Event Description:
The period of 1950 to 1980 saw exemplary examples of architecture in the South Asian region, some of which are being celebrated this year in the Museum of Modern Art (MoMA) in New York’s first transnational show focused on the region, titled “The Project of Independence: Architectures of Decolonization in South Asia, 1947–1985.” While these projects were an integral part of the nation-building agenda and the construction of national identity at the time, more recently, these buildings have begun to come under threat with political and social shifts in the region.
With the passage of time, the importance of these buildings is becoming more evident, albeit among a small group of academics and practitioners in the South Asian region. Recently, The Hall of Nations—Raj Rewal and Mahendra Raj’s critically acclaimed, postcolonial project known for being the world’s first and largest space-frame structure built in concrete—was demolished overnight. This act invited much outrage and triggered an entire debate on what the architectural and cultural significance of such projects, which many might call “works of art of national importance,” is in contemporary times. Ever since, Louis Kahn’s IIM Ahmedabad dormitories and Charles Correa’s Kala Academy, among several other buildings, have similarly come under threat.
At this critical juncture, an urgent question has emerged: How might we redefine what constitutes architectural history and “heritage,” given that the current categorization of “heritage” sets a minimum time horizon of 100 years? Why does an act like demolition or proposed destruction of ‘modern’ buildings not spark more of a public outcry? How can modern buildings be rethought not only as historical remnants but active backdrops for contemporary life? What might qualify as “works of art of national importance” today?
More importantly, what narratives might we develop to anchor the importance of such buildings in the public awareness once again, so that transitionary political agendas and bureaucratic constraints are not left to determine their fate? What strategies and interpretations must the practice of conservation devise to include to help cope with an increasingly contested and transitionary landscape that characterizes the region now?
“Conservation in a Time of Transition/ Shifting Landscape” is an event that aims to convene leading scholars working on architecture in South Asia to discuss this very question. This event hopes to begin the process of reconceptualizing conservation practice in the face of such threats and current attitudes. It also aims to celebrate and build upon MoMA’s current exhibition focused on the architectural history of the region between 1947 and 1985, which throws light on these endangered projects, illustrating their importance not just in the region’s history, but also their contributions to the fields of architecture and the culture of building in South Asia and beyond.
Speakers:
Eve Blau teaches the History and Theory of Urban Form and Design at the Harvard University Graduate School of Design, where she is Director of Research and Co-Director of the Harvard Mellon Urban Initiative. She has published widely on modern architecture, urbanism, and the productive intersection of urbanism and media.
Kathleen James-Chakraborty is professor of art history at University College Dublin. She is currently also an Ailsa Mellon Bruce Senior Fellow at the Center for Advanced Study in the Visual Arts at the National Gallery of Art. In 2021 she was been awarded a European Research Council Advanced Grant for a project entitled Expanding Agency: Women, Race, and the Global Dissemination of Modern Architecture.
Rahul Mehrotra is Professor of Urban Design and Planning and the John T. Dunlop Professor in Housing and Urbanization at the Graduate School of Design at Harvard University. He is the founder principal of RMA Architects which has studios in Mumbai and Boston. In 2018 RMA Architects were awarded the Venice Biennale juror’s ‘Special Mention’ for ‘three projects that address issues of Intimacy and empathy, gently diffusing social boundaries and hierarchies’.
Martino Stierli is The Philip Johnson Chief Curator of Architecture and Design at the Museum of Modern Art, New York, a role he assumed in March 2015. Stierli oversees the wide-ranging program of special exhibitions, installations, and acquisitions of the Department of Architecture and Design. At MoMA, he has curated the exhibitions Toward a Concrete Utopia: Architecture in Yugoslavia, 1948-1980 (with Vladimir Kulić), Renew, Reuse, Recycle: Recent Architecture from China (with Evangelos Kotsioris), and The Project of Independence: Architectures of Decolonization in South Asia, 1947-1985 (with Anoma Pieris and Sean Anderson).
0:00 Introduction and presentation by Rahul Mehrotra
22:35 Presentation by Martino Stierli
40:09 Presentation by Kathleen James-Chakraborty
55:11 Panel Discussