Michael Parloff explores the progression from the musical exoticism of the "Style Hongrois" to the authenticity of folk-based, modernist musical languages.

Part 1 provides insight into 18th- and 19th-century Hungarian-style exoticism in the music of such composers as Haydn, Schubert, Brahms, and Liszt.

This 43-minute lecture is the first part of a 2-hour Encounter entitled “From Exoticism to Folkorism.” Part 2 (about Béla Bartók’s Quest for Musical Authenticity) can also be viewed on YouTube at [ Ссылка ]

This Encounter was recorded on August 3, 2014 at Music@Menlo; Chamber Music Festival and Institute, David Finckel and Wu Han, Artistic Directors

Chapters:
Introduction and Turkish Style: 0:00
The Rise of the Style Hongrois: 7:56
Hummel’s Hungarian-Style Dances: 12:00
Cimbalom style in Liszt Hungarian Rhapsody No. 11: 14:26
Intervalic and Rhythmic indicators of the Style Hongrois: 16:18
Military Associations in the Style Hongrois: 21:00
Hallgató and Verbunkos Style: 23:20
Ferenc Erkel: 27:45
Schubert’s use of Style Hongroise: 31:40
Liszt’s use of Style Hongroise: 35:45
Brahms’s use of Style Hongrois: 38:50

Video edited by Darryl Kubian, Indigo Fox Media

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