Канал: Gail Sibley

The Art of Simplifying a Scene (Fast!)

The Art of Simplifying a Scene (Fast!)

An easy way to decide what to paint!

An easy way to decide what to paint!

Exploring An Unusual Surface for Soft Pastels

Exploring An Unusual Surface for Soft Pastels

Chris Ivers Reveals Her Unique Approach to Pastelling

Chris Ivers Reveals Her Unique Approach to Pastelling

The Essence of IAPS: Colette Odya Smith’s Perspective on Community

The Essence of IAPS: Colette Odya Smith’s Perspective on Community

Jimmy Wright Helps Beginners Tackle Colour Overload

Jimmy Wright Helps Beginners Tackle Colour Overload

Breaking Boundaries in Art: Loriann Signori's Journey

Breaking Boundaries in Art: Loriann Signori's Journey

Ensure you get the best poses from your model

Ensure you get the best poses from your model

Portraiture in the Age of AI

Portraiture in the Age of AI

Creating Successful Paintings: Insights from Brenda Boylan

Creating Successful Paintings: Insights from Brenda Boylan

Playing with Colour - How I Changed What I Saw

Playing with Colour - How I Changed What I Saw

Three Tips on Seeing Colour in Greys - A Demo in Soft Pastels

Three Tips on Seeing Colour in Greys - A Demo in Soft Pastels

Unboxing my Unison Colour set of soft pastels!

Unboxing my Unison Colour set of soft pastels!

How to choose the right frame for your painting

How to choose the right frame for your painting

Translating Your Thumbnail

Translating Your Thumbnail

How to frame pastel paintings

How to frame pastel paintings

From Sketch To Painting

From Sketch To Painting

Elevate an Ordinary Object - pastel painting demo - toilet paper roll

Elevate an Ordinary Object - pastel painting demo - toilet paper roll

Stephanie Birdsall talks about things she considers when setting up a still life

Stephanie Birdsall talks about things she considers when setting up a still life

Lorenzo Chavez talks about how he goes about choosing a scene to paint

Lorenzo Chavez talks about how he goes about choosing a scene to paint

Liz Haywood-Sullivan offers tips on how to paint skies

Liz Haywood-Sullivan offers tips on how to paint skies

Lana Ballot shares how she goes about choosing a subject.

Lana Ballot shares how she goes about choosing a subject.

Kathy Hildebrandt explains how she sets up a still life

Kathy Hildebrandt explains how she sets up a still life

JZ Xu talks about how to keep your painting looser

JZ Xu talks about how to keep your painting looser

Julie and Michael Freeman share their experience working in the same studio

Julie and Michael Freeman share their experience working in the same studio

Jude Tolar shares how she paints flowers en plein air

Jude Tolar shares how she paints flowers en plein air

Desmond O'Hagan shares what inspires him to paint a scene

Desmond O'Hagan shares what inspires him to paint a scene

Debora Stewart on what drew her to abstract painting

Debora Stewart on what drew her to abstract painting

Brenda Boylan on why taking a workshop at any stage is valuable

Brenda Boylan on why taking a workshop at any stage is valuable

Anne Strutz speaks about what subjects inspire her, particularly figures

Anne Strutz speaks about what subjects inspire her, particularly figures

Choosing a colour palette for travelling

Choosing a colour palette for travelling

Painting the Night

Painting the Night

Painting a White Object with Colour

Painting a White Object with Colour

Finding Your Style, Your Artistic Voice

Finding Your Style, Your Artistic Voice

Gail Sibley Workshop Testimonial by Norman R

Gail Sibley Workshop Testimonial by Norman R

Gail Sibley Workshop Testimonial by Katy D

Gail Sibley Workshop Testimonial by Katy D

Gail Sibley Workshop Testimonial by Elaine B

Gail Sibley Workshop Testimonial by Elaine B

Gail Sibley Workshop Testimonial by Nathalie L

Gail Sibley Workshop Testimonial by Nathalie L

Gail Sibley Workshop Testimonial by Barbara H

Gail Sibley Workshop Testimonial by Barbara H

Bill Creevy talks about his use of photo references

Bill Creevy talks about his use of photo references

Albert Handell talks about the colour that gives him the greatest challenge to capture

Albert Handell talks about the colour that gives him the greatest challenge to capture

