Anupama Chopra engages in an insightful chat with Fahadh Faasil, exploring various facets of his career and personal reflections. They delve into his recent film "Aavesham" and his portrayal of the character Ranga. Fahadh reflects on the influence of "Pushpa" on his career and discusses his journey as a pan-Indian star, sharing bonds with fellow actors like Vicky Kaushal and Rajkummar Rao.
#FahadhFaasil #Aavesham
00:00 - In conversation with Fahadh Faasil
00:51 - Tapping into summoning the unhinged intensity
03:58 - Does Fahadh ever scare himself while doing dark scenes?
05:45 - Ranga’s towel dance, and shedding the vanity
08:45 - Did Fahadh get a “Noble warrior” type tag for Aavesham too?
10:23 - The banger year Malayalam cinema’s having, but women being non-existent
12:06 - Re-defining the “hero” in Malayalam Cinema
15:01 - Deflecting the Pan-Indian tag, and being friends with actors from Bollywood
22:42 - Chatter around Fahadh being the highest paid villain, and money being a factor
25:30 - “I came back to do two films, and go back”
26:42 - Nazriya still sending him to get milk
28:27 - “The complexity of success, and the nobility in failure”
31:06 - Dealing with failure
32:21 - Does Fahadh think about himself as a BRAND?
33:43 - Considering himself as an insecure actor
36:15 - Being critical about his performances
37:18 - Does Nazriya run her posts by Fahadh before posting them?
39:13 - Does she still give him instructions for interviews?
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The Film Companion is a web channel intended to promote Indian cinema through films review, interviews, discussions, video essays, and analytical compilations. It is intended primarily for the purpose of encouraging informed discussions, criticism, and review of cinema and towards such purpose, the programs use short extracts of cinematograph films, sound recording, and photographic works. These clips and extracts are of a minimal nature and the use is not intended to interfere in any manner with their commercial exploitation of the complete work by the owners of the copyright. The use of works is in compliance with the fair dealing exception provided under Sec. 52 of the Copyright Act, and we assert our use of the works under the exception provided for criticism and review.
