Канал: Iestyn Davies - Topic

Porpora: Oh se fosse il mio core: II. Aria. Se lusinga il labro e 'l ciglio

Porpora: Oh se fosse il mio core: II. Aria. Se lusinga il labro e 'l ciglio

Dowland: Come Again, Sweet Love Doth Now Invite

Dowland: Come Again, Sweet Love Doth Now Invite

Dowland: All Ye Whom Love or Fortune Hath Betrayed

Dowland: All Ye Whom Love or Fortune Hath Betrayed

Dowland: Come Away, Come Sweet Love

Dowland: Come Away, Come Sweet Love

Dowland: Go, Crystal Tears

Dowland: Go, Crystal Tears

Dowland: In Darkness Let Me Dwell

Dowland: In Darkness Let Me Dwell

Porpora: Oh Dio, che non è vero: I. Recit. Oh Dio, che non è vero

Porpora: Oh Dio, che non è vero: I. Recit. Oh Dio, che non è vero

Dowland: Come, Heavy Sleep

Dowland: Come, Heavy Sleep

Dowland: Now, Oh Now I Needs Must Part – The Frog Galliard

Dowland: Now, Oh Now I Needs Must Part – The Frog Galliard

Dowland: Behold a Wonder Here

Dowland: Behold a Wonder Here

Porpora: Oh Dio, che non è vero: IV. Aria. Se mi prestasse i vanni

Porpora: Oh Dio, che non è vero: IV. Aria. Se mi prestasse i vanni

Dowland: Shall I Strive with Words To Move?

Dowland: Shall I Strive with Words To Move?

Porpora: Oh Dio, che non è vero: III. Recit. Passano i fiumi e i rivi

Porpora: Oh Dio, che non è vero: III. Recit. Passano i fiumi e i rivi

Porpora: Dal povero mio cor: I. Recit. Dal povero mio cor che vuoi, speranza?

Porpora: Dal povero mio cor: I. Recit. Dal povero mio cor che vuoi, speranza?

Dowland: I Saw My Lady Weep

Dowland: I Saw My Lady Weep

Dowland: Say, Love, If Ever Thou Didst Find

Dowland: Say, Love, If Ever Thou Didst Find

Dowland: Sorrow, Stay, Lend True Repentant Tears

Dowland: Sorrow, Stay, Lend True Repentant Tears

Porpora: Or che una nube ingrata: III. Recit. M'intendi? Io tutto dissi. ahi qual tormento!

Porpora: Or che una nube ingrata: III. Recit. M'intendi? Io tutto dissi. ahi qual tormento!

Porpora: Destatevi, o pastori: IV. Aria. Silvio amante disperato

Porpora: Destatevi, o pastori: IV. Aria. Silvio amante disperato

3 Gesänge, Op. 83: No. 3, Der Einsiedler

3 Gesänge, Op. 83: No. 3, Der Einsiedler

6 Songs, Op. 25: No. 5, Music, When Soft Voices Die

6 Songs, Op. 25: No. 5, Music, When Soft Voices Die

12 Lieder, Op. 9: No. 6, Scheidend, MWV K 50

12 Lieder, Op. 9: No. 6, Scheidend, MWV K 50

Oedipus, Z. 583: No. 2, Music for a While (Arr. B. Britten)

Oedipus, Z. 583: No. 2, Music for a While (Arr. B. Britten)

Lieder und Gesänge, Book 4, Op. 96: No. 1, Nachtlied

Lieder und Gesänge, Book 4, Op. 96: No. 1, Nachtlied

Rinaldo, HWV 7a: Or la tromba

Rinaldo, HWV 7a: Or la tromba

Giulo Cesare in Egitto, HWV 17, Act II : Sinfonia

Giulo Cesare in Egitto, HWV 17, Act II : Sinfonia

J.S. Bach: Christmas Oratorio, BWV 248, Pt. 2: No. 19, Aria. Schlafe, mein Liebster, geniesse...

J.S. Bach: Christmas Oratorio, BWV 248, Pt. 2: No. 19, Aria. Schlafe, mein Liebster, geniesse...

