prayer for Ukraine"

Boston Baroque—"But oh! what art can teach" from Handel's Ode for St. Cecilia's Day, Elena Villalón

Boston Baroque—"But oh! what art can teach" from Handel's Ode for St. Cecilia's Day, Elena Villalón

Boston Baroque — Vicente Lusitano's "Aspice Domine" performed by the X-tet

Boston Baroque — Vicente Lusitano's "Aspice Domine" performed by the X-tet

Boston Baroque — Domenico Cimarosa's Il Maestro di Cappella with David McFerrin

Boston Baroque — Domenico Cimarosa's Il Maestro di Cappella with David McFerrin

Boston Baroque — "Rondeau" from Chevalier de Saint-Georges' Violin Concerto in D

Boston Baroque — "Rondeau" from Chevalier de Saint-Georges' Violin Concerto in D

Boston Baroque — "Adagio" from Chevalier de Saint-Georges' Violin Concerto in D

Boston Baroque — "Adagio" from Chevalier de Saint-Georges' Violin Concerto in D

Boston Baroque — "Allegro maestoso" from Chevalier de Saint-Georges' Violin Concerto in D

Boston Baroque — "Allegro maestoso" from Chevalier de Saint-Georges' Violin Concerto in D

Boston Baroque — "Pifa" from Handel's Messiah

Boston Baroque — "Pifa" from Handel's Messiah

Boston Baroque — "Why do the nations so furiously rage" from Handel's Messiah with Kevin Deas

Boston Baroque — "Why do the nations so furiously rage" from Handel's Messiah with Kevin Deas

Boston Baroque — "The Trumpet Shall Sound" from Handel's Messiah with bass-baritone Kevin Deas

Boston Baroque — "The Trumpet Shall Sound" from Handel's Messiah with bass-baritone Kevin Deas

Boston Baroque — "I know that my redeemer liveth" from Handel's Messiah with soprano Maya Kherani

Boston Baroque — "I know that my redeemer liveth" from Handel's Messiah with soprano Maya Kherani

Boston Baroque — "Rejoice greatly" from Handel's Messiah with soprano Maya Kherani

Boston Baroque — "Rejoice greatly" from Handel's Messiah with soprano Maya Kherani

Boston Baroque — "He was despised" from Handel's Messiah with countertenor Christopher Lowrey

Boston Baroque — "He was despised" from Handel's Messiah with countertenor Christopher Lowrey

Boston Baroque — "Comfort Ye" from Handel's Messiah with tenor Aaron Sheehan

Boston Baroque — "Comfort Ye" from Handel's Messiah with tenor Aaron Sheehan

Boston Baroque — "For Unto Us a Child is Born" from Handel's Messiah

Boston Baroque — "For Unto Us a Child is Born" from Handel's Messiah

Boston Baroque — "Worthy is the Lamb" & "Amen" from Handel's Messiah

Boston Baroque — "Worthy is the Lamb" & "Amen" from Handel's Messiah

Boston Baroque — "Hallelujah Chorus" from Handel's Messiah

Boston Baroque — "Hallelujah Chorus" from Handel's Messiah

Boston Baroque — "Le Cahos" from Jean-Féry Rebel's Les Élémens

Boston Baroque — "Le Cahos" from Jean-Féry Rebel's Les Élémens

Boston Baroque — "Ouverture" from G.F. Handel's Music for the Royal Fireworks

Boston Baroque — "Ouverture" from G.F. Handel's Music for the Royal Fireworks

Boston Baroque — George Frideric Handel's Concerto Grosso in G Major, Op. 6, No. 1

Boston Baroque — George Frideric Handel's Concerto Grosso in G Major, Op. 6, No. 1

Boston Baroque — "La Réjouissance" from G.F. Handel's Music for the Royal Fireworks

Boston Baroque — "La Réjouissance" from G.F. Handel's Music for the Royal Fireworks

Boston Baroque — Handel's Jephtha Trailer

Boston Baroque — Handel's Jephtha Trailer

Boston Baroque — "Monteverdi's Vespers of 1610" Trailer

Boston Baroque — "Monteverdi's Vespers of 1610" Trailer

Boston Baroque — George Frideric Handel's Water Music Suite in F Major

Boston Baroque — George Frideric Handel's Water Music Suite in F Major

Boston Baroque — J.S. Bach's Brandenburg Concerto No. 1

Boston Baroque — J.S. Bach's Brandenburg Concerto No. 1

Boston Baroque — "Bach & Handel" Trailer

Boston Baroque — "Bach & Handel" Trailer

Boston Baroque — "Pur ti miro, put ti godo" from Monteverdi's L'incoronazione di Poppea

