Conversation begins at 6:25
Comics librarian and curator Caitlin McGurk ([ Ссылка ]) returns to the show to celebrate her amazing new book, TELL ME A STORY WHERE THE BAD GIRL WINS: The Life and Art of Barbara Shermund (Fantagraphics, [ Ссылка ]). We talk about Caitlin's shock at her 2012 discovery of Barbara Shermund's incredible gag-comics and illustrations in the archive of the Billy Ireland Cartoon Library & Museum ([ Ссылка ]), how her interest in Barbara evolved from blog posts to a museum exhibit to a book, the challenge of writing about someone who did no interviews or press and had no close relatives, and how easily women get erased from history. We get into the gestalt of Barbara's fantastic linework and washes and her wry sense of humor, why Caitlin wound up writing an academic press version of the book before rewriting it for a trade publisher, the challenges & rewards of designing a book to showcase so much art, how Barbara helped create the look of The New Yorker in its early years, why Caitlin speculated (but not too much) about Barbara's sexuality. We also discuss the malleability of history, how the Billy Ireland has changed in the 10 years since Caitlin & I last recorded ([ Ссылка ]), the pep talk she wished she could have gotten from our late friend Tom Spurgeon, time Al Capp (!!) advocated for allowing women into the National Cartoonists Society, the incredible story of tracking down Barbara's remains and giving her a proper funeral 35 years after her death, and a lot more. Follow Caitlin on Instagram ([ Ссылка ]) and the Billy Ireland blog ([ Ссылка ]) • More info at [ Ссылка ] • Support The Virtual Memories Show via [ Ссылка ] or [ Ссылка ] and via our e-newsletter, [ Ссылка ]