J.S. Bach: Christmas Oratorio, BWV 248, Pt. 1: No. 3, Recit. Nun wird mein liebster Bräutigam

J.S. Bach: Christmas Oratorio, BWV 248, Pt. 1: No. 3, Recit. Nun wird mein liebster Bräutigam

J.S. Bach: St John Passion, BWV 245, Pt. 1: No. 7, Aria. Von den Stricken meiner Sünden

J.S. Bach: St John Passion, BWV 245, Pt. 1: No. 7, Aria. Von den Stricken meiner Sünden

J.S. Bach: Christmas Oratorio, BWV 248, Pt. 5: No. 51, Trio. Ach, wenn wird die Zeit erscheinen?

J.S. Bach: Christmas Oratorio, BWV 248, Pt. 5: No. 51, Trio. Ach, wenn wird die Zeit erscheinen?

J.S. Bach: Christmas Oratorio, BWV 248, Pt. 3: No. 32, Recit. Ja, ja, mein Herz soll es bewahren

J.S. Bach: Christmas Oratorio, BWV 248, Pt. 3: No. 32, Recit. Ja, ja, mein Herz soll es bewahren

J.S. Bach: Christmas Oratorio, BWV 248, Pt. 5: No. 52, Recit. Mein Liebster herrschet schon

J.S. Bach: Christmas Oratorio, BWV 248, Pt. 5: No. 52, Recit. Mein Liebster herrschet schon

J.S. Bach: Christmas Oratorio, BWV 248, Pt. 3: No. 31, Aria. Schließe, mein Herze, dies selige...

J.S. Bach: Christmas Oratorio, BWV 248, Pt. 3: No. 31, Aria. Schließe, mein Herze, dies selige...

J.S. Bach: Christmas Oratorio, BWV 248, Pt. 5: No. 49, Recit. Warum wollt ihr erschrecken?

J.S. Bach: Christmas Oratorio, BWV 248, Pt. 5: No. 49, Recit. Warum wollt ihr erschrecken?

J.S. Bach: St John Passion, BWV 245, Pt. 2: No. 30, Aria. Es ist vollbracht!

J.S. Bach: St John Passion, BWV 245, Pt. 2: No. 30, Aria. Es ist vollbracht!

Handel: My Song Shall Be Alway "Chandos Anthem No. 7", HWV 252: V. The Heav'ns Are Thine

Handel: My Song Shall Be Alway "Chandos Anthem No. 7", HWV 252: V. The Heav'ns Are Thine

Handel: O Praise the Lord with One Consent "Chandos Anthem No. 9", HWV 254: II. Praise Him, All...

Handel: O Praise the Lord with One Consent "Chandos Anthem No. 9", HWV 254: II. Praise Him, All...

J.S. Bach: Mass in B Minor, BWV 232: Gloria: VII. Qui sedes ad dexteram Patris (Alto)

J.S. Bach: Mass in B Minor, BWV 232: Gloria: VII. Qui sedes ad dexteram Patris (Alto)

Handel: Let God Arise "Chandos Anthem No. 11a", HWV 256a: V. O Sing unto God

Handel: Let God Arise "Chandos Anthem No. 11a", HWV 256a: V. O Sing unto God

Anima Christi

Anima Christi

J.S. Bach: Ich habe genug, BWV 82: III. Aria: Schlummert ein, ihr matten Augen

J.S. Bach: Ich habe genug, BWV 82: III. Aria: Schlummert ein, ihr matten Augen

J.S. Bach: Geist und Seele wird verwirret, Cantata, BWV 35: VI. Recit. Ach, starker Gott

J.S. Bach: Geist und Seele wird verwirret, Cantata, BWV 35: VI. Recit. Ach, starker Gott

J.S. Bach: Widerstehe doch der Sünde, BWV 54: II. Recit. Die Art verruchter Sünden

J.S. Bach: Widerstehe doch der Sünde, BWV 54: II. Recit. Die Art verruchter Sünden

Handel: Theodora, HWV 68, Act I: No. 9, Aria. The Raptur'd Soul (Didymus)

Handel: Theodora, HWV 68, Act I: No. 9, Aria. The Raptur'd Soul (Didymus)

J.S. Bach: Geist und Seele wird verwirret, Cantata, BWV 35: III. Recit. Ich wundre mich

J.S. Bach: Geist und Seele wird verwirret, Cantata, BWV 35: III. Recit. Ich wundre mich

Arne: Alfred, Act II: Aria. Vengeance, O Come Inspire Me!