Boston Baroque — "Pur ti miro, put ti godo" from Monteverdi's L'incoronazione di Poppea

Boston Baroque — The X-tet: A Concert Documentary by Nathaniel Hansen

Boston Baroque — The X-tet: A Concert Documentary by Nathaniel Hansen

Boston Baroque — "Poppea & Nero: Love Scenes from Monteverdi's L'incoronazione di Poppea" Trailer

Boston Baroque — "Poppea & Nero: Love Scenes from Monteverdi's L'incoronazione di Poppea" Trailer

Boston Baroque — Haydn's "Scena di Berenice" with soprano Ana Maria Labin

Boston Baroque — Haydn's "Scena di Berenice" with soprano Ana Maria Labin

Boston Baroque — "Allegro" from Beethoven's Piano Concerto No. 2 with Kristian Bezuidenhout

Boston Baroque — "Allegro" from Beethoven's Piano Concerto No. 2 with Kristian Bezuidenhout

Boston Baroque — "Allegro" from Beethoven's Symphony No. 5

Boston Baroque — "Allegro" from Beethoven's Symphony No. 5

Boston Baroque — Beethoven's "Ah! perfido" with soprano Ana Maria Labin

Boston Baroque — Beethoven's "Ah! perfido" with soprano Ana Maria Labin

Boston Baroque — Beethoven's "Overture" to The Creatures of Prometheus

Boston Baroque — Beethoven's "Overture" to The Creatures of Prometheus

Boston Baroque — "Beethoven & Haydn" Trailer

Boston Baroque — "Beethoven & Haydn" Trailer

Boston Baroque — "A Baroque Celebration" Trailer

Boston Baroque — "A Baroque Celebration" Trailer

Boston Baroque — J.S. Bach's Brandenburg Concerto No. 4

Boston Baroque — J.S. Bach's Brandenburg Concerto No. 4

Boston Baroque — Antonio Vivaldi's Concerto in C Major for sopranino recorder with Aldo Abreu

Boston Baroque — Antonio Vivaldi's Concerto in C Major for sopranino recorder with Aldo Abreu

Boston Baroque — J.S. Bach's Violin Concerto in E Major with Christina Day Martinson

Boston Baroque — J.S. Bach's Violin Concerto in E Major with Christina Day Martinson

Boston Baroque — Georg Philipp Telemann's Concerto in G Major for four violins

Boston Baroque — Georg Philipp Telemann's Concerto in G Major for four violins

Boston Baroque — Antonio Vivaldi's Concerto in B minor for four violins

Boston Baroque — Antonio Vivaldi's Concerto in B minor for four violins

Boston Baroque — "Worthy is the Lamb That Was Slain" from Handel's Messiah

Boston Baroque — "Worthy is the Lamb That Was Slain" from Handel's Messiah

Boston Baroque — "The Trumpet Shall Sound" from Handel's Messiah with Dashon Burton

Boston Baroque — "The Trumpet Shall Sound" from Handel's Messiah with Dashon Burton

Boston Baroque — "Hallelujah Chorus" from Handel's Messiah

Boston Baroque — "Hallelujah Chorus" from Handel's Messiah

Boston Baroque — "Rejoice greatly" from Handel's Messiah with Amanda Forsythe

Boston Baroque — "Rejoice greatly" from Handel's Messiah with Amanda Forsythe

Boston Baroque — "Unto Us a Child is Born" from Handel's Messiah

Boston Baroque — "Unto Us a Child is Born" from Handel's Messiah

Boston Baroque — "Comfort Ye" from Handel's Messiah with Thomas Cooley

Boston Baroque — "Comfort Ye" from Handel's Messiah with Thomas Cooley

Boston Baroque — "Overture" from Handel's Messiah

Boston Baroque — "Overture" from Handel's Messiah

Boston Baroque — Handel's Messiah Trailer

Boston Baroque — Handel's Messiah Trailer

Boston Baroque — “Da tempeste il legno infranto” from Handel’s Giulio Cesare with Susanna Phillips

