Poor things is art, Shelley’s Frankenstein is art…is 19th century reanimation science also art? Let’s chat about how Giovanni Aldini’s galvanic experiments relate to Poor Things…maybe his performances would have a won a Golden Globe, too.

Sleigh, C. (1998). Life, death and galvanism. Studies in History and Philosophy of Science Part C: Studies in History and Philosophy of Biological and Biomedical Sciences, 29(2).

Morus, I. R. (2010). Worlds of Wonder. Isis: A Journal of the History of Science in Society, 101(4).

Iliffe, R. (2016). Galvanic Humans. In The Uses of Humans in Experiment (pp. 52-79). Brill.

Dyck, E., & Stewart, L. (2016). The Uses of Humans in Experiment: Perspectives from the 17th to the 20th Century (Vol. 95). Brill.Fairclough, M. (2018). Frankenstein and the “Spark of Being”: Electricity, animation, and adaptation. European Romantic Review, 29(3), 399-407.Noakes, R. J. (2001). Frankenstein's Children: Electricity, Exhibition, and Experiment in Early-Nineteenth-Century London.[ Ссылка ]

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