A short clip of an interview at the Asia Society, the day before the non-succes-d'estime of First Emperor. It becomes (to me) clear that his well designed short (2:30) exercise was a kind of diversion, little related to the operatic horrors bookending the scene. His remarks also reveal how dependent he was/is on the rather shopworn dichotomies of gongfu nomenclature: yin/yang, soft/hard etc. It thus becomes a little clearer why acrobatics (=gongfu) remained the center of his dance motifs - until very recently at any rate.
