LANVIN Spring 2004 Full Show Paris - Fashion Channel

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For spring, Alber Elbaz abandoned his concern with intricate surfaces and dainty jeweling.

Instead, like several other designers in Paris, he went back to the drawing board of couture fundamentals in an effort to pull something modern-looking out of old-school methods.

His particular focus for Lanvin was seamless draping, possibly the trickiest of all technical challenges.

Elbaz also grasped at the slippery subject of slinky, thirties-era glamour: something that has emerged as a preoccupation of the season.

Some of it worked, but not on every level.

The designer wrapped satin and taffeta around the body, with the edges of the fabric tied in loose, flat bows or emerging as bustles, ripples along spine lines, or asymmetric flicks flying out from the side of a dress.

To emphasize the flow, surface detail was limited to two devices for holding everything in place: strategically placed hooks and eyes, and flat metal snaps.


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