Casey Klahn answers the question how do you know when a painting is finished

Casey Klahn answers the question how do you know when a painting is finished

Chris Ivers talks about her journey to painting night scenes

Chris Ivers talks about her journey to painting night scenes

Cuong Nguyen on the best way to improve your portrait paintings

Cuong Nguyen on the best way to improve your portrait paintings

Alan Flattmann shares his experience of pastelling in China

Alan Flattmann shares his experience of pastelling in China

Margaret Evans on preparing your pastel palette for travelling

Margaret Evans on preparing your pastel palette for travelling

Jen Evenhus shares a great exercise to become looser in your work

Jen Evenhus shares a great exercise to become looser in your work

Nancie King Mertz on painting on location in the city

Nancie King Mertz on painting on location in the city

Dawn Emerson describes the best way to become looser in your work

Dawn Emerson describes the best way to become looser in your work

Stan Sperlak explains his use of dry underpainting

Stan Sperlak explains his use of dry underpainting

Tony Allain shares his painting process

Tony Allain shares his painting process

Marla Baggetta on choosing her colour palette

Marla Baggetta on choosing her colour palette

Lyn Diefenbach on the best advice she's been given

Lyn Diefenbach on the best advice she's been given

Jacob Aguiar on the best way to grow as an artist

Jacob Aguiar on the best way to grow as an artist

Doug Dawson on how to accelerate your growth as an artist

Doug Dawson on how to accelerate your growth as an artist

Bill Creevy -When is a painting finished?

Bill Creevy -When is a painting finished?

Alain Picard on the evolution of his portrait work

Alain Picard on the evolution of his portrait work

Albert Handell on how to get looser in your painting

Albert Handell on how to get looser in your painting

Sennelier's Iridescent Pastels - A Review

Sennelier's Iridescent Pastels - A Review

Choosing Your First Soft Pastels

Choosing Your First Soft Pastels

Creating Gorgeous Greys In Soft Pastel

Creating Gorgeous Greys In Soft Pastel

To Blend Or Not To Blend Pastels

To Blend Or Not To Blend Pastels

Constraint of a Limited Palette

Constraint of a Limited Palette

Painting an Eggplant with Soft Pastels

Painting an Eggplant with Soft Pastels

Pastels on black paper

Pastels on black paper

Pastel Painting En Plein Air - By Gail Sibley

Pastel Painting En Plein Air - By Gail Sibley

How to Store Pastel Paintings

How to Store Pastel Paintings

Gail Sibley Live Stream

Gail Sibley Live Stream

Donna Yeager on How Returning to Art School Changed Her Work

Donna Yeager on How Returning to Art School Changed Her Work

Aaron Schuerr Speaks About Why Painting On Location Is So Important

Aaron Schuerr Speaks About Why Painting On Location Is So Important

Andrew McDermott On How To Use Colour Effectively

Andrew McDermott On How To Use Colour Effectively

Lyn Asselta - Seeing The Extraordinary In The Ordinary

Lyn Asselta - Seeing The Extraordinary In The Ordinary

Richard McKinley On The Benefits Of Painting On Location

Richard McKinley On The Benefits Of Painting On Location

Sandra Burshell Talks About Why She Paints Interiors

Sandra Burshell Talks About Why She Paints Interiors

Arlene Richman On Starting A Painting

Arlene Richman On Starting A Painting

Stephanie Birdsall With Tips On How To Paint Flowers

Stephanie Birdsall With Tips On How To Paint Flowers

Duane Wakeham Speaks About The Anatomy Of A Painting

Duane Wakeham Speaks About The Anatomy Of A Painting

Christine Swann On The Most Important Element In Her Paintings

Christine Swann On The Most Important Element In Her Paintings

Using Soft Pastel on White Paper

Using Soft Pastel on White Paper

Pastel Painting Tip #6 - Using a Viewfinder

Pastel Painting Tip #6 - Using a Viewfinder

Low Key Painting in Soft Pastels

Low Key Painting in Soft Pastels

High Key Painting in Soft Pastels

High Key Painting in Soft Pastels

Three marketing tools no artist should be without!

Three marketing tools no artist should be without!

'Emergence' - exhibition at Gallery 8

'Emergence' - exhibition at Gallery 8

Pastel Painting Tip #5 - Cleaning Soft Pastels

Pastel Painting Tip #5 - Cleaning Soft Pastels

Soft Pastels - How to Paint Glass Objects

Soft Pastels - How to Paint Glass Objects

Pastel Painting Tip #4 - Breaking Soft Pastels (on purpose!)

Pastel Painting Tip #4 - Breaking Soft Pastels (on purpose!)

