Канал: Alan Baral

Mulecaster Demo -- Quick Noodle on the New Guitar

Mulecaster Demo -- Quick Noodle on the New Guitar

East Target Note Licks - Landing on the Root on a Chord Change

East Target Note Licks - Landing on the Root on a Chord Change

Acoustic Blues - More Right Hand Independence Exercises

Acoustic Blues - More Right Hand Independence Exercises

Acoustic Blues - Developing Right Hand Independence

Acoustic Blues - Developing Right Hand Independence

Acoustic Blues Turnaround - Key of E, Contrary Melody

Acoustic Blues Turnaround - Key of E, Contrary Melody

Acoustic Blues Turnaround -- Key of E, with Embellishments

Acoustic Blues Turnaround -- Key of E, with Embellishments

BB King Type Lick Using E Minor Pentatonic Over G7, and G Minor Penatonic over C7

BB King Type Lick Using E Minor Pentatonic Over G7, and G Minor Penatonic over C7

Short Chord Tone Based Blues Lick Over a I - IV Chord Progression

Short Chord Tone Based Blues Lick Over a I - IV Chord Progression

Arpeggio Lesson - Connecting Arpeggios Moving From I to IV

Arpeggio Lesson - Connecting Arpeggios Moving From I to IV

Chord Inversions -- Drop Two Voicings Up and Down the Guitar Neck

Chord Inversions -- Drop Two Voicings Up and Down the Guitar Neck

Target Note Enclosures -- Jazz Technique to Solo Over Chord Changes

Target Note Enclosures -- Jazz Technique to Solo Over Chord Changes

Arpeggio Exercise Over Chord Changes -- Using Chromatics to Target Change

Arpeggio Exercise Over Chord Changes -- Using Chromatics to Target Change

Arpeggio Exercise over Chord Changes -- Helpful and Fun

Arpeggio Exercise over Chord Changes -- Helpful and Fun

Playing Over Blues Chord Changes -- Mixing Major and Minor Pentatonic

Playing Over Blues Chord Changes -- Mixing Major and Minor Pentatonic

Slow Jazz Blues Lesson in Key of G - Playing over the Chord Progression

Slow Jazz Blues Lesson in Key of G - Playing over the Chord Progression

Slow Jazz Blues Rhythm Lesson in the Key of G, with Jazz Blue Chord Changes

Slow Jazz Blues Rhythm Lesson in the Key of G, with Jazz Blue Chord Changes

Albert King Licks and Phrases, with Classic Bends

Albert King Licks and Phrases, with Classic Bends

Albert King Crosscut Saw Intro Lesson

Albert King Crosscut Saw Intro Lesson

Rumba Blues Base Line - With Rhythm Embellishments

Rumba Blues Base Line - With Rhythm Embellishments

George Benson Jazz Blues Solo Line over Bb7

George Benson Jazz Blues Solo Line over Bb7

The VI, ii, V, I Jazz Blues Turnaround -- Demonstration w Tritone Substitution

The VI, ii, V, I Jazz Blues Turnaround -- Demonstration w Tritone Substitution

A Bb Jazz-Blues Chordal Walkup - Moving to a IV Chord, or as a Static Vamp

A Bb Jazz-Blues Chordal Walkup - Moving to a IV Chord, or as a Static Vamp

2013 Suhr Classic T Demo -- Translucent Butterscotch Blackguard with Roast Maple Neck

2013 Suhr Classic T Demo -- Translucent Butterscotch Blackguard with Roast Maple Neck

Warren Haynes -- Essential Lick Used with Allman Brothers

Warren Haynes -- Essential Lick Used with Allman Brothers

Allman Bros - In Memory of Elizabeth Reed - Iconic Duane Allman lick

Allman Bros - In Memory of Elizabeth Reed - Iconic Duane Allman lick

Allman Bros - In Memory of Elizabeth Reed - Chord Changes after Organ Solo

Allman Bros - In Memory of Elizabeth Reed - Chord Changes after Organ Solo

Allman Bros - In Memory of Elizabeth Reed - Use of Dorian Mode

Allman Bros - In Memory of Elizabeth Reed - Use of Dorian Mode

Sideman Funk -- Some Funk Comping in A7

Sideman Funk -- Some Funk Comping in A7

Allman Bros - In Memory of Elizabeth Reed Intro Melody -- Part 2 (up to solo)

Allman Bros - In Memory of Elizabeth Reed Intro Melody -- Part 2 (up to solo)

