Ahead of the release of 'Haddi', Anurag Kashyap speaks with Sneha Menon Desai about the process of scriptwriting, his relationship with money, and the challenges and rewards of the Indian film industry. He also touches upon his relationship with his daughter Aaliyah Kashyap and the intricate balance between personal life and professional grind. He discusses his experience of working with Nawazuddin Siddiqui as an actor and explains why he wanted to take a stand for Neeraj Ghaywan when haters were trolling him.

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00:00 Interview with Anurag Kashyap
01:40 When did Anurag Kashyap start feeling famous?
02:40 Anurag's Stint as an Actor
03:52 Anurag's Relationship with Money
04:54 Acting vs. Directing: Which Pays More?
05:35 Working with Nawazuddin Siddiqui
06:51 The Struggles of Fame
07:51 Anurag's Journey: From Reactivity to Reflection
09:10 The Impact of the Lockdown on Anurag and His Self-Reflection
10:02 Building and Maintaining Relationships in the Film Industry
12:05 What is Anurag Kashyap watching right now?
12:50 Bucket Lists and Collaborating with Star Actors
14:14 The Reality of Being 'Cancelled' and the Pursuit of Validation
17:28 Balancing Work, Health, and Personal Life
20:40 Anurag Kashyap's Standing Ovation at Cannes 2023 for "Kennedy"
22:20 Who Anurag Kashyap Wants to Work With...
23:10 Anurag as a Father: Navigating Life's Changes
24:22 Marriage Advice from Anurag to His Daughter Aaliyah Kashyap

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The Film Companion is a web channel intended to promote Indian cinema through films review, interviews, discussions, video essays, and analytical compilations. It is intended primarily for the purpose of encouraging informed discussions, criticism, and review of cinema and towards such purpose, the programs use short extracts of cinematograph films, sound recording, and photographic works. These clips and extracts are of a minimal nature and the use is not intended to interfere in any manner with their commercial exploitation of the complete work by the owners of the copyright. The use of works is in compliance with the fair dealing exception provided under Sec. 52 of the Copyright Act, and we assert our use of the works under the exception provided for criticism and review.

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