Arne: Alfred, Act II: Aria. Vengeance, O Come Inspire Me!

J.S. Bach: Gott soll allein mein Herze haben, BWV 169: III. Aria. Gott soll allein mein Herze haben

J.S. Bach: Gott soll allein mein Herze haben, BWV 169: III. Aria. Gott soll allein mein Herze haben

Buxtehude: Klag-Lied, BuxWV 76b: Verse 5. Und dass er nun den empfangen

Buxtehude: Klag-Lied, BuxWV 76b: Verse 5. Und dass er nun den empfangen

Buxtehude: Klag-Lied, BuxWV 76b: Verse 1. Muss der Tod denn auch entbinden

Buxtehude: Klag-Lied, BuxWV 76b: Verse 1. Muss der Tod denn auch entbinden

J.S. Bach: Magnificat in D Major, BWV 243: IX. Aria. Esurientes implevit bonis

J.S. Bach: Magnificat in D Major, BWV 243: IX. Aria. Esurientes implevit bonis

Guadagni: Aria. Pensa a serbarmi, o cara

Guadagni: Aria. Pensa a serbarmi, o cara

J.S. Bach: Gott soll allein mein Herze haben, BWV 169: VII. Chorale. Du süsse Liebe, schenk uns...

J.S. Bach: Gott soll allein mein Herze haben, BWV 169: VII. Chorale. Du süsse Liebe, schenk uns...

J.S. Bach: Gott soll allein mein Herze haben, BWV 169: VI. Recit. Doch meint es auch dabei

J.S. Bach: Gott soll allein mein Herze haben, BWV 169: VI. Recit. Doch meint es auch dabei

J.S. Bach: Magnificat in D Major, BWV 243: X. Trio. Suscepit Israel

J.S. Bach: Magnificat in D Major, BWV 243: X. Trio. Suscepit Israel

Hasse: Didone abbandonata, Act III: No. 8a, Fanfare & Recit. Odi colà la frigia tromba? (Enea)

Hasse: Didone abbandonata, Act III: No. 8a, Fanfare & Recit. Odi colà la frigia tromba? (Enea)

J.S. Bach: Ich habe genug, BWV 82: II. Recit. Ich habe genug! Mein Trost ist nur allein

J.S. Bach: Ich habe genug, BWV 82: II. Recit. Ich habe genug! Mein Trost ist nur allein

Rinaldo, HWV 7a: Venti, turbini

Rinaldo, HWV 7a: Venti, turbini

Giulo Cesare in Egitto, HWV 17: Giulio, che miri?

Giulo Cesare in Egitto, HWV 17: Giulio, che miri?

Giulo Cesare in Egitto, HWV 17, Act II : Sinfonia

Giulo Cesare in Egitto, HWV 17, Act II : Sinfonia

Giulo Cesare in Egitto, HWV 17: Cieli, e qual delle sfere

Giulo Cesare in Egitto, HWV 17: Cieli, e qual delle sfere

Amidigi di Gaula, HWV 11: Pena tiranna

Amidigi di Gaula, HWV 11: Pena tiranna

Giulo Cesare in Egitto, HWV 17: Se in fiorito ameno prato

Giulo Cesare in Egitto, HWV 17: Se in fiorito ameno prato

Rinaldo, HWV 7a: Or la tromba

Rinaldo, HWV 7a: Or la tromba

A Hymn on Divine Music (Realisation for Voice & Piano by Benjamin Britten)

A Hymn on Divine Music (Realisation for Voice & Piano by Benjamin Britten)

Lord, What is Man? (Realisation for Voice & Piano by Benjamin Britten)

Lord, What is Man? (Realisation for Voice & Piano by Benjamin Britten)

Four Songs: No. 3, Full Fathom Five (Arr. for Voice & Piano by Thomas Adès)