Allman Bros - In Memory of Elizabeth Reed Intro Lesson Part 1

Allman Bros - In Memory of Elizabeth Reed Intro Lesson Part 1

Suhr Classic Antique T w Roasted Maple and Humbucker Neck Pickup - Demo

Suhr Classic Antique T w Roasted Maple and Humbucker Neck Pickup - Demo

Kirk Fletcher Inspired Funk Melody - Pulling out Melody Notes in Rakes

Kirk Fletcher Inspired Funk Melody - Pulling out Melody Notes in Rakes

Stevie Ray Vaughan - Mary Had a Little Lamb (Part 7 - The Solo) Third Chorus

Stevie Ray Vaughan - Mary Had a Little Lamb (Part 7 - The Solo) Third Chorus

Stevie Ray Vaughan - Mary Had a Little Lamb (Part 6 - The Solo) Second Chorus

Stevie Ray Vaughan - Mary Had a Little Lamb (Part 6 - The Solo) Second Chorus

Stevie Ray Vaughan - Mary Had a Little Lamb (Part 5 - The Solo) Second Chorus

Stevie Ray Vaughan - Mary Had a Little Lamb (Part 5 - The Solo) Second Chorus

Stevie Ray Vaughan - Mary Had a Little Lamb (Part 5 - The Solo - first full chorus)

Stevie Ray Vaughan - Mary Had a Little Lamb (Part 5 - The Solo - first full chorus)

Brown Bear Guitars - Chambered Cedar Two Humbucker Telecaster

Brown Bear Guitars - Chambered Cedar Two Humbucker Telecaster

"The 63" Stratocaster from Fender Custom Shop and Willcutt Guitars

"The 63" Stratocaster from Fender Custom Shop and Willcutt Guitars

Stevie Ray Vaughan - Mary Had a Little Lamb (Part 4 - The Solo)

Stevie Ray Vaughan - Mary Had a Little Lamb (Part 4 - The Solo)

Stevie Ray Vaughan - Mary Had a Little Lamb (Part 3 - Comping under Singing)

Stevie Ray Vaughan - Mary Had a Little Lamb (Part 3 - Comping under Singing)

Stevie Ray Vaughan - Mary Had a Little Lamb (Part 2 Second Chorus)

Stevie Ray Vaughan - Mary Had a Little Lamb (Part 2 Second Chorus)

Stevie Ray Vaughan - Mary Had a Little Lamb (Part 1, First Chorus)

Stevie Ray Vaughan - Mary Had a Little Lamb (Part 1, First Chorus)

Kirk Fletcher Inspired Turnaround in Blues - Key of E

Kirk Fletcher Inspired Turnaround in Blues - Key of E

Albert King Whole Step Solo Trick - Playing Change From V chord to IV chord

Albert King Whole Step Solo Trick - Playing Change From V chord to IV chord

Soloing Over Chord Changes - From V chord to IV Chord, Key of A

Soloing Over Chord Changes - From V chord to IV Chord, Key of A

Otis Rush -- Intro Solo to "Tore Up" (Part 2)

Otis Rush -- Intro Solo to "Tore Up" (Part 2)

Four Note Exercise Pattern in Gm Pentatonic Up The Neck

Four Note Exercise Pattern in Gm Pentatonic Up The Neck

Melodic Line Moving from 3rd Fret to 15th Fret - Key of Gm

Melodic Line Moving from 3rd Fret to 15th Fret - Key of Gm

Otis Rush - Intro Solo to Tore Up (Part 1)

Otis Rush - Intro Solo to Tore Up (Part 1)

