In this presentation Studio HOTmess discuss in further detail their project Edible Hinterlands, focusing on the design and challenges they had to overcome in order to produce a façade that responds to the themes of non-extractive and slow architecture in real-world production economies. Following this presentation we enter into a conversation and reflection around the role of architecture, locality in design, labour processes and the agency of humans and non-humans.
Studio HOTmess (Charlotte Moore + Maria Saeki) is a collaboration between two designers. They recently completed their MAs in Architecture at the Royal College of Art (2019).
Treading the borderline between spatial forms of art, architecture and product design, their practice uses site-specific research and material experimentation to translate research into sensitive and social design outcomes that respond to the contemporary socio-bio-geophysical issues faced by humans and our natural world today. The HOT.messes are currently commissioned by the White Gold Project to develop the project Edible Hinterlands. They have been a part of exhibitions at San Mei Gallery (2020 & 2021), Dutch Design Week (2020), Leach 100 Raku weekend (2020), London Design Festival with the V&A (2019), People’s Kitchen Day of Design (2019) and Palermo Manifesta Biennale (2018).
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This video forms a part of the Non-Extractive Architecture project: an exhibition, research residency and conference series curated by Joseph Grima and Space Caviar, located at V-A-C Zattere in Venice.
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