Канал: QCGInteractiveMusic

65. Live Coding Toolkit for Pure Data - Part 11

65. Live Coding Toolkit for Pure Data - Part 11

64. Live Coding Toolkit for Pure Data - Part 10

64. Live Coding Toolkit for Pure Data - Part 10

63. Live Coding Toolkit for Pure Data - Part 9

63. Live Coding Toolkit for Pure Data - Part 9

62. Live Coding Toolkit for Pure Data - Part 8

62. Live Coding Toolkit for Pure Data - Part 8

61. Live Coding Toolkit for Pure Data - Part 7

61. Live Coding Toolkit for Pure Data - Part 7

60. Live Coding Toolkit for Pure Data - Part 6

60. Live Coding Toolkit for Pure Data - Part 6

59. Live Coding Toolkit for Pure Data - Part 5

59. Live Coding Toolkit for Pure Data - Part 5

58. Live Coding Toolkit for Pure Data - Part 4

58. Live Coding Toolkit for Pure Data - Part 4

57. Live Coding Toolkit for Pure Data - Part 3

57. Live Coding Toolkit for Pure Data - Part 3

56. Live Coding Toolkit for Pure Data - Part 2

56. Live Coding Toolkit for Pure Data - Part 2

55. Live Coding Toolkit for Pure Data - Part 1

55. Live Coding Toolkit for Pure Data - Part 1

54. Performance-ready patches in Pure Data

54. Performance-ready patches in Pure Data

53. Smoothing with Line in Pure Data

53. Smoothing with Line in Pure Data

52. Low Pass Gate in Pure Data

52. Low Pass Gate in Pure Data

51. Modulation with LFOs in Pure Data

51. Modulation with LFOs in Pure Data

50. Arranging Sequences in Pure Data

50. Arranging Sequences in Pure Data

49. Tempo Modulation in Pure Data

49. Tempo Modulation in Pure Data

48. Build a mixer in Pure Data

48. Build a mixer in Pure Data

47. Stochastic Synthesis in Pure Data

47. Stochastic Synthesis in Pure Data

46. Probability 3: Random walk in Pure Data

46. Probability 3: Random walk in Pure Data

45. Probability 2: Gaussian distributions in Pure Data

45. Probability 2: Gaussian distributions in Pure Data

44. Probability 1: Linear Random with Pure Data

44. Probability 1: Linear Random with Pure Data

43. Audio Looper in Pure Data

43. Audio Looper in Pure Data

42. Sampling with Pure Data

42. Sampling with Pure Data

41. Granular Synthesis with Pure Data

41. Granular Synthesis with Pure Data

40. Cutting Up Audio with Pure Data

40. Cutting Up Audio with Pure Data

39. Modifying Audio File Playback with Pure Data

39. Modifying Audio File Playback with Pure Data

38. Audio File Playback in Pure Data

38. Audio File Playback in Pure Data

37. Drum Machine in Pure Data

37. Drum Machine in Pure Data

36. Polymeter in Pure Data

36. Polymeter in Pure Data

35. Euclidean Rhythms with Pure Data

35. Euclidean Rhythms with Pure Data

34. Polyrhythms with Pure Data

34. Polyrhythms with Pure Data

33. Phasing in Pure Data

33. Phasing in Pure Data

32. Pitch Quantization in Pure Data

32. Pitch Quantization in Pure Data

31. Arpeggiators in Pure Data

31. Arpeggiators in Pure Data

30. Arrays as Sequencers in Pure Data

30. Arrays as Sequencers in Pure Data

29. Step Sequencer in Pure Data

29. Step Sequencer in Pure Data

28. Mobile Music Platform Editor and Pure Data

28. Mobile Music Platform Editor and Pure Data

27. Mobile Music Platform for Pure Data

27. Mobile Music Platform for Pure Data

26. Chorus in Pure Data

26. Chorus in Pure Data

25. Feedback Modulation in Pure Data

25. Feedback Modulation in Pure Data

24. Delay and Reverb in Pure Data

24. Delay and Reverb in Pure Data

23. Mixing and Panning in Pure Data

23. Mixing and Panning in Pure Data

22. Audio Input and Writing Sound Files in Pure Data

22. Audio Input and Writing Sound Files in Pure Data

21. Polyphony in Pure Data

21. Polyphony in Pure Data

20. Making a Mono Synth in Pure Data

20. Making a Mono Synth in Pure Data

19. Sub Patches and Abstractions in Pure Data

19. Sub Patches and Abstractions in Pure Data

18. Amplitude Envelopes in Pure Data

18. Amplitude Envelopes in Pure Data

17. Filters in Pure Data

17. Filters in Pure Data

16. Oscillators in Pure Data

16. Oscillators in Pure Data

15. Generative Synthesis in Pure Data

15. Generative Synthesis in Pure Data

14. Bitcrusher in Pure Data

14. Bitcrusher in Pure Data

13. Waveshaping in Pure Data

13. Waveshaping in Pure Data

12. Wavefolding in Pure Data

12. Wavefolding in Pure Data

11. Clipping Audio in Pure Data

11. Clipping Audio in Pure Data

10. Noise and Crackle in Pure Data

10. Noise and Crackle in Pure Data

9. Frequency Modulation in Pure Data

9. Frequency Modulation in Pure Data

8. Amplitude Modulation in Pure Data

8. Amplitude Modulation in Pure Data

7. Ring Modulation in Pure Data

7. Ring Modulation in Pure Data

6. Keyboard & MIDI control in Pure Data

6. Keyboard & MIDI control in Pure Data

5. Additive Synthesis in Pure Data

5. Additive Synthesis in Pure Data