Stevie Ray Vaughan Inspired Chord Roll

Stevie Ray Vaughan Inspired Chord Roll

Stevie Ray Vaughan - Second Chorus - Solo Chitlins Con Carne

Stevie Ray Vaughan - Second Chorus - Solo Chitlins Con Carne

Stevie Ray Vaughan Style Slur - from Chitlins Con Carne

Stevie Ray Vaughan Style Slur - from Chitlins Con Carne

Stevie Ray Vaughan Version - Chitlins Con Carne - First Chorus Solo

Stevie Ray Vaughan Version - Chitlins Con Carne - First Chorus Solo

Chitlins Con Carne - First Solo Phrase, Stevie Ray Vaughan Version

Chitlins Con Carne - First Solo Phrase, Stevie Ray Vaughan Version

Chitlins Con Carne - First Melody of Stevie Ray Vaughan Version

Chitlins Con Carne - First Melody of Stevie Ray Vaughan Version

Octaves - Wes Montgomery Style Melodies

Octaves - Wes Montgomery Style Melodies

Chitlins Con Carne -- Kenny Burrell Solo Part 11

Chitlins Con Carne -- Kenny Burrell Solo Part 11

Chitlins Con Carne -- Kenny Burrell Solo Part 10

Chitlins Con Carne -- Kenny Burrell Solo Part 10

Chitlins Con Carne -- Kenny Burrell Solo Part 9

Chitlins Con Carne -- Kenny Burrell Solo Part 9

Triad Arpeggio Exercise - Moving A and G triads Up the Neck Over A7 Chord

Triad Arpeggio Exercise - Moving A and G triads Up the Neck Over A7 Chord

Chitlins Con Carne -- Kenny Burrell Solo Part 8 (full chorus from Part 4 on)

Chitlins Con Carne -- Kenny Burrell Solo Part 8 (full chorus from Part 4 on)

