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In this video, you will experience a wide variety of the sounds that can be created with NightSky Time-Warped Reverberator.

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Time-Warped Reverberator.

Create vast soundscapes with just a few notes from your instrument. Apply mind-bending pitch and harmonic manipulation to your reverb tails, with synth-like filter sweeps. Enter a world of new sounds that blow away the boundaries of what is possible with reverb. With pioneers and adventurous sonic explorers in mind we created a reverb pedal that can go where none have gone before.

Reverberant Synthesis Machine.

NightSky is a reverberant synthesis workstation, and a powerful, hands-on experimental sound design platform. NightSky gives you real-time continuous control of reverb pitch/processing rate/core size, harmonics, and even a synth-like resonant filter with multiple modulation waveshapes, plus a step sequencer with variable glide. You haven’t heard a pedal like this before.

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Chapters:

00:00 Waning Gibbous
00:35 Spectroscope
00:58 Dodging Meteors
01:23 Bouncing Metallics
02:06 Floating
02:50 Eclipse
03:30 Squares
04:22 Saturn Skies
05:12 The Next Dimension
05:42 Running On The Moon
06:16 Quasar Radio
07:11 21st Century Q
07:26 Beacon
08:19 The Fifth Dimension
08:49 Equinox
09:16 Non Sequitur
09:30 Seasick
10:04 This Dimension
10:31 Omniminous
11:21 Libration
12:01 Celestial Coordinates
12:37 Final Act

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Clip Descriptions:

"Waning Gibbous" by Ethan Tufts
The 5th interval and low pass filter create a warm tonality augmented by the large reverb core size.

"Spectroscope" by Pete Celi
The low band Glimmer effect highlights harmonics and adds an extra dimension of movement to the reverberated signal.

"Dodging Meteors" by Ethan Tufts
With the pitch modulated by the envelope at maximum Depth, wild gyrations follow the input signal.

"Bouncing Metallics" by Pete Celi
Sparse reflections change density and pitch as the modulation square wave jumps. The Glimmer effect impacts the harmonic structure.

"Floating" by Josh Forbes
Regenerating sub-octaves add fullness to round out the high register pedal steel tones.

"Eclipse" by Ethan Tufts
Post Drive and Input Shimmer at +1 octave are countered by a generous amount of High Cut filtering to produce a rich and warm top end.

"Squares" by Josh Forbes
Octave down shimmer is enhanced by square wave pitch modulation and a morphing High Q filter.

"Saturn Skies" by Ethan Tufts
Pre Drive fattens up the reverberated signal to be further enhanced by regenerating octaves. Pitch modulation adds a dimension of uncertainty.

"The Next Dimension" by Pete Celi
Pre-delay added to the Diffuse texture creates a reverse-like response to accompany a note held with the Infinite footswitch.

"Running On The Moon" by Ethan Tufts
The Sparse texture creates a delay-like response to the input. With Scale Quantize, the pitch modulation reacts to the negative Envelope by climbing the scale as the input goes away.

"Quasar Radio" by Pete Celi
Octave down input Shimmer combines with the slow-building response of the Diffuse texture to create a heavy atmosphere.

"21st Century Q" by Pete Celi
An effective envelope-filter-meets-stereo-enhanced-octaver is produced with these settings.

"Beacon" by Pete Celi
A long decay length and larger size highlight the smooth nature of the Dense texture, with modulation applied to increase spaciousness.

"The Fifth Dimension" by Pete Celi
The Shimmer +5th interval combines with faster modulation of the reverb core to create an almost organ-like sound.

"Equinox" by Ethan Tufts
Glimmer and Octave Shimmer create a wider harmonic spectrum to be worked on by the modulated 4-pole low-pass filter.

"Non Sequitur" by Pete Celi
The individual reflections from the Sparse texture are bounced around in time and pitch by the deep modulation.

"Seasick" by Ethan Tufts
The pitch modulation is set to a depth and speed combination that produces an unsettling sensation.

"This Dimension" by Pete Celi
The Dense texture at moderate settings provides dimension to the mildly overdriven guitar.

"Omniminous" by Pete Celi
A slow filter sweep adds a dramatic element to the changing dynamics of the reverberated signal as it goes in and out of clipping.

"Libration" by Ethan Tufts
All three elements of the Voice section are utilized to create a wide spread of harmonics.

"Celestial Coordinates" by Ethan Tufts
Pre Drive and octave shimmer are balanced by low-pass filtering. The Sparse reverb responds to square wave modulation at the waveform edges.

"Final Act" by Pete Celi
The large reverb Size results in a slow-building shimmer while the random pitch modulation adds a sense of system instability.

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All examples recorded direct.

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