Why Orange First?
Welcome Back to Another BobBlast!
I decided to do this BobBlast because I received many questions and comments about how I get started with my daily warm-up exercises: How do I prep, measure, cut apart and tape together. So... welcome to my Studio Practices - the Burridge Atelier! Painting these Little Gems can be a very fun exercise to get started in the studio, to experiment and try out new ideas. And - just to see how loose you can get!
In this Blast I start with a full sheet of 300 lb watercolor paper - and the first thing I do is apply gesso, then a mid-tone of orange. Why orange first? Because I was taught that way to paint. In art college, the first day in painting class, we wiped our canvases with an overall warm tone - orange or red. At that time, we painted with short, choppy strokes, á la French Impressionists. The technique was to leave some of the under color peek through. For me, the effect was sparkling!
In this video, I apply the first coat of gesso and orange with one product: Holbein's Orange Gesso in their cool packaging. Generally, this is my preferred color & gesso combo base. FYI - Holbein has 22 different colors of gesso! Of course, you can use a coat of white gesso and brush on orange acrylic paint all over the surface.
To start - Precut all the pieces and tape back together. Or - simply mark off the full sheet with the same size painting, this lesson is 10"x10" - all on one sheet. The mid-tone color is already there, so all I have to decide is where the darkest darks and the lightest lights need to be. I sketch with my brush, keeping it fast and loose!
By now, I am off and running... and continue painting with more color, building up layers, negative shape painting and re-establishing the contrast - still leaving a bit of orange peeking through.
Orange you glad you asked???
Online Workshops - Broadcast from Burridge Studio!
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“Painting the Illusion of Glassware”
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"Making your own Collage Papers"
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"Gluing a Watercolor Paper Painting onto a Wood Panel"
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