Boston Baroque — “Da tempeste il legno infranto” from Handel’s Giulio Cesare with Susanna Phillips

Boston Baroque — "V’adoro pupille" from Handel's Giulio Cesare with soprano Susanna Phillips

Boston Baroque — "V’adoro pupille" from Handel's Giulio Cesare with soprano Susanna Phillips

Boston Baroque — Handel's “Caro! Bella! Più amabile beltà” with Susanna Phillips and Lawrence Zazzo

Boston Baroque — Handel's “Caro! Bella! Più amabile beltà” with Susanna Phillips and Lawrence Zazzo

Boston Baroque — “Son nata a lagrimar” from Handel’s Giulio Cesare

Boston Baroque — “Son nata a lagrimar” from Handel’s Giulio Cesare

Boston Baroque — “Doll’ondoso periglio…Aure, deh, per pietà” from Giulio Cesare with Lawrence Zazzo

Boston Baroque — “Doll’ondoso periglio…Aure, deh, per pietà” from Giulio Cesare with Lawrence Zazzo

Boston Baroque — "Svegliatevi nel core" from Handel's Giulio Cesare with Jennifer Rivera

Boston Baroque — "Svegliatevi nel core" from Handel's Giulio Cesare with Jennifer Rivera

Boston Baroque — Handel's Giulio Cesare in Egitto Trailer

Boston Baroque — Handel's Giulio Cesare in Egitto Trailer

Boston Baroque — “Sì, spietata, il tuo rigore sveglia” from Handel’s Giulio Cesare with John Holiday

Boston Baroque — “Sì, spietata, il tuo rigore sveglia” from Handel’s Giulio Cesare with John Holiday

Boston Baroque — "L'empio, sleale, indegno" from Handel's Giulio Cesare with John Holiday

Boston Baroque — "L'empio, sleale, indegno" from Handel's Giulio Cesare with John Holiday

Boston Baroque — “Piangerò la sorte mia” from Handel’s Giulio Cesare with soprano Susanna Phillips

Boston Baroque — “Piangerò la sorte mia” from Handel’s Giulio Cesare with soprano Susanna Phillips

Boston Baroque — Biber's Passacaglia in G minor for solo violin from The Mystery Sonatas

Boston Baroque — Biber's Passacaglia in G minor for solo violin from The Mystery Sonatas

Boston Baroque — Biber's Sonata XIV: The Assumption of the Virgin from The Mystery Sonatas

Boston Baroque — Biber's Sonata XIV: The Assumption of the Virgin from The Mystery Sonatas

Boston Baroque — Biber's Sonata XII in C Major: The Ascension from The Mystery Sonatas

Boston Baroque — Biber's Sonata XII in C Major: The Ascension from The Mystery Sonatas

Boston Baroque — Biber's Sonata XI in G Major: The Resurrection from The Mystery Sonatas

Boston Baroque — Biber's Sonata XI in G Major: The Resurrection from The Mystery Sonatas

Boston Baroque — Biber's Sonata X in G minor: The Crucifixion from The Mystery Sonatas

Boston Baroque — Biber's Sonata X in G minor: The Crucifixion from The Mystery Sonatas

Boston Baroque — Biber's Sonata V: The Finding of Jesus in the Temple from The Mystery Sonatas

Boston Baroque — Biber's Sonata V: The Finding of Jesus in the Temple from The Mystery Sonatas

Boston Baroque — Biber's Sonata I in D minor: The Annunciation from The Mystery Sonatas

Boston Baroque — Biber's Sonata I in D minor: The Annunciation from The Mystery Sonatas

Boston Baroque — Biber's The Mystery Sonatas Trailer

Boston Baroque — Biber's The Mystery Sonatas Trailer

Boston Baroque — 20-21 Virtual Season Trailer

Boston Baroque — 20-21 Virtual Season Trailer

Boston Baroque — "Mir ist so wunderbar" from Beethoven's Fidelio

Boston Baroque — "Mir ist so wunderbar" from Beethoven's Fidelio

Boston Baroque — "Er sterbe! Doch er soll es wissen" from Beethoven's Fidelio

Boston Baroque — "Er sterbe! Doch er soll es wissen" from Beethoven's Fidelio

Boston Baroque — "Abscheulicher" from Beethoven’s Fidelio

Boston Baroque — "Abscheulicher" from Beethoven’s Fidelio

Boston Baroque — "O namenlose Freude" from Beethoven Fidelio with Wendy Bryn Harmer & William Burden

