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Altered Dominant chords are absolutely essential to writing complex jazz progressions. The topic can be very difficult to navigate though, so I’ve tried to simplify it down to the absolute basics in this video. To summarize this video:
-Take a regular dominant chord (1 3 5 b7) and move it’s 5th up or down a half step to alter it. This creates 7(b5) or 7(#5) (aka augmented 7th)
-Like ALL altered dominant chords, you can use these as a colorful replacement for V7 in a V7 – I cadence.
-Altered dominant chords of any type can be written with the symbol 7alt.
-It’s easy to use altered dominant chords right after or before regular dominant chords, like G7 – G7alt – C, or G7alt-G7-C
-Altered dominants can be used in secondary dominant movements. Instead of playing V7/vi - vi, try V7alt/vi – vi. Or, V7alt/vi -V7/vi - vi
Thanks to my Patreon subscribers for making this lesson possible! If you sign up, you’ll get access to a lot of videos that aren’t available here on youtube, as well as the monthly live Q+A’s and occasional production/composing streams. www.patreon.com/signalsmusicstudio
00:00 Intro
00:25 What is an altered dominant (easy mode)
01:30 Guitar Shapes
1:52 Use altered dominants wherever you see V7
2:56 Use them as part of a ii-V7-I
3:47 Don’t like it? Fix the voice leading!
4:47 Play them next to unaltered dominant chords
6:00 Use them in secondary cadence
7:00 Putting it all together
07:48 What is an altered dominant (hard mode)
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Free online guitar lessons for beginners, intermediate, and advanced players. Located in Crystal Lake, Jake Lizzio provides free jam tracks and video lessons for guitar players, as well as music theory videos and other music education content.
