British-born Fee Plumley was previously best known for encouraging artists to be creative with the technology they carried in their pockets through the-phone-book Limited (2000-2008). After a privileged migration to Australia she spent a few years as an ‘agitator*’ running the digital program for the Australia Council for the Arts. Mind-mapping ‘what next?’ from her gloriously dishevelled apartment in Darlinghurst in 2010 resulted in an idea that was part genius, part insanity: live in a bus while developing a new solo creative practice. It didn’t quite work out how she, even loosely, expected.

*not official job title

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Blast Theory is renowned internationally as one of the most adventurous artists’ groups using interactive media, creating groundbreaking new forms of performance and interactive art that mixes audiences across the internet, live performance and digital broadcasting. Led by Matt Adams, Ju Row Farr and Nick Tandavanitj, the group’s work explores the social and political aspects of technology. Drawing on popular culture and games, the work often blurs the boundaries between the real and the fictional.

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