Four Songs: No. 3, Full Fathom Five (Arr. for Voice & Piano by Thomas Adès)

6 Songs from ‘A Shropshire Lad’: No. 2, When I was One And Twenty

6 Songs from ‘A Shropshire Lad’: No. 2, When I was One And Twenty

The Lover in Winter: No. 3, Modo frigescit

The Lover in Winter: No. 3, Modo frigescit

King David

King David

6 Songs from ‘A Shropshire Lad’: No. 5, The Lads in their Hundreds

6 Songs from ‘A Shropshire Lad’: No. 5, The Lads in their Hundreds

Four Songs: No. 2, Come Unto These Yellow Sands (Arr. for Voice & Piano by Thomas Adès)

Four Songs: No. 2, Come Unto These Yellow Sands (Arr. for Voice & Piano by Thomas Adès)

The Lover in Winter: No. 1, Iam nocet frigus

The Lover in Winter: No. 1, Iam nocet frigus

6 Songs from ‘A Shropshire Lad’: No. 6, Is My Team Ploughing?

6 Songs from ‘A Shropshire Lad’: No. 6, Is My Team Ploughing?

6 Songs from ‘A Shropshire Lad’: No. 1, Loveliest of Trees

6 Songs from ‘A Shropshire Lad’: No. 1, Loveliest of Trees

4 Traditional Songs: No. 1, A Brisk Young Lad

4 Traditional Songs: No. 1, A Brisk Young Lad

A Fool’s Preferment, Z. 571: I’ll Sail Upon the Dog-Star (Realisation for Voice & Piano by...

A Fool’s Preferment, Z. 571: I’ll Sail Upon the Dog-Star (Realisation for Voice & Piano by...

Coffee-Spoon Cavatina

Coffee-Spoon Cavatina

Four Songs: No. 1, By Beauteous Softness (Arr. for Voice & Piano by Thomas Adès)

Four Songs: No. 1, By Beauteous Softness (Arr. for Voice & Piano by Thomas Adès)

The Lover in Winter: No. 2, Nec Limpha caret

The Lover in Winter: No. 2, Nec Limpha caret

Four Songs: No. 4, Evening Hymn (Arr. for Voice & Piano by Thomas Adès)

Four Songs: No. 4, Evening Hymn (Arr. for Voice & Piano by Thomas Adès)

The Lover in Winter: No. 4, Nutritur ignis osculo

The Lover in Winter: No. 4, Nutritur ignis osculo

4 Traditional Songs: No. 4, The Bitter Withy

4 Traditional Songs: No. 4, The Bitter Withy

6 Songs from ‘A Shropshire Lad’: No. 4, Think No More Lad

6 Songs from ‘A Shropshire Lad’: No. 4, Think No More Lad

New-Made Tongue

New-Made Tongue

4 Traditional Songs: No. 3, The Cruel Mother

4 Traditional Songs: No. 3, The Cruel Mother

4 Traditional Songs: No. 2, Searching for Lambs

4 Traditional Songs: No. 2, Searching for Lambs

Old Bones

Old Bones

6 Songs from ‘A Shropshire Lad’: No. 3, Look Not in my Eyes

6 Songs from ‘A Shropshire Lad’: No. 3, Look Not in my Eyes

New-Made Tongue

New-Made Tongue

Four Songs: No. 1, By Beauteous Softness (Arr. for Voice & Piano by Thomas Adès)

Four Songs: No. 1, By Beauteous Softness (Arr. for Voice & Piano by Thomas Adès)

Lord, What is Man? (Realisation for Voice & Piano by Benjamin Britten)

Lord, What is Man? (Realisation for Voice & Piano by Benjamin Britten)

Die schöne Mullerin, Op. 25, D. 795: XIII. Mit dem grünen Lautenbande

Die schöne Mullerin, Op. 25, D. 795: XIII. Mit dem grünen Lautenbande

Die schöne Mullerin, Op. 25, D. 795: I. Das Wandern

Die schöne Mullerin, Op. 25, D. 795: I. Das Wandern

Die schöne Mullerin, Op. 25, D. 795: II. Wohin?

Die schöne Mullerin, Op. 25, D. 795: II. Wohin?

