“I’m a producer who doesn’t rap, so I have to speak through like the production of it. It’s not even like a lot of those beats don’t start out like that in the beginning. A lot of them will just be like skeletons of stuff like… ideas, just to get an idea going.

Then an artist might do some ideas on it and I’ll go back in and f**k with it some more. Have an other producer come back and f**k with it some more then have the artist come back in” - Metro Boomin on the Full Send podcast

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TIMESTAMPS:
0:00 Metro Boomin Teaches How To Make Beats Quote 1
0:42 #1 Patience is A Virtue
2:38 #2 Become Synonymous With A Movement
2:40 Metro Boomin Teaches How To Make Beats Quote 2
5:28 Free Songwriting Video Course
6:01 #3 Serve the Song
6:03 Metro Boomin Teaches How To Make Beats Quote 3
7:55 #4 Do What’s Best For Your Beat
7:57 Metro Boomin Teaches How To Make Beats Quote 4
9:49 Metro Boomin Teaches How To Make Beats Quote 5
10:25 #5 Don’t Settle
10:27 Metro Boomin Teaches How To Make Beats Quote 6
12:37 Comment and Pick Up Your Free Course!
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Full Article On Metro Boomin Teaches How To Make Beats In 5 Steps: [ Ссылка ]

A prodigy who crafted his first beat at just 13, Metro’s grasp of the sonics that elevate the work of rappers to unforeseen heights is so acute that The Fader’s 2016 piece which labeled him “the most trusted man in rap” has proven to be anything but an exaggeration.

“Future treats our like ears like they’re his”, he told Forbes. “We’ll mix a whole album and he won’t even hear it but he knows we’ll have it in the right place.”

A pioneer in the trap lane, Metro may have started with youthfulness on his side, but it didn’t come with the impetuousness that’s expected of teenagers. From the outset of his career as a beatmaker on fruity loops through to acquiring his most iconic placements, Metro has been fixated on producing the best work possible.

As a result, he’s mindful of the fact that quality work, let alone music which becomes beloved by the masses, can’t be manufactured to a stringent timeline and sometimes, a bit of back and forth can be pivotal to create a hit.

Undaunted by the process of devoting hours, if not days, to a track, Metro garnered his unimpeachable reputation as one of the game’s finest producers through putting in the work to give his finest beats a distinct, iconic flavour that not only allowed him to convey what he wanted to say, but were the perfect, often person-specified templates for the MC’s to build off.

As a result, Metro didn’t shy away from taking two years to curate his latest project, Heroes & Villains, alongside an all star cast of artists,

And on the subject of the MC’s that Metro has made into his closest co-conspirators over the years, this brings us to the next key step in Metro’s rise to the upper echelons of the production world.

Although he was an outsider to the ATL, Metro’s propensity to deliver some of the hardest trap beats imaginable meant that he was a seamless fit during the embryonic days of the scene that would go on to dominate hip-hop in the 2010’s decade.

As he explained to Wallo 267 and Gillie The Kid in the clip above, his decision to consolidate his efforts on becoming an integral part of the ATL’s rap sphere not only meant that he got plenty of practice honing his craft, but also made connections that would later facilitate some of his biggest hits.

By keeping his ear to the ground and fraternizing with the legends that he grew up listening to, Metro’s services became a hot commodity and meant that no ATLien’s career was complete without a beat from the Boomiverse headquarters, And over time, his position of being tapped into Atlanta meant that when new talents such as 21 Savage emerged, he was on hand to help to guide them. Unsurprisingly, leaving an indelible imprint on one city’s sound was a conscious decision on his part-

Full Article Continued On Metro Boomin Teaches How To Make Beats In 5 Steps: [ Ссылка ]

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