In this Sonata no. 3, performed by Shunske Sato for All of Bach, Bach appears to have been looking to Italy for inspiration. The mysterious first Adagio, for instance, seems just like the opening of the Adagio of the oboe concerto by Marcello. The monumental Fugue in this sonata is full of contrapuntal tricks. Although not exactly Italian, it has no German equivalent either.

Recorded for the project All of Bach 23rd June 2019 at the Lichtfabriek, Haarlem. If you want to help us complete All of Bach, please subscribe to our channel [ Ссылка ] and consider donating [ Ссылка ].

For the complete set of Sonatas and partitas for solo violin go to: [ Ссылка ]
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All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and its guest musicians. Visit our free online treasury for more videos and background material [ Ссылка ]. For concert dates and further information go to [ Ссылка ].

Shunske Sato, violinist
Violin: Cornelius Kleynman ca. 1684

0:00 Adagio
4:58 Fuga
15:35 Largo
19:01 Allegro assai

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