Chitlins Con Carne -- Kenny Burrell Solo Part 7

Chitlins Con Carne -- Kenny Burrell Solo Part 7

Chitlins Con Carne -- Kenny Burrell Solo Part 6

Chitlins Con Carne -- Kenny Burrell Solo Part 6

Chitlins Con Carne -- Kenny Burrell Solo Part 5

Chitlins Con Carne -- Kenny Burrell Solo Part 5

Chitlins Con Carne -- Kenny Burrell Solo Part 4

Chitlins Con Carne -- Kenny Burrell Solo Part 4

Adding a ii, V, I Chord Progression to a Twelve Bar Blues Part 2

Adding a ii, V, I Chord Progression to a Twelve Bar Blues Part 2

Adding a ii, V, I Chord Progression to a Twelve Bar Blues Part 1

Adding a ii, V, I Chord Progression to a Twelve Bar Blues Part 1

Jazz Chord Progression ala Sunny

Jazz Chord Progression ala Sunny

Chitlins Con Carne -- Kenny Burrell Solo Part 3

Chitlins Con Carne -- Kenny Burrell Solo Part 3

Lenny Breau Inspired Chord Changes -- Sustaining Chord Tones

Lenny Breau Inspired Chord Changes -- Sustaining Chord Tones

Two Note Chord Comping and Chord Tone Soloing in Blues - Key of C

Two Note Chord Comping and Chord Tone Soloing in Blues - Key of C

Chitlins Con Carne -- Kenny Burrell Solo Part 2

Chitlins Con Carne -- Kenny Burrell Solo Part 2

Chord Changes from I to IV with Constant High Note - Lenny Breau Style

Chord Changes from I to IV with Constant High Note - Lenny Breau Style

Jazzy Chord Change Variations from C7#9 (or C9) to F13, Gripped Around 7th Fret

Jazzy Chord Change Variations from C7#9 (or C9) to F13, Gripped Around 7th Fret

Walking Base Line with Chord Changes -- C7#9 to F7

Walking Base Line with Chord Changes -- C7#9 to F7

Chitlins Con Carne -- Kenny Burrell Solo Beginning

Chitlins Con Carne -- Kenny Burrell Solo Beginning

Chitlins Con Carne -- Kenny Burrell Intro and Main Melody Line

Chitlins Con Carne -- Kenny Burrell Intro and Main Melody Line

Soloing Over Chord Changes Using Voice Leading Double Stops

Soloing Over Chord Changes Using Voice Leading Double Stops

Soloing Over Chord Changes, Landing on the Third - Robben Ford Style

Soloing Over Chord Changes, Landing on the Third - Robben Ford Style

Soloing Over Chord Changes, Landing on the Third

Soloing Over Chord Changes, Landing on the Third

Easy-ish Open String Country Blues Licks - Key of G

Easy-ish Open String Country Blues Licks - Key of G

Standard Tuning Slide Guitar -- Blues Lick Basics in Key of G

Standard Tuning Slide Guitar -- Blues Lick Basics in Key of G

Standard Tuning Slide Guitar -- Blues Chord Basics in Key of G

Standard Tuning Slide Guitar -- Blues Chord Basics in Key of G

Standard Tuning Slide Guitar -- Some Basics in Key of G

Standard Tuning Slide Guitar -- Some Basics in Key of G

Two Rock Traditional Clean Amplifier -- Noodling Through New Amp

Two Rock Traditional Clean Amplifier -- Noodling Through New Amp

Lucinda Williams -- Factory Blues Strumming Pattern Over IV Chord

Lucinda Williams -- Factory Blues Strumming Pattern Over IV Chord

Lucinda Williams -- Factory Blues Strumming Pattern Over I Chord

Lucinda Williams -- Factory Blues Strumming Pattern Over I Chord

Eric Clapton JJ Cale -- Cocaine Rhythm Embellishment

Eric Clapton JJ Cale -- Cocaine Rhythm Embellishment

Eric Clapton Lick - Linking All Five A Minor Pentatonic Positions

Eric Clapton Lick - Linking All Five A Minor Pentatonic Positions

Eric Clapton Lick - A Minor Pentatonic Position 5

Eric Clapton Lick - A Minor Pentatonic Position 5

Eric Clapton Lick - A Minor Position 4

Eric Clapton Lick - A Minor Position 4

Eric Clapton Lick - A Minor Pentatonic Position 3

Eric Clapton Lick - A Minor Pentatonic Position 3

Eric Clapton Lick - A Minor Pentatonic Position 2

Eric Clapton Lick - A Minor Pentatonic Position 2

Eric Clapton Lick - A Minor Pentatonic Position 1

Eric Clapton Lick - A Minor Pentatonic Position 1

Eric Clapton "After Midnight" Solo

Eric Clapton "After Midnight" Solo

Eric Clapton Inspired 'Woman Tone' Noodling

Eric Clapton Inspired 'Woman Tone' Noodling

Kool and the Gang - Hollywood Swinging Funk Chord Rhythm

Kool and the Gang - Hollywood Swinging Funk Chord Rhythm

Seeing Pentatonic Lines in Drop Two Chord Inversions

Seeing Pentatonic Lines in Drop Two Chord Inversions

Drop Two Voicing Exercise - Inversions of Dominant Chords

Drop Two Voicing Exercise - Inversions of Dominant Chords

G7 Chord Variations at the Fifth Fret

G7 Chord Variations at the Fifth Fret

New Orleans Style Funk Rhythm - Bo Diddly Influenced

New Orleans Style Funk Rhythm - Bo Diddly Influenced

Chord Embellishments for Rhythm Playing Part 3 - Shown in Em w 11th

Chord Embellishments for Rhythm Playing Part 3 - Shown in Em w 11th

Chord Embellishments for Rhythm Playing Part 2 - Shown in Em (12th Fret)

Chord Embellishments for Rhythm Playing Part 2 - Shown in Em (12th Fret)

