This recording - made in London on 14 March 1911, ie 3 months before the actual event - is an interesting souvenir of the coronation of King George V and Queen Mary. It features the Homage Anthem written by Sir Frederick Bridge for the occasion sung by the Westminster Abbey Choir (with soloist Edward Lloyd) accompanied by cornets (according to the recording ledger, although the label says trumpets) and organ played by Sir Frederick Bridge.

From Wikipedia: The coronation of George V and his wife Mary as king and queen of the United Kingdom and the British Empire took place at Westminster Abbey, London, on 22 June 1911. This was second of four such events held during the 20th century and the last to be attended by royal representatives of the great continental European empires...

The order of service was prepared by Claude Jenkins, the Lambeth Palace librarian, an eccentric character who was an antiquarian and patristic scholar. He was supervised by Armitage Robinson, the Dean of Westminster, who insisted that innovation be balanced by tradition. In fact, there was little change from the 1902 coronation, or at least that which had been intended, since the service had been shortened because of Edward's poor health. Randall Davidson, who as the Bishop of Winchester, had largely compiled the 1902 coronation service, was now Archbishop of Canterbury. Davidson sought the advice of Frank Edward Brightman, a liturgist from Magdalen College, Oxford. The main changes were to the words spoken at the actual crowning, which replaced those first used at the Coronation of James II with a translation of the simpler medieval form and the coronation sermon, which had been omitted in 1902, was reintroduced for the last time, but in a shorter form. The service was conducted by Davidson, including the crowning of the queen, which in 1902 had been delegated to the Archbishop of York.

The Director of Music, as in 1902, was Sir Frederick Bridge. As at the previous event, Bridge aimed to produce a celebration of four hundred years of English music, including work by Thomas Tallis, John Merbecke and George Frederick Handel. Bridge himself wrote a new anthem, Rejoice in the Lord, O ye righteous, the tenor solo for which was performed by Edward Lloyd. The organist was Walter Alcock, who also wrote a new setting for the Sanctus. Sir Hubert Parry wrote an orchestral introduction for his setting of Psalm 122, I Was Glad which had made a great impact at the 1902 coronation, and also a new setting of the Te Deum, which was less well received, perhaps because the choir was exhausted at the end of the three-hour service.] More successful was a new setting of the Gloria by Charles Villiers Stanford which was also used at the coronations of 1937 and 1953. New orchestral music included a Coronation March by Edward Elgar, who despite being awarded the Order of Merit in the coronation honours list, inexplicably refused to attend in person...

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