Hi everyone!

Aaron here. Recently I purchased some new 2D animation software for my Cintiq here at home. In trying to figure out the bells and whistles on it I decided to try animating a little scribbly pose test of Walt discovering he can reach through the canvas.

You're getting a sneak peak into my process. When I animate my scenes, this is how I start. Very loose and rough to try and get the acting and action across as quickly as possible. You'll also notice that not all of the drawings are there yet to make the movement smooth. I do that later after I've become satisfied with the timing of everything.

At this stage it's my goal to get the character to think. It's not just movement that brings these characters to life, it's what's going on in their heads. If you can get that across then the character will truly become alive.

It's after this stage that I'll go through and redraw everything nice and pretty and add all of the "inbetween" drawings to smooth out the action.

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About Aaron Blaise:
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Aaron Blaise is an animation feature film director and wildlife artist.

For 21 years Aaron worked with Disney helping to create some of the greatest animated films ever made. During that time he worked as an animator or supervising animator on "The Rescuers Down Under", "Beauty and the Beast", "Aladdin", "The Lion King", "Pocahontas", "Mulan" and more.

In 2003 he was co-director of "Brother Bear" for which he earned an Oscar nomination for Best Animated Feature Film.

After "Brother Bear" he helped to develop several projects but ultimately left Disney to pursue an opportunity back home in Florida. Aaron recently served as 2D Animation Supervisor and Character Designer for the "The Bear and the Hare" an advertisement loved by millions around the world. ([ Ссылка ])

Aaron currently is working on his mission to bring affordable art education and animation training to the world through his website: [ Ссылка ]

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