Chord Embellishments for Rhythm Playing Part 1 - Shown in Em

Chord Embellishments for Rhythm Playing Part 1 - Shown in Em

1992 Fender Custom Shop Telecaster -- Nashville V2

1992 Fender Custom Shop Telecaster -- Nashville V2

Chord Breakdown from John Mayer's Gravity - B Section, Key of G

Chord Breakdown from John Mayer's Gravity - B Section, Key of G

Solo Breakdown from John Mayer's Gravity - Key of G

Solo Breakdown from John Mayer's Gravity - Key of G

John Mayer Style Guitar Fills from Gravity

John Mayer Style Guitar Fills from Gravity

Guitar Triad Exercise Up and Down the Neck on Each String Set -- Key of G

Guitar Triad Exercise Up and Down the Neck on Each String Set -- Key of G

Gospel Style Chord Lick Descending the Fretboard - Key of G

Gospel Style Chord Lick Descending the Fretboard - Key of G

John Mayer and Steve Cropper Style Double Stops

John Mayer and Steve Cropper Style Double Stops

Jimi Hendrix and John Mayer Style Chord Embellishments - Part 3

Jimi Hendrix and John Mayer Style Chord Embellishments - Part 3

Jimi Hendrix and John Mayer Style Chord Embellishments - Part 2

Jimi Hendrix and John Mayer Style Chord Embellishments - Part 2

Jimi Hendrix and John Mayer Style Chord Embellishments - Part 1

Jimi Hendrix and John Mayer Style Chord Embellishments - Part 1

Rhythm and Chord Changes for Gravity -- John Mayer on Continuum

Rhythm and Chord Changes for Gravity -- John Mayer on Continuum

Intro to Gravity - John Mayer Guitar Lick

Intro to Gravity - John Mayer Guitar Lick

Using Dominant 7 Chord Inversions Up the Neck for Blues Comping

Using Dominant 7 Chord Inversions Up the Neck for Blues Comping

Dominant 7 Chord Inversions Up the Neck - Using Strings 2, 3, 4, and 6

Dominant 7 Chord Inversions Up the Neck - Using Strings 2, 3, 4, and 6

Eric Johnson Inspired Diatonic Chords and Arpeggio Pattern in C Major

Eric Johnson Inspired Diatonic Chords and Arpeggio Pattern in C Major

Descending Eb minor Pentatonic Lick Inspired by Eric Johnson - Zenland

Descending Eb minor Pentatonic Lick Inspired by Eric Johnson - Zenland

Descending Em Pentatonic Pattern - Eric Johnson inspired

Descending Em Pentatonic Pattern - Eric Johnson inspired

Easy Descending Cm Pentatonic Pattern - Beginner Eric Johnson

Easy Descending Cm Pentatonic Pattern - Beginner Eric Johnson

Chord Changing Exercise - Developing Speed Learning New Chord Shapes - Funk

Chord Changing Exercise - Developing Speed Learning New Chord Shapes - Funk

Picking Up The Pieces - Slower Breakdown of Intro Funk Rhythm

Picking Up The Pieces - Slower Breakdown of Intro Funk Rhythm

Slowed Down Detail of Strumming Groove for SRV's Commit A Crime

Slowed Down Detail of Strumming Groove for SRV's Commit A Crime

Funk Guitar Rhythm Technique as Used in Pick Up the Pieces and Cold Shot

Funk Guitar Rhythm Technique as Used in Pick Up the Pieces and Cold Shot

Average White Band - Main Melody to Pick Up the Pieces Guitar Lesson

Average White Band - Main Melody to Pick Up the Pieces Guitar Lesson

Average White Band - Intro to Pick Up the Pieces Guitar Lesson

Average White Band - Intro to Pick Up the Pieces Guitar Lesson

Funk Groove inspired by James Brown - E minor Chord Changes

Funk Groove inspired by James Brown - E minor Chord Changes

E7#9 Texas Rhythm Vamp at 12th Fret - Stevie Ray Vaughan style

E7#9 Texas Rhythm Vamp at 12th Fret - Stevie Ray Vaughan style

"Cold Shot" Chord Changes - Detailed Rhythm Breakdown

"Cold Shot" Chord Changes - Detailed Rhythm Breakdown

Stevie Ray Vaughan Style Chordal Riff - I'm Leaving you Commit a Crime

Stevie Ray Vaughan Style Chordal Riff - I'm Leaving you Commit a Crime

Stevie Ray Vaughan Style Chordal Vamp in E at the 12th Fret

Stevie Ray Vaughan Style Chordal Vamp in E at the 12th Fret

SRV Cold Shot Chord Progression and Strumming Patterns

SRV Cold Shot Chord Progression and Strumming Patterns

Soloing Over Altered and Diminished Chord Progression in Jazz Blues

Soloing Over Altered and Diminished Chord Progression in Jazz Blues

Diminished Lead Lines Over II-5-1 Jazz Blues Changes

Diminished Lead Lines Over II-5-1 Jazz Blues Changes

Diminished Chord Voicing Moving Through 2-5-1 Jazz blues Progression

Diminished Chord Voicing Moving Through 2-5-1 Jazz blues Progression

Melodic Exercise Over Chord Changes with Diminished Passing Chord

Melodic Exercise Over Chord Changes with Diminished Passing Chord

Using Diminished Chords for Passing Tones

