The most important part of rhythm in Hindustani Music is the Laya (Speed or tempo). The simplest implication of Laya would be: “the number of beats played in the time period of a single beat” which essentially signifies the time between two bols.

Layakari (kari means “to do”) is just the implementation of various Layas. The best way to understand Layakari is to go through the various types of Layakaris that are played.

Types of Layakaris

Thah Laya
Playing one bol in each matra is the simplest of Layakaris. A certain Laya is fixed by the accompanying singer or instrumentalist, and one bol is played for each matra.

Dugun Laya
Playing two bols in one matra is called Dugun. Whenever this is written in notation form, the bols are shown as clubbed together by drawing a line under them – 1 2 3 4 5 6 7 8

Tigun Laya
Playing three bols in one matra is tigun – 1 2 3 4 5 6

Chaugun Laya
Playing four bols in one matra is called chaugun – 1 2 3 4 5 6 7 8

Aad Laya
Uneven form of layakari is known as Aad. The beats and notes don't follow a straight form like dugun or chaugun.

KUAAD LAYA
Playing 5 bols in 4 matras

BIAAD LAYA
Playing 7 bols in 4 matras is widely considered to be Biaad

Let's understand more about Layakari in this video.


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Full list of my youtube tutorial videos:


Lesson1:Kharaj Sadhana- [ Ссылка ]


Lesson2:Learn Basic Alankar- [ Ссылка ]


Lesson3:Learn Taal(RHYTHM)- [ Ссылка ]


Lesson4:Introduction of Raag- [ Ссылка ]


Lesson5:Raag Yaman- [ Ссылка ]


Lesson6:Basics of Tanpura- [ Ссылка ]


Lesson7: How to sing Alap- [ Ссылка ]


Lesson8:Concept of Swar-[ Ссылка ]


Lesson9:Variation in Alankar- [ Ссылка ]


Lesson10:What is Murchana- [ Ссылка ]


Lesson11: What is Taan and How to sing a Taan-[ Ссылка ]


Lesson 12: Concept of Ghazal- [ Ссылка ]


Lesson 13: Introduction of Sargam- [ Ссылка ]


Lesson 14: Concept of Naad- [ Ссылка ]


Lesson 15: How to sing Ae re Pawan-[ Ссылка ]


Lesson 16: Bollywood Special- [ Ссылка ]


Lesson 17: Holi Special- [ Ссылка ]


Lesson18: Concept of Thumri- [ Ссылка ]


Lesson 19:Importance of note "Ma"- [ Ссылка ]


Lesson20: Sam-Prakriti Raag- [ Ссылка ]


Lesson21: Raag Bhairav- [ Ссылка ]




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