Boston Baroque — "O namenlose Freude" from Beethoven Fidelio with Wendy Bryn Harmer & William Burden

Boston Baroque — "Gott! welch' Dunkel hier!" from Beethoven's Fidelio with Tenor William Burden

Boston Baroque — "Gott! welch' Dunkel hier!" from Beethoven's Fidelio with Tenor William Burden

Boston Baroque — "Overture" from Beethoven's Fidelio

Boston Baroque — "Overture" from Beethoven's Fidelio

Boston Baroque — "Gut, Söhnchen, gut" from Beethoven's Fidelio

Boston Baroque — "Gut, Söhnchen, gut" from Beethoven's Fidelio

Boston Baroque — "O welche Lust" from Beethoven's Fidelio

Boston Baroque — "O welche Lust" from Beethoven's Fidelio

Boston Baroque — "Heil sei dem Tag" from Beethoven's Fidelio

Boston Baroque — "Heil sei dem Tag" from Beethoven's Fidelio

Boston Baroque — "Ha! welch' ein Augenblick" from Beethoven's Fidelio with Baritone Mark Walters

Boston Baroque — "Ha! welch' ein Augenblick" from Beethoven's Fidelio with Baritone Mark Walters

Boston Baroque — Beethoven's Fidelio Trailer

Boston Baroque — Beethoven's Fidelio Trailer

Boston Baroque — Menuetto: Allegretto from Mozart's Symphony No. 40 in G minor

Boston Baroque — Menuetto: Allegretto from Mozart's Symphony No. 40 in G minor

Boston Baroque #SongsofComfort — Double from J.S. Bach's Partita No. 1 in B minor

Boston Baroque #SongsofComfort — Double from J.S. Bach's Partita No. 1 in B minor

Boston Baroque #SongsofComfort — Allemande from J.S. Bach's Partita No. 1 in B minor

Boston Baroque #SongsofComfort — Allemande from J.S. Bach's Partita No. 1 in B minor

Boston Baroque — Benedictus from Mozart's Requiem

Boston Baroque — Benedictus from Mozart's Requiem

Boston Baroque — Domine Jesu from Mozart's Requiem in D

Boston Baroque — Domine Jesu from Mozart's Requiem in D

Boston Baroque — Lacrimosa from Mozart's Requiem in D

Boston Baroque — Lacrimosa from Mozart's Requiem in D

Boston Baroque — Confutatis from Mozart's Requiem in D

Boston Baroque — Confutatis from Mozart's Requiem in D

Boston Baroque — Rex tremendae from Mozart's Requiem in D

Boston Baroque — Rex tremendae from Mozart's Requiem in D

Boston Baroque — Dies irae from Mozart's Requiem in D

Boston Baroque — Dies irae from Mozart's Requiem in D

Boston Baroque — Introit from Mozart's Requiem in D

Boston Baroque — Introit from Mozart's Requiem in D

Boston Baroque — Mozart's "Exsultate, jubilate" with soprano Amanda Forsythe

Boston Baroque — Mozart's "Exsultate, jubilate" with soprano Amanda Forsythe

Boston Baroque — Allegro assai from Mozart's Symphony No. 40 in G minor

Boston Baroque — Allegro assai from Mozart's Symphony No. 40 in G minor

Boston Baroque — Andante from Mozart's Symphony No. 40 in G minor

Boston Baroque — Andante from Mozart's Symphony No. 40 in G minor

Boston Baroque — Molto allegro from Mozart's Symphony No. 40 in G minor

Boston Baroque — Molto allegro from Mozart's Symphony No. 40 in G minor

Boston Baroque — Mozart's Requiem and Symphony No. 40 Trailer

Boston Baroque — Mozart's Requiem and Symphony No. 40 Trailer

Boston Baroque #SongsofComfort — Presto from J.S. Bach's G minor Sonata

Boston Baroque #SongsofComfort — Presto from J.S. Bach's G minor Sonata

Boston Baroque — "Pensieri, voi mi tormentate" from Handel's Agrippina with Soprano Susanna Phillips

