My social media:
Letterboxd (for movies): [ Ссылка ]
TV Time (for TV shows): [ Ссылка ]
Twitter (for other stuff): [ Ссылка ]
Thumbnail art by Marguerite Sauvage
Music used in order of appearance:
"Lounge" by Susumu Hirasawa [ Ссылка ]
"Meditational Field" by Susumu Hirasawa [ Ссылка ]
"Chyioko's Theme - mode 1" by Susumu Hirasawa [ Ссылка ]
"Toubou" by Susumu Hirasawa [ Ссылка ]
"Run" by Susumu Hirasawa [ Ссылка ]
"Chyioko's Theme - mode 3" by Susumu Hirasawa [ Ссылка ]
"A Drop Filled With Memories" by Susumu Hirasawa [ Ссылка ]
"Yume no Shima Shinen Kouen" by Susumu Hirasawa [ Ссылка ]
Sources/articles:
Satoshi Kon's final words: [ Ссылка ]
Satoshi Kon's NYT Obiturary: [ Ссылка ]
Details on the Dream Machine: [ Ссылка ]
Anime news network interview: [ Ссылка ]
Midnight eye interview: [ Ссылка ]
Paprika's influence over Christopher Nolan and Inception: [ Ссылка ]
Darren Arnofsky recreating a scene from Perfect Blue in Requiem for a Dream: [ Ссылка ]
Kon himself mentions his own influence over Aronofsky/how Aronofsky approached him to re-make Perfect Blue: [ Ссылка ]
Art, Animation, and Why Satoshi Kon is My Favorite Director
Теги
Satoshi Konperfect bluepaprikamillenniumactressreviewexplainedessaytokyo godfathersparanioa agentreactiontrailerclipfull movieepisode 1deathrealityendingsupereyepatchwolfwhy perfect blue is terrifyinganimeosttheoryevery frame a paintingediting space and timethe terrifying reality of perfect blueinceptiontenetblack swanrequiem for a dreamcomparisonsoundtrackopeninganalysistimes hollywood stole from animehollywood and anime