Using Diminished Chords for Passing Tones

Diminished Arpeggio Shape and Fingering - And Use

Diminished Arpeggio Shape and Fingering - And Use

Grant Green Cool Blues First Chorus Solo - Chord Theory

Grant Green Cool Blues First Chorus Solo - Chord Theory

Grant Green Cool Blues -- Playing over the Melody and First Chorus

Grant Green Cool Blues -- Playing over the Melody and First Chorus

Grant Green Cool Blues First Chorus Solo - Jazz Blues

Grant Green Cool Blues First Chorus Solo - Jazz Blues

Grant Green Cool Blues Melody Line -- Jazz Blues

Grant Green Cool Blues Melody Line -- Jazz Blues

Diatonic Chord Comping Over D7 - Key of G Major

Diatonic Chord Comping Over D7 - Key of G Major

Diatonic Triad Sets in Key of G -- Vertically Across Strings

Diatonic Triad Sets in Key of G -- Vertically Across Strings

Diatonic Triad Sets in Key of G -- Strings 3 to 5

Diatonic Triad Sets in Key of G -- Strings 3 to 5

Diatonic Triad Sets in Key of G -- Strings 2 to 4

Diatonic Triad Sets in Key of G -- Strings 2 to 4

Diatonic Triad Sets in Key of G -- Strings 1 to 3

Diatonic Triad Sets in Key of G -- Strings 1 to 3

Brent Mason Style Open String Country Lick in Key of E

Brent Mason Style Open String Country Lick in Key of E

Country Picking Double Stops with Bending and Pedal Tone Lick

Country Picking Double Stops with Bending and Pedal Tone Lick

Diatonic Double Stop Exercise Covering Root Major and Dominant 7

Diatonic Double Stop Exercise Covering Root Major and Dominant 7

King Curtis Memphis Soul Stew - Guitar Line by Reggie Young

King Curtis Memphis Soul Stew - Guitar Line by Reggie Young

Steve Cropper Style Dock of the Bay Chorus -- String Bended Double Stops

Steve Cropper Style Dock of the Bay Chorus -- String Bended Double Stops

Steve Cropper Style Sitting on the Dock of the Bay -- Main Verse Double Stops

Steve Cropper Style Sitting on the Dock of the Bay -- Main Verse Double Stops

Steve Cropper Style Soul Man Vamp - Part 2

Steve Cropper Style Soul Man Vamp - Part 2

Steve Cropper Style Soul Man Vamp - Part 1

Steve Cropper Style Soul Man Vamp - Part 1

A to D Chord Changes Going Up the Neck with Open A Pedal Tone

A to D Chord Changes Going Up the Neck with Open A Pedal Tone

A to G Chord Changes Going Up the Neck With Open A Pedal Tone

A to G Chord Changes Going Up the Neck With Open A Pedal Tone

Led Zeppelin Kashmir Open D Chord Changes Down the Guitar Neck - Standard Tuning

Led Zeppelin Kashmir Open D Chord Changes Down the Guitar Neck - Standard Tuning

Jimmy Page Inspired Triad Exercise Using a Open D String Pedal Tone

Jimmy Page Inspired Triad Exercise Using a Open D String Pedal Tone

Yes Inspired Open Chords Up The Guitar Neck

Yes Inspired Open Chords Up The Guitar Neck

Chord Changes Up The Neck Using An Open D Pedal Tone

Chord Changes Up The Neck Using An Open D Pedal Tone

Greg Koch Inspired I - IV Change With an Octave Move

Greg Koch Inspired I - IV Change With an Octave Move

Fun Blues Roots Chord Changes in A Major -- Electric or Acoustic

Fun Blues Roots Chord Changes in A Major -- Electric or Acoustic

Doobie Brothers Inspired Chord Intro -- Listen to the Music

Doobie Brothers Inspired Chord Intro -- Listen to the Music

Rolling Stones Inspired Chords and Rhythm

Rolling Stones Inspired Chords and Rhythm

Amplified Nation 2017 Wonderland Overdrive Demo

Amplified Nation 2017 Wonderland Overdrive Demo

Jamey Arent -- Robben Ford Cannonball Shuffle Guitar Solo Part 1

Jamey Arent -- Robben Ford Cannonball Shuffle Guitar Solo Part 1

Jamey Arent -- More Melodic Minor Phrasing over Dominant I and Altered Chords

Jamey Arent -- More Melodic Minor Phrasing over Dominant I and Altered Chords

Jamey Arent -- "Take the A Train" Bridge Chord Changes With Solo Options

Jamey Arent -- "Take the A Train" Bridge Chord Changes With Solo Options

Jamey Arent - Use of Lydian Dominant Scale in "Take The A Train" Chorus

Jamey Arent - Use of Lydian Dominant Scale in "Take The A Train" Chorus

Jamey Arent - Playing E Melodic Minor (or A Lydian Dominant) over A7

Jamey Arent - Playing E Melodic Minor (or A Lydian Dominant) over A7

Jamey Arent - Soloing Up the Fretboard Over V to IV Chord Changes in Blues

Jamey Arent - Soloing Up the Fretboard Over V to IV Chord Changes in Blues

Jamey Arent - Adding a Sus Chord to a Blues Chorus

Jamey Arent - Adding a Sus Chord to a Blues Chorus

Jamey Arent - Play E Melodic Minor Scale over A7 (Part 1)