4. Envelopes using line and vline~ in Pure Data

4. Envelopes using line and vline~ in Pure Data

3. Graphical User Interfaces in Pure Data

3. Graphical User Interfaces in Pure Data

2. Making and Seeing Sound in Pure Data

2. Making and Seeing Sound in Pure Data

1. Introduction to Pure Data

1. Introduction to Pure Data

Ontologically-Oriented Design

Ontologically-Oriented Design

Worldviews

Worldviews

The Implications of Automation

The Implications of Automation

Automating Creativity

Automating Creativity

Automating Intelligence

Automating Intelligence

The Affordances of Media

The Affordances of Media

Cultural Affordances

Cultural Affordances

Designing Affordances

Designing Affordances

Affordances

Affordances

Co-creation

Co-creation

Machine Experience

Machine Experience

Testing User Experience

Testing User Experience

Experience

Experience

Computational Creativity

Computational Creativity

Aesthetics

Aesthetics

Creativity

Creativity

Design methods

Design methods

Design as a process

Design as a process

Human Centred Design Summary

Human Centred Design Summary

Interaction Design Summary

Interaction Design Summary

Generative Design

Generative Design

Generative Art

Generative Art

Introducing Generative Art and Design

Introducing Generative Art and Design

Sustainable Design

Sustainable Design

Sustainable Interactions

Sustainable Interactions

Seductive Technology - Connecting, Engaging and Interacting

Seductive Technology - Connecting, Engaging and Interacting

Creating Meaning - Meaningful Engagement with creative activities

Creating Meaning - Meaningful Engagement with creative activities

Actor Networks

Actor Networks

The Extended Mind

The Extended Mind

Situated Action - An Introduction

Situated Action - An Introduction

Automation - An Introduction

Automation - An Introduction

An Introduction to Live Coding in Impromptu - Andrew R. Brown 2013

An Introduction to Live Coding in Impromptu - Andrew R. Brown 2013

Generation 1 - Andrew R. Brown - 2017

Generation 1 - Andrew R. Brown - 2017

CIM Sessions 2017 - #6

CIM Sessions 2017 - #6

CIM Sessions 2017 - #1

CIM Sessions 2017 - #1

CIM Sessions 2017 - #2

CIM Sessions 2017 - #2

CIM Sessions 2017 - #3

CIM Sessions 2017 - #3

CIM Sessions 2017 - #4

CIM Sessions 2017 - #4

NIME 2016 - New Interafces for Musical Expression conference, July 11-15, Brisbane, Australia

NIME 2016 - New Interafces for Musical Expression conference, July 11-15, Brisbane, Australia

Attend NIME 16 in Brisbane, 11-15 July 2016 - New Interfaces for Musical Expression

Attend NIME 16 in Brisbane, 11-15 July 2016 - New Interfaces for Musical Expression

Trois Agents - by Andrew R Brown, Toby Gifford and CIM

Trois Agents - by Andrew R Brown, Toby Gifford and CIM

Trois Agents

Trois Agents

Interactive Music Rap - Ike Campbell, Tyson Allen, Ethan Morrisson

Interactive Music Rap - Ike Campbell, Tyson Allen, Ethan Morrisson

Henry the Fifth - Stephen Molan, Liam Malby, Ernest Su

Henry the Fifth - Stephen Molan, Liam Malby, Ernest Su

Year Of The Crow - Ethan Morrisson, Cody McWaters, John Pata

Year Of The Crow - Ethan Morrisson, Cody McWaters, John Pata

It's Alright - Harrison Bell, Simona Galea, Toby Alexander

It's Alright - Harrison Bell, Simona Galea, Toby Alexander

Pop-Rox - Tegwen Marsdon, Simone Galea

Pop-Rox - Tegwen Marsdon, Simone Galea

Dystopia - Patrick Morwitch, Dayna Watson

Dystopia - Patrick Morwitch, Dayna Watson

Corrupted - Lucas Richardson, Sam Smith,

Corrupted - Lucas Richardson, Sam Smith,

ETITOSCIGIAFIOATS - Dennis Huang, James Pendrith, Toby Alexander

ETITOSCIGIAFIOATS - Dennis Huang, James Pendrith, Toby Alexander

Impromptu Me - Luke Thomson, Will Aplin, Nell Forster

Impromptu Me - Luke Thomson, Will Aplin, Nell Forster

Robots Can Dance - Rhody Wilson, Denholm Brockley, Rei Saito

Robots Can Dance - Rhody Wilson, Denholm Brockley, Rei Saito

Digital Interval - Lucas Richardson, Jordan Sargeant, Nell Forster

Digital Interval - Lucas Richardson, Jordan Sargeant, Nell Forster

Better Days - Kevin Bantichai, Nathan Strating

Better Days - Kevin Bantichai, Nathan Strating

State of Mind - Kevin Bantichai, Jayni Wong, Brady Watkins

State of Mind - Kevin Bantichai, Jayni Wong, Brady Watkins

Walk Home - Dylan Harris, Matt Broadley, Alex O'Donovan

Walk Home - Dylan Harris, Matt Broadley, Alex O'Donovan

Robots Can Dance - Rhody Wilson, Denholm Brockley, Rei Saito

Robots Can Dance - Rhody Wilson, Denholm Brockley, Rei Saito

Back To The Project - Tyson Allen, Haynn Tang, Cody McWaters

Back To The Project - Tyson Allen, Haynn Tang, Cody McWaters

Heavy Synth - by Liam Cox, James Lappin & Scot Rose

Heavy Synth - by Liam Cox, James Lappin & Scot Rose