Die schöne Mullerin, Op. 25, D. 795: IV. Danksagung an den Bach

Die schöne Mullerin, Op. 25, D. 795: IV. Danksagung an den Bach

Die schöne Mullerin, Op. 25, D. 795: V. Am Feierabend

Die schöne Mullerin, Op. 25, D. 795: V. Am Feierabend

Die schöne Mullerin, Op. 25, D. 795: XX. Des Baches Wiegenlied

Die schöne Mullerin, Op. 25, D. 795: XX. Des Baches Wiegenlied

Die schöne Mullerin, Op. 25, D. 795: VIII. Morgengruß

Die schöne Mullerin, Op. 25, D. 795: VIII. Morgengruß

Die schöne Mullerin, Op. 25, D. 795: IX. Des Müllers Blumen

Die schöne Mullerin, Op. 25, D. 795: IX. Des Müllers Blumen

Die schöne Mullerin, Op. 25, D. 795: XVII. Die böse Farbe

Die schöne Mullerin, Op. 25, D. 795: XVII. Die böse Farbe

Die schöne Mullerin, Op. 25, D. 795: III. Halt!

Die schöne Mullerin, Op. 25, D. 795: III. Halt!

Die schöne Mullerin, Op. 25, D. 795: VII. Ungeduld

Die schöne Mullerin, Op. 25, D. 795: VII. Ungeduld

Die schöne Mullerin, Op. 25, D. 795: XV. Eifersucht und Stolz

Die schöne Mullerin, Op. 25, D. 795: XV. Eifersucht und Stolz

Die schöne Mullerin, Op. 25, D. 795: XIX. Der Müller und der Bach

Die schöne Mullerin, Op. 25, D. 795: XIX. Der Müller und der Bach

Die schöne Mullerin, Op. 25, D. 795: X. Tränenregen

Die schöne Mullerin, Op. 25, D. 795: X. Tränenregen

Die schöne Mullerin, Op. 25, D. 795: XVI. Die liebe Farbe

Die schöne Mullerin, Op. 25, D. 795: XVI. Die liebe Farbe

Die schöne Mullerin, Op. 25, D. 795: XIV. Der Jäger

Die schöne Mullerin, Op. 25, D. 795: XIV. Der Jäger

Die schöne Mullerin, Op. 25, D. 795: VI. Der Neugierige

Die schöne Mullerin, Op. 25, D. 795: VI. Der Neugierige

Die schöne Mullerin, Op. 25, D. 795: XVIII. Trockne Blumen

Die schöne Mullerin, Op. 25, D. 795: XVIII. Trockne Blumen

Die schöne Mullerin, Op. 25, D. 795: XI. Mein!

Die schöne Mullerin, Op. 25, D. 795: XI. Mein!

Die schöne Mullerin, Op. 25, D. 795: XII. Pause

Die schöne Mullerin, Op. 25, D. 795: XII. Pause

Die schöne Mullerin, Op. 25, D. 795: I. Das Wandern

Die schöne Mullerin, Op. 25, D. 795: I. Das Wandern

An Wasserflüssen Babylon

An Wasserflüssen Babylon

O dulce nomen Jesu

O dulce nomen Jesu

Salve mi Jesu

Salve mi Jesu

Ach dass ich Wassers g’nug hätte (Lamento)

Ach dass ich Wassers g’nug hätte (Lamento)

Es war aber an der Stätte

Es war aber an der Stätte

Christ unser Herr zum Jordan Kam

Christ unser Herr zum Jordan Kam

Geistliche Chor-Music, Op. 11: Auf dem Gebirge, SWV 396

Geistliche Chor-Music, Op. 11: Auf dem Gebirge, SWV 396

Ach dass ich Wassers g’nug hätte (Lamento)

Ach dass ich Wassers g’nug hätte (Lamento)

Salve mi Jesu

Salve mi Jesu

Sound the trumpet

Sound the trumpet

Sing, sing, ye druids

Sing, sing, ye druids

The Queen’s Epicedium: Incassum Lesbia

The Queen’s Epicedium: Incassum Lesbia

We beg not hell, our Orpheus to restore

We beg not hell, our Orpheus to restore

Ah heav'n, what is't I hear?