Jamey Arent - Play E Melodic Minor Scale over A7 (Part 1)

Jamey Arent - Play E Melodic Minor Scale over A7 (Part 2 - alt position)

Jamey Arent - Play E Melodic Minor Scale over A7 (Part 2 - alt position)

Jamey Arent - Cannonball Shuffle Rhythm Part by Robben Ford

Jamey Arent - Cannonball Shuffle Rhythm Part by Robben Ford

Jamey Arent - Scales to Play Over Jazz Blues Chord Changes

Jamey Arent - Scales to Play Over Jazz Blues Chord Changes

Jamey Arent - Grant Green Jazz Arpeggio from Cool Blues Solo

Jamey Arent - Grant Green Jazz Arpeggio from Cool Blues Solo

Jamey Arent - F Melodic Minor Scale Over Altered E7 in Jazz Blues

Jamey Arent - F Melodic Minor Scale Over Altered E7 in Jazz Blues

Jamey Arent - Quick Blues Lick Ideas Using Chord Tones

Jamey Arent - Quick Blues Lick Ideas Using Chord Tones

Jamey Arent - Chord Tone Walk-Up Transition from I to IV Chord in Blues

Jamey Arent - Chord Tone Walk-Up Transition from I to IV Chord in Blues

Jamey Arent - Alternating Chord and Lick Exercise in 12-Bar Blues

Jamey Arent - Alternating Chord and Lick Exercise in 12-Bar Blues

Jamey Arent - Quick Lick Minor Phrasing over an A7 to D7 Transition

Jamey Arent - Quick Lick Minor Phrasing over an A7 to D7 Transition

Jamey Arent - Transition Blues Lick Over A7 to D7 Playing Bb Melodic Minor

Jamey Arent - Transition Blues Lick Over A7 to D7 Playing Bb Melodic Minor

Jamey Arent - Transition Blues Lick Over Altered A7 to D7 Playing an Eb Arpeggio

Jamey Arent - Transition Blues Lick Over Altered A7 to D7 Playing an Eb Arpeggio

Jamey Arent - Cannonball Shuffle Bridge (Part 2) by Robben Ford

Jamey Arent - Cannonball Shuffle Bridge (Part 2) by Robben Ford

Jamey Arent - Cannonball Shuffle Bridge (Part 1) by Robben Ford

Jamey Arent - Cannonball Shuffle Bridge (Part 1) by Robben Ford

Jamey Arent - Altered Chord Tone Passing Lick from I to IV Jazz Blues

Jamey Arent - Altered Chord Tone Passing Lick from I to IV Jazz Blues

Jamey Arent -- Picking Exercises for Finger Independence

Jamey Arent -- Picking Exercises for Finger Independence

Jamey Arent - Altered Passing Lick from I to IV Chord in Jazz Blues

Jamey Arent - Altered Passing Lick from I to IV Chord in Jazz Blues

Jamey Arent - Cannonball Shuffle Melody by Robben Ford

Jamey Arent - Cannonball Shuffle Melody by Robben Ford

Jamey Arent -- Robben Ford Cannonball Shuffle Intro breakdown

Jamey Arent -- Robben Ford Cannonball Shuffle Intro breakdown

Jamey Arent - Stevie Ray Vaughan Shuffle Blues Technique

Jamey Arent - Stevie Ray Vaughan Shuffle Blues Technique

Jamey Arent - Chuck Berry Style Pentatonic Guitar Licks with Double Stops

Jamey Arent - Chuck Berry Style Pentatonic Guitar Licks with Double Stops

Jamey Arent - Blues Rhythm Inversions, Descending Top 4 Strings

Jamey Arent - Blues Rhythm Inversions, Descending Top 4 Strings

Jamey Arent - Blues Rhythm Changes Exercise, Neck Walkup Top 4 Strings

Jamey Arent - Blues Rhythm Changes Exercise, Neck Walkup Top 4 Strings

Jamey Arent - Delta Blues Rhythm Changes in Key of B w/ Pentatonic Voices

Jamey Arent - Delta Blues Rhythm Changes in Key of B w/ Pentatonic Voices

Jamey Arent - Interesting Blues Rhythm Changes With Open Strings

Jamey Arent - Interesting Blues Rhythm Changes With Open Strings