Ara Merjian

Ara Merjian on Pier Paolo Pasolini and the Neo-Avant-Gardes

De Bosis (Harvard) and Scienza Nuova: Colloquia

Ara Merjian introduces "Bicycle Thieves"

CasaItalianaNYU

Italian Futurism and the Design of the Modern Object

villanovauniversity

Ara H. Merjian - Symposium: Grant Writing for Graduate Students in the Humanities

NYU Center for the Humanities

Fragments of Totality: Futurism, Fascism, and the Sculptural Avant-Garde by Ara H. Merjian

Introduction to Pasolini's "Medea" (1969)

CasaItalianaNYU

The Review Panel April

Presenting "Propaganda: The Art of Political Indoctrination"

CasaItalianaNYU

Contemporary Art in Italy: A Dialogue with Curators

A Conversation with Peter Ruta

CasaItalianaNYU

Publicness in Italian Contemporary Art: The Work of FRANCESCO ARENA

CasaItalianaNYU

The International Impact of Futurism

CasaItalianaNYU

IO E CALLIOPE at New York University

CasaItalianaNYU

VITAL SUBJECTS: Race and Biopolitics in Italy

CasaItalianaNYU

ANGELS OF EVIL: Sympathetic Perpetrators on Small Italian Screens

CasaItalianaNYU

Neorealism and Photography: The New Image in Italy

CasaItalianaNYU

Against the Avant-Garde: Pier Paolo Pasolini, Contemporary Art, and Neocapitalism

CasaItalianaNYU

Maria Loh on Rewriting Old Master Narratives in "Titian's Touch"

CasaItalianaNYU

Images of Class: Operaismo, Autonomia and the Visual Arts (1962-1988)

CasaItalianaNYU