PAOLO BORCIANI, 1st violin
(21/12/1922 - 5/07/1985)
ELISA PEGRETTI, 2d violin
(10/06/1922 - 14/01/2016)
PIERO FARULLI, viola
(13/01/1920 - 2/09/2012)
FRANCO ROSSI, cello
(31/03/1921 - 28/11/2006)

LUIGI BOCCHERINI
(19/02/1743 - 28/05/1805)

STRING QUARTET D Dur, Op.8 No.1, G.165

00:00 I. Allegro assai
03:59 II. Adagio
10:05 III. Rondo: Allegro

1948 - 1955

The Quartetto Italiano was founded in Reggio Emilia in 1945. They made their debut in 1945 in Carpi when all four players were still in their early 20s. They were originally named Nuovo Quartetto Italiano before dropping the "Nuovo" tag in 1951. They are particularly noted for their recording of the complete cycle of Beethoven string quartets, made between 1967 and 1975.[1] The quartet disbanded in 1980.

Borciani, Pegreffi and Rossi met in 1940 at the Concorso Nazionale in La Spezia. In summer 1942 they met again at the Accademia Musicale Chigiana in Siena, where the cellist Arturo Bonucci (Sr.) put them together with the viola player Lionello Forzanti for the study session. They worked together on the Debussy quartet and performed it in September 1942.

In August 1945 the group began to study together again at the Borciani house in Reggio Emilia. Their debut followed on 12 November 1945 at the Sala dei Mori in Carpi, as the Nuovo Quartetto Italiano. By the end of the year they had also performed in Reggio Emilia and in Milan. In March 1946 they were winners at the Concorso of the Accademia Nazionale di Santa Cecilia, and Concorso of the Accademia Filarmonica Romana. A performance for the Milan Quartet Society followed, and the first foreign engagement was at the Zürich Tonhalle.

In February 1947 Piero Farulli replaced Forzanti at the viola desk, and the first performance in the new (and permanent) company was in Mantua. Debuts followed that year in Austria, England, at the Venice International Festival, and at the Engadin Konzertwochen. They also gave the world premiere of the Heitor Villa-Lobos Quartet No.9 at the Accademia Filarmonica Romana.

Appearances in Italy, England, Scotland, Spain and France followed in 1948, totalling 63 concerts, and the group began recording for Decca Records. Concerts rose to over 100 in 1949, with visits to Sweden, Czechoslovakia, Denmark, Norway and the Netherlands. At Stockholm Royal Academy they gave a series of lecture-recitals with Gerda Busoni, widow of Ferruccio Busoni.

In 1951 (having dropped the word “Nuovo” (new) from their name) the Quartet performed at the Edinburgh Festival and at the Salzburg Festival. It was at Salzburg that they had a long and very influential interview with Wilhelm Furtwängler, who urged them to work towards a much greater freedom of expression which would access for them the world of Grand Romanticism. This was much later acknowledged as a critical turning-point for the group.

In November they made their first U.S. tour, which was repeated in approximately alternate years until 1977. Virgil Thomson pronounced them “The finest string quartet, unquestionably, that our century has known.” In 1953 they transferred their recording programme to Columbia Records , and gave 59 concerts in the U.S. and Canada. In that year also, Elisa Pegretti married Paolo Borciani.

Recordings which followed included (1954) the Darius Milhaud Quartet No.12, and (1956) the Debussy Quartet, which Robert Kemp described as “miraculous”.[6] The group was then studying the six Mozart Quartets dedicated to Joseph Haydn, and performed them at venues including Milan and Fiesole. Important Festival appearances continued, at Lucerne (1955), the Maggio Musicale Fiorentino (1959), the Prague Spring Festival (1961) and the Berlin Musikwochen. In 1977, NASA launched the two Voyager space probes. Each carried a Golden Record, bearing images and sounds to represent the Earth and mankind. One of the images was a photograph of the Quartetto Italiano.

Through the later 1960s and early 1970s the group toured Yugoslavia (1966), to South America (1968), South Africa and Zambia (1970), Poland, U.S.S.R. and Japan in 1973. Meanwhile, their recording projects for Philips Records, begun in 1965, were coming to fruition, with the Mozart integrale finished in 1972 and the Beethoven in 1973.

In this later period their collaboration with Maurizio Pollini took place. The completion of their recording work in Schubert did not occur until 1977. In their late concerts the group focussed especially upon Beethoven and Schubert, often devoting a recital to two works, a single masterpiece by each composer. In December 1977 Piero Farulli was obliged to retire from the group owing to illness, and was replaced by Dino Asciolla.

However, following a tour to Israel it was decided to bring the Quartet to an end in 1980.

Their complete recordings for Decca, Philips and Deutsche Grammophon were released in a 37-disc set by Decca in 2015.

свернуть