Ah heav'n, what is't I hear?

The heav’nly quire, who heard his notes from high

The heav’nly quire, who heard his notes from high

But in the close of night

But in the close of night

O dive custos Auriciae domus

O dive custos Auriciae domus

Paratum cor meum

Paratum cor meum

The pow’r of harmony too well they knew

The pow’r of harmony too well they knew

Ye brethren of the lyre, and tuneful voice

Ye brethren of the lyre, and tuneful voice

The Queen’s Epicedium: No, Lesbia, you ask in vain

The Queen’s Epicedium: No, Lesbia, you ask in vain

Since the toils and the hazards of war

Since the toils and the hazards of war

In vain the am'rous flute

In vain the am'rous flute

Mark how the lark and linnet sing

Mark how the lark and linnet sing

O solitude, my sweetest choice

O solitude, my sweetest choice

Hark how the songsters

Hark how the songsters

So ceas’d the rival crew when Purcell came

So ceas’d the rival crew when Purcell came

Hail, Bright Cecilia, Z. 328: No. 10, In Vain the Am'rous Flute

Hail, Bright Cecilia, Z. 328: No. 10, In Vain the Am'rous Flute

Come Ye Sons of Art, Z. 323: III. Sound the Trumpet

Come Ye Sons of Art, Z. 323: III. Sound the Trumpet

O Solitude, Z. 406

O Solitude, Z. 406

O dive custos Auriacae domus, Z. 504

O dive custos Auriacae domus, Z. 504

An Ode on the Death of Mr. Henry Purcell: No. 1, Mark How the Lark and Linnet Sing

An Ode on the Death of Mr. Henry Purcell: No. 1, Mark How the Lark and Linnet Sing

An Ode on the Death of Mr. Henry Purcell: No. 6, The Heav'nly Quire, Who Heard His Notes from High

An Ode on the Death of Mr. Henry Purcell: No. 6, The Heav'nly Quire, Who Heard His Notes from High

An Ode on the Death of Mr. Henry Purcell: No. 7, Ye Brethren of the Lyre, and Tuneful Voice

An Ode on the Death of Mr. Henry Purcell: No. 7, Ye Brethren of the Lyre, and Tuneful Voice

An Ode on the Death of Mr. Henry Purcell: No. 2, But in the Close of Night

An Ode on the Death of Mr. Henry Purcell: No. 2, But in the Close of Night

An Ode on the Death of Mr. Henry Purcell: No. 4, We Beg Not Hell, Our Orpheus to Restore

An Ode on the Death of Mr. Henry Purcell: No. 4, We Beg Not Hell, Our Orpheus to Restore

No, Lesbia, No, You Ask in Vain

No, Lesbia, No, You Ask in Vain

Dioclesian, Z. 627 (Excerpts) : Since the Toils and the Hazards of War

Dioclesian, Z. 627 (Excerpts) : Since the Toils and the Hazards of War

An Ode on the Death of Mr. Henry Purcell: No. 5, The Pow'r of Harmony Too Well They Knew

An Ode on the Death of Mr. Henry Purcell: No. 5, The Pow'r of Harmony Too Well They Knew

Bonduca, Z. 574: No. 11, Sing, Sing, Ye Druids

Bonduca, Z. 574: No. 11, Sing, Sing, Ye Druids

An Ode on the Death of Mr. Henry Purcell: No. 3, So Ceas'd the Rival Crew When Purcell Came

An Ode on the Death of Mr. Henry Purcell: No. 3, So Ceas'd the Rival Crew When Purcell Came

Incassum Lesbia, incassum rogas, Z. 383

Incassum Lesbia, incassum rogas, Z. 383

Ah, Heav'n! What Is't I Hear?

Ah, Heav'n! What Is't I Hear?

