Composer: Tomaso Antonio Vitali
Piece: Chaconne in G Minor
Performers: Ray Chen and Julien Quinten (recorded in Brisbane, Australia on 11th August, 2018)
Tomaso Antonio Vitali (7 March 1663 – 9 May 1745) was an Italian composer and violinist of the mid to late Baroque era. The eldest son of Giovanni Battista Vitali, he is chiefly known for a Chaconne in G minor for violin and continuo, to which he is traditionally attributed as the composer. The work was published from a manuscript in the Sächsische Landesbibliothek in Dresden in Die Hoch Schule des Violinspiels (1867) edited by German violinist Ferdinand David. That work's wide-ranging modulations into distant keys have raised speculation that it could not be a genuine Baroque work, while the lack of similarities to other works by Vitali have made modern scholars cast serious doubts on the attribution.
The Chaconne in G minor is a Baroque composition for violin and continuo, traditionally attributed to the Italian composer Tomaso Antonio Vitali. A Dresden manuscript that may have been transcribed in the early 18th century is the earliest known version of the chaconne, but it was not published until 1867 when Ferdinand David arranged it for violin and piano. The origin of its composition has been debated, with some musicologists hypothesizing that the work is a musical hoax composed by David rather than Vitali. Léopold Charlier made significant alterations to the chaconne in the early 20th century, transforming it into a virtuosic, Romantic-style showpiece. It has been arranged by numerous other composers, including Hans Werner Henze, who used it as the basis for his work Il Vitalino raddoppiato (1977).
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