The Six Concert Etudes, Op.28 are bravura pieces for steel fingers and marathon stamina - from start to finish there is no time to catch a breath.

The first Etude's solemn, pounding melody, introduced at the beginning by the left hand, is literally showered by swift torrents of chords played initially by the right hand; the hands alternate in their roles, producing a spectacular effect.

In the second Etude, three groups of two sixths in one hand whizz by three groups of three notes in the other; the listener hears a coy, playful scherzo, while the pianist contends with a significant test of dexterity.

The third Etude deserves to be experienced not just aurally but also visually; the finger acrobatics, where the two hands play interlaced throughout, one under the other, are something unique that has to be seen to be believed.

Etude No.4 recalls the majestic march-like flavour of the first Etude; its insistent bass melody imbues the piece with both sadness and dignity.

Etude No.5 is a rush of demisemiquavers, an avalanche of sparkling musical frosting.

The sixth and final concert Etude, subtitled Capriccio, is the best known of the set, one of Dohnanyi's most popular piano solo compositions, and an enduring, favourite encore of virtuoso pianists everywhere.

(Naxos Music Library)

Please take note that the audio AND sheet music ARE NOT mine. Change the quality to a minimum of 480p if the video is blurry.

Original audio: naxosmusiclibrary.com
(Performance by: Markus Pawlik)
Original sheet music: [ Ссылка ]_(Dohn%C3%A1nyi%2C_Ern%C5%91)

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