All these new cameras like the Canon R5, Sony a7Siii and Panasonic GH5 are offering 10 Bit 4:2:2 video, but what does that actually mean? This color sampling video tutorial will explain how using 4:2:2 chroma sampling can improve your video color options.
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10 Bit 4:2:2 video is quickly becoming the new norm with increased camera specs like color sampling on Sony a7Siii 10 bit 4:2:2, Canon R5 10 bit 422 camera, and Panasonic GH5 10 bit 422 video; but the question is do you need 4:2:2 color sampling. Chroma sampling, also known as color subsampling or chroma subsampling, is represented by 4:2:0, 4:2:2, or 4:4:4 as the most common subsampling options. To answer the question of what is chroma subsampling, it is a representative of how much color in video pixels is being captured. The reason 4:2:2 vs 4:2:0 is better because 422 retains more original color. 4:2:0 copies color from adjacent pixels so that only 25 percent of the original color is recorded, whereas 4:2:2 video retains 50 percent of the original color information. This extra color information retained from the higher chroma sub sample allows for better video color editing, video color correction, and video color grading. I hope this Camber Motion color sampling explained video coloring tutorial on 8bit 420 vs 10bit 422 has helped you understand why having 10 bit 4:2:2 video is preferable to 8 bit 4:2:0 for filmmaking.
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#4:2:2 #CamberMotion #ChromaSampling