Boston Baroque — "Pensieri, voi mi tormentate" from Handel's Agrippina with Soprano Susanna Phillips

Boston Baroque — "Ogni vento ch'al porto lo spinga" from Handel's Agrippina with Susanna Phillips

Boston Baroque — "Ogni vento ch'al porto lo spinga" from Handel's Agrippina with Susanna Phillips

Boston Baroque — "Non ho cor che per amarti" from Handel's Agrippina with Soprano Susanna Phillips

Boston Baroque — "Non ho cor che per amarti" from Handel's Agrippina with Soprano Susanna Phillips

Boston Baroque — "L'alma mia frà le tempeste" from Handel's Agrippina with Soprano Susanna Phillips

Boston Baroque — "L'alma mia frà le tempeste" from Handel's Agrippina with Soprano Susanna Phillips

Boston Baroque — "Vieni, o cara" from Handel's Agrippina with Bass-Baritone Kevin Deas

Boston Baroque — "Vieni, o cara" from Handel's Agrippina with Bass-Baritone Kevin Deas

Boston Baroque — "Quando invita la donna l’amante" from Handel's Agrippina with David Hansen

Boston Baroque — "Quando invita la donna l’amante" from Handel's Agrippina with David Hansen

Boston Baroque — "Come nube che fugge dal vento" from Handel's Agrippina with David Hansen

Boston Baroque — "Come nube che fugge dal vento" from Handel's Agrippina with David Hansen

Boston Baroque — "Coll'ardor del tuo bel cor" from Handel's Agrippina with Countertenor David Hansen

Boston Baroque — "Coll'ardor del tuo bel cor" from Handel's Agrippina with Countertenor David Hansen

Boston Baroque — "Vaghe perle" from Handel's Agrippina with Soprano Amanda Forsythe

Boston Baroque — "Vaghe perle" from Handel's Agrippina with Soprano Amanda Forsythe

Boston Baroque — "Se giunge un dispetto" from Handel's Agrippina with Soprano Amanda Forsythe

Boston Baroque — "Se giunge un dispetto" from Handel's Agrippina with Soprano Amanda Forsythe

Boston Baroque — "Bella pur nel mio diletto" from Handel's Agrippina with Soprano Amanda Forsythe

Boston Baroque — "Bella pur nel mio diletto" from Handel's Agrippina with Soprano Amanda Forsythe

Boston Baroque — "Bel piacere" from Handel's Agrippina with Soprano Amanda Forsythe

Boston Baroque — "Bel piacere" from Handel's Agrippina with Soprano Amanda Forsythe

Boston Baroque — Handel's Agrippina Trailer

Boston Baroque — Handel's Agrippina Trailer

Boston Baroque #SongsofComfort — Siciliano from J.S. Bach's G minor Sonata

Boston Baroque #SongsofComfort — Siciliano from J.S. Bach's G minor Sonata

Boston Baroque #SongsofComfort — Fugue from J.S. Bach's G Minor Sonata

Boston Baroque #SongsofComfort — Fugue from J.S. Bach's G Minor Sonata

Boston Baroque #SongsofComfort — Adagio from J.S. Bach's G minor Sonata

Boston Baroque #SongsofComfort — Adagio from J.S. Bach's G minor Sonata

Boston Baroque — Highlights from Bach's "B Minor Mass"

Boston Baroque — Highlights from Bach's "B Minor Mass"

Boston Baroque — Amanda Forsythe & Anthony Roth Costanzo in Monteverdi's "L'incoronazione di Poppea"

Boston Baroque — Amanda Forsythe & Anthony Roth Costanzo in Monteverdi's "L'incoronazione di Poppea"

Boston Baroque — "Ich folge dir gleichfalls" from Bach's St. John Passion with soprano Mary Wilson

Boston Baroque — "Ich folge dir gleichfalls" from Bach's St. John Passion with soprano Mary Wilson

Boston Baroque — "Ye house of Gilead" from Handel's "Jephtha"

Boston Baroque — "Ye house of Gilead" from Handel's "Jephtha"

Boston Baroque — Handel's "Jephtha" with bass-baritone Dashon Burton

Boston Baroque — Handel's "Jephtha" with bass-baritone Dashon Burton

Boston Baroque — "Summer" from Vivaldi's "The Four Seasons" with Christina Day Martinson

Boston Baroque — "Summer" from Vivaldi's "The Four Seasons" with Christina Day Martinson

Boston Baroque — Handel's "Messiah" Highlights (2015)

Boston Baroque — Handel's "Messiah" Highlights (2015)

Boston Baroque — Handel's "Messiah" Highlights (2014)

Boston Baroque — Handel's "Messiah" Highlights (2014)

Boston Baroque Live Stream

Boston Baroque Live Stream

Best of Boston Baroque — Beethoven, Monteverdi, Handel, and Vivaldi

Best of Boston Baroque — Beethoven, Monteverdi, Handel, and Vivaldi

Boston Baroque — Handel's "Jephtha" with soprano Ava Pine

Boston Baroque — Handel's "Jephtha" with soprano Ava Pine

Boston Baroque — Monteverdi's "Vespers of 1610" with tenor Aaron Sheehan

Boston Baroque — Monteverdi's "Vespers of 1610" with tenor Aaron Sheehan

Boston Baroque — "Réjouissance" movement from Bach's Orchestral Suite No. 4 in D Major, BWV 1069

Boston Baroque — "Réjouissance" movement from Bach's Orchestral Suite No. 4 in D Major, BWV 1069

Boston Baroque — J.S. Bach's Concerto in D Major for three violins and orchestra (after BWV 1064)

Boston Baroque — J.S. Bach's Concerto in D Major for three violins and orchestra (after BWV 1064)

Boston Baroque — Vivaldi Motet, "Nulla in mundo pax sincera" with Soprano Maggie Finnegan

Boston Baroque — Vivaldi Motet, "Nulla in mundo pax sincera" with Soprano Maggie Finnegan

Boston Baroque — Beethoven's Symphony No. 7

Boston Baroque — Beethoven's Symphony No. 7

Boston Baroque — "Rejoice greatly" from Handel's Messiah with Amanda Forsythe

Boston Baroque — "Rejoice greatly" from Handel's Messiah with Amanda Forsythe

Boston Baroque — "Glory to God" from Handel's Messiah

Boston Baroque — "Glory to God" from Handel's Messiah

Boston Baroque — "O thou that tellest good tidings to Zion" with Ann McMahon Quintero

Boston Baroque — "O thou that tellest good tidings to Zion" with Ann McMahon Quintero

Boston Baroque — Handel's "Messiah" Highlights with baritone Andrew Garland

Boston Baroque — Handel's "Messiah" Highlights with baritone Andrew Garland

Boston Baroque — "Presto" movement from Haydn's Symphony No. 102

Boston Baroque — "Presto" movement from Haydn's Symphony No. 102

Boston Baroque — "Presto" movement from Mozart's "Linz" Symphony

Boston Baroque — "Presto" movement from Mozart's "Linz" Symphony

Boston Baroque — "Anna, m'ascolta" with Amanda Forsythe

Boston Baroque — "Anna, m'ascolta" with Amanda Forsythe

Boston Baroque — So Young Park as the Queen of the Night from Mozart's The Magic Flute

Boston Baroque — So Young Park as the Queen of the Night from Mozart's The Magic Flute

Boston Baroque — Handel's "Messiah" Highlights with mezzo-soprano Ann McMahon Quintero

Boston Baroque — Handel's "Messiah" Highlights with mezzo-soprano Ann McMahon Quintero

Boston Baroque — "Hallelujah Chorus" from Handel's Messiah

Boston Baroque — "Hallelujah Chorus" from Handel's Messiah

Boston Baroque — Bach's Violin Concerto in A Minor with Christina Day Martinson

Boston Baroque — Bach's Violin Concerto in A Minor with Christina Day Martinson

Boston Baroque — Highlights from Vivaldi's "The Four Seasons" with Christina Day Martinson

Boston Baroque — Highlights from Vivaldi's "The Four Seasons" with Christina Day Martinson

Boston Baroque — "Pur ti miro, Pur ti godo" with Amanda Forsythe and Anthony Roth Costanzo

Boston Baroque — "Pur ti miro, Pur ti godo" with Amanda Forsythe and Anthony Roth Costanzo

Boston Baroque 2014 Messiah

Boston Baroque 2014 Messiah