BMI and the Sundance Film Festival presented the 14th annual Composer/Director Roundtable durning the Sundance Film Festival on January 25 in Park City, Utah.

BMI's "Music & Film: The Creative Process" roundtable is a cornerstone event at the festival on the role of music in film. Focusing on the relationship between composer and director, participants will discuss what goes into creating a successful film score, the ingredients of an effective composer/director relationship and more.

Panelists included composer Peter Golub -- the Sundance Institute Film Music Program Director -- and director Katie Aselton, who collaborated on Black Rock; composer Ryan Beveridge and director Aurora Guerrero, who collaborated on Mosquita y Mari; composer Alec Puro and director Jonathan Kasdan, who collaborated on The First Time; composer T. Griffin and director Marshall Lewy, who worked together onCalifornia Solo;  composer Michael Bacon (Slavery by Another Name); composer Miriam Cutler (Ethel); composer Cliff Martinez (Arbitrage); composer Andrew Hollander (Sleepwalk With Me); director Malik Bendjelloul (Searching for Sugar Man); composer Heather McIntosh and director Craig Zobel, who worked together on Compliance; director and composer Terence Nance (An Oversimplification of Her Beauty) and composer and Sundance Composers Lab advisor Blake Neely.

The conversation was moderated by Doreen Ringer Ross, Vice President, Film/TV Relations at BMI.


[ Ссылка ]

More about BMI and Sundance
[ Ссылка ]
More about BMI
[ Ссылка ]

Get paid when your music gets played. Join BMI!
[ Ссылка ]

Learn about future BMI events.
[ Ссылка ]

Music Career Advice
[ Ссылка ]

Songwriter101: [ Ссылка ]
YouTube: [ Ссылка ]
FaceBook: [ Ссылка ]
Twitter: [ Ссылка ]

ABOUT BMI
Broadcast Music, Inc.® (BMI) is an American performing right organization that represents more than 500,000 songwriters, composers and music publishers in all genres of music and more than 7.5 million works. BMI has represented the most popular and beloved music from around the world for 70 years. The U.S. corporation collects license fees from businesses that use music, which it then distributes as royalties to the musical creators and copyright owners it represents.

свернуть