This is another fairly difficult prelude with big hand stretches, a fast tempo, and noticeable dynamics that must never be “too much”.

I love this prelude’s charming and light character – again, favoring Bulow’s description of “The Dragonfly”, which is what it feels like to me when I listen to it. There’s this constant, steady outpouring of notes which makes it feel very open and freeing, like some kind of winged creature quickly flying along.

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