Paratum cor meum Deus

Paratum cor meum Deus

Timon of Athens, Z. 632: Hark! How the Songsters

Timon of Athens, Z. 632: Hark! How the Songsters

The Diary of Anne Frank (arr. Richard Boothby) : Why

The Diary of Anne Frank (arr. Richard Boothby) : Why

No Time in Eternity: II. No Time in Eternity

No Time in Eternity: II. No Time in Eternity

The Self-Laudatory Hymn of Inanna and her Omnipotence

The Self-Laudatory Hymn of Inanna and her Omnipotence

No Time in Eternity: III. Fortune

No Time in Eternity: III. Fortune

No Time in Eternity: IV. The Definition of Beauty

No Time in Eternity: IV. The Definition of Beauty

No Time in Eternity: VII. To Music (II)

No Time in Eternity: VII. To Music (II)

Oedipus, Z.583 (arr. Richard Boothby) : II. Music for a While

Oedipus, Z.583 (arr. Richard Boothby) : II. Music for a While

O Solitude, my Sweetest Choice, Z.406 (arr. Richard Boothby)

O Solitude, my Sweetest Choice, Z.406 (arr. Richard Boothby)

Evening Hymn, Z.193 (arr. Silas Wolston)

Evening Hymn, Z.193 (arr. Silas Wolston)

No Time in Eternity: I. To Music (I)

No Time in Eternity: I. To Music (I)

The Diary of Anne Frank (arr. Richard Boothby) : If

The Diary of Anne Frank (arr. Richard Boothby) : If

No Time in Eternity: VI. The Watch

No Time in Eternity: VI. The Watch

No Time in Eternity: V. Things Mortal Still Mutable

No Time in Eternity: V. Things Mortal Still Mutable

Evening Hymn, Z.193 (arr. Silas Wolston)

Evening Hymn, Z.193 (arr. Silas Wolston)

The Diary of Anne Frank (arr. Richard Boothby) : If

The Diary of Anne Frank (arr. Richard Boothby) : If

3 Songs, Op. 8: No. 3, Ici-bas!

3 Songs, Op. 8: No. 3, Ici-bas!

2 Songs, Op. 87: No. 1, Le plus doux chemin

2 Songs, Op. 87: No. 1, Le plus doux chemin

From the famous peak of Derby

From the famous peak of Derby

Mrs M. E. her funeral tears for the death of her husband

Mrs M. E. her funeral tears for the death of her husband

Old Bones

Old Bones

Can she excuse my wrongs

Can she excuse my wrongs

Come again, sweet love doth now invite

Come again, sweet love doth now invite

Can doleful notes?

Can doleful notes?

A Fancy

A Fancy

The First Part of Ayres—Captain Humes Musicall Humors

The First Part of Ayres—Captain Humes Musicall Humors

I care not for these ladies

I care not for these ladies

In darkness let me dwell

In darkness let me dwell

Preludium

Preludium

Can doleful notes?

Can doleful notes?

Care-charming sleep

Care-charming sleep

Mrs M. E. her funeral tears for the death of her husband

Mrs M. E. her funeral tears for the death of her husband

The First Part of Ayres—Captain Humes Musicall Humors

The First Part of Ayres—Captain Humes Musicall Humors

Now, O now I needs must part with The Frog Galliard

Now, O now I needs must part with The Frog Galliard

Why canst thou not?

Why canst thou not?

Can doleful notes?

Can doleful notes?

Flow my tears

Flow my tears

Mrs M. E. her funeral tears for the death of her husband

Mrs M. E. her funeral tears for the death of her husband

The First Part of Ayres—Captain Humes Musicall Humors

The First Part of Ayres—Captain Humes Musicall Humors

Never weather-beaten sail

Never weather-beaten sail

Have you seen the bright lily grow?

Have you seen the bright lily grow?

Messiah, HWV 56, Pt. 1: Part I: Aria: He shall feed His flock like a shepherd (Countertenor,...

Messiah, HWV 56, Pt. 1: Part I: Aria: He shall feed His flock like a shepherd (Countertenor,...

Messiah, HWV 56, Pt. 3: Part III: Aria: If God is for us, who can be against us (Countertenor)

Messiah, HWV 56, Pt. 3: Part III: Aria: If God is for us, who can be against us (Countertenor)

Messiah, HWV 56, Pt. 2: Part II: Aria: He was despised and rejected of men (Countertenor)

Messiah, HWV 56, Pt. 2: Part II: Aria: He was despised and rejected of men (Countertenor)