Douglas Stuart, the author of the Man Booker Shortlisted Shuggie Bain, gives us a peek at some of his favourite Scottish books.
BUY Shuggie Bain by Douglas Stuart: [ Ссылка ]
BUY Young Adam by Alexander Trocchi: [ Ссылка ]
BUY Morvern Callar by Alan Warner: [ Ссылка ]
BUY Gentlemen of the West by Agnes Owens: [ Ссылка ]
BUY The Trick is to Keep Breathing by Janice Galloway: [ Ссылка ]
BUY Trainspotting by Irvine Welsh: [ Ссылка ]
BUY The Glasgow Trilogy George Friel: [ Ссылка ]
BUY How Late it Was, How Late by James Kelman: [ Ссылка ]
BUY His Bloody Project by Graeme Macrae Burnet: [ Ссылка ]
BUY The Young Team by Graeme Armstrong: [ Ссылка ]
MORE about the book:
'We were bowled-over by Shuggie Bain, which creates an amazingly intimate, compassionate, gripping portrait of addiction, courage and love. The book gives a vivid glimpse of a marginalised, impoverished community in a bygone era of British history. It's a desperately sad, almost-hopeful examination of family and the destructive powers of desire.' - The judges of the Booker Prize
An Observer 'Best Debut Novelist of 2020'
It is 1981. Glasgow is dying and good families must grift to survive. Agnes Bain has always expected more from life. She dreams of greater things: a house with its own front door and a life bought and paid for outright (like her perfect, but false, teeth). But Agnes is abandoned by her philandering husband, and soon she and her three children find themselves trapped in a decimated mining town. As she descends deeper into drink, the children try their best to save her, yet one by one they must abandon her to save themselves. It is her son Shuggie who holds out hope the longest.
Shuggie is different. Fastidious and fussy, he shares his mother’s sense of snobbish propriety. The miners' children pick on him and adults condemn him as no’ right. But Shuggie believes that if he tries his hardest, he can be normal like the other boys and help his mother escape this hopeless place.
Douglas Stuart's Shuggie Bain lays bare the ruthlessness of poverty, the limits of love, and the hollowness of pride. A counterpart to the privileged Thatcher-era London of Alan Hollinghurst’s The Line of Beauty, it also recalls the work of Édouard Louis, Frank McCourt, and Hanya Yanagihara, a blistering debut by a brilliant writer with a powerful and important story to tell.
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