Get Tremor – [ Ссылка ]

Learn more about our other Content Banks:
Book of the Dead (Kill The Noise) – [ Ссылка ]
Polychrome (Andrew Huang) – [ Ссылка ]
Impossible (IDM) – [ Ссылка ]
Headline (EDM) – [ Ссылка ]
New London (Drum & Bass) – [ Ссылка ]

Learn more about Arovane – [ Ссылка ]

Ambient music as a concept has had a long, slow attack, and there's no sign of the release phase yet.

Long before modern electronic music production, before even the early synthesis and sampling experiments of Musique Concrète, there was Erik Satie's Musique d'Ameublement, or "furniture music", designed to enhance, support, but not overwhelm, the natural sound and music already in the air at a particular location or occasion – a dinner or a party or a workplace. John Cage refined, or possibly parodied, the idea in his famous composition of silence, 4'33", allowing the ambient sounds to stand on their own.

Intended to be heard, but perhaps not exactly listened to, ambient music, like its close relative minimalism, employs repetition and cell-based development over time. Artists such as Brian Eno helped through the 70s and beyond to develop and explore the synthesizer's unique aptitude for such compositions, and today with sounds like those included in this bank, you can combine organic sounds with textured drones, living layers of sparkling digital chaos, and warm soft analog-style loveliness in your own soundscapes to synergize with any environment. Make music for spaceports, or for the supermarket. Compose for a frosty winter's morning, or a night at the arcade. Just make it long, slow, and wonderful.

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