Seeing Colour using soft pastels

Seeing Colour using soft pastels

Pastel Painting Tip #3 - Sorting Soft Pastels into Values

Pastel Painting Tip #3 - Sorting Soft Pastels into Values

Using soft pastels in a limited palette

Using soft pastels in a limited palette

Pastel Painting Tip #2 - Cutting Wallis paper

Pastel Painting Tip #2 - Cutting Wallis paper

Pastel Painting - painting metal objects

Pastel Painting - painting metal objects

Pastel Painting Tip #1 - toning Wallis paper

Pastel Painting Tip #1 - toning Wallis paper

Soft pastels - how you can get by with a limited palette

Soft pastels - how you can get by with a limited palette

Canson and Rembrandt new products at IAPS presented by Kyle Richardson

Canson and Rembrandt new products at IAPS presented by Kyle Richardson

Duane Wakeham shares what he considers one of the most important aspects of a good painting

Duane Wakeham shares what he considers one of the most important aspects of a good painting

Doug Dawson suggests three skills a painter should have

Doug Dawson suggests three skills a painter should have

Michelle Aplin spills the beans about which artists use Girault pastels

Michelle Aplin spills the beans about which artists use Girault pastels

Her understanding of pastels evolved while writing her book - Ellen Eagle explains

Her understanding of pastels evolved while writing her book - Ellen Eagle explains

Richard McKinley tells us a wee bit about his road to success

Richard McKinley tells us a wee bit about his road to success

Why should we use Pastelbord from Ampersand? Dana tells us!

Why should we use Pastelbord from Ampersand? Dana tells us!

Colleen of Jack Richeson&Co tells us about two new pastel products

Colleen of Jack Richeson&Co tells us about two new pastel products

Any idea how many colours are in the Henri Roche Pastel collection?

Any idea how many colours are in the Henri Roche Pastel collection?

What gets you into your studio everyday? Vianna Szabo shares her thoughts

What gets you into your studio everyday? Vianna Szabo shares her thoughts

Sally Strand reveals how to achieve beautiful light in your paintings

Sally Strand reveals how to achieve beautiful light in your paintings

Fred Somers talks about process, from nature to final painting

Fred Somers talks about process, from nature to final painting

Alan Flattmann suggests ways to move towards success

Alan Flattmann suggests ways to move towards success

Frank Frederico talks about colours being the children of light.

Frank Frederico talks about colours being the children of light.

Pierre Guidetti, CEO of Savoir Faire, shows us a new book about the history of Sennelier

Pierre Guidetti, CEO of Savoir Faire, shows us a new book about the history of Sennelier

Jamie Markle, North Light Books publisher, gives tips on how to get published!

Jamie Markle, North Light Books publisher, gives tips on how to get published!

Ever take too many art supplies to an overseas pastel workshop? Margaret Evans offers a solution.

Ever take too many art supplies to an overseas pastel workshop? Margaret Evans offers a solution.

Doug Dawson's most important piece of advice to artists

Doug Dawson's most important piece of advice to artists

Ever have artist's block? Bill Creevy suggests a way out.

Ever have artist's block? Bill Creevy suggests a way out.

Urania Christy Tarbet tells all!....about how IAPS got started

Urania Christy Tarbet tells all!....about how IAPS got started

Albert Handell's main piece of advice on painting.

Albert Handell's main piece of advice on painting.

Carole Katchen's best advice to artists - get out of your comfort zone!

Carole Katchen's best advice to artists - get out of your comfort zone!

Pastel Painting with only 8 pastels!

Pastel Painting with only 8 pastels!

Pastel Painting with only 8 pastels

Pastel Painting with only 8 pastels

Painting Pastels with Gail Sibley - Red Bra Tangle

Painting Pastels with Gail Sibley - Red Bra Tangle

Painting in Pastels-Nasturtiums in a Glass

Painting in Pastels-Nasturtiums in a Glass

Four apples from start to finish using 10 pastels

Four apples from start to finish using 10 pastels

Pastel painting by Gail Sibley - demo of a daisy in a glass

Pastel painting by Gail Sibley - demo of a daisy in a glass

Sorting The Box with Gail Sibley

Sorting The Box with Gail Sibley

Pastel Demo - two pears - by Gail Sibley

Pastel Demo - two pears - by Gail Sibley

Pastel Workshop testimonial by Gerri

Pastel Workshop testimonial by Gerri

Pastel Workshop testimonial by Kathie

Pastel Workshop testimonial by Kathie

Pastel workshop testimonial - Deborah

Pastel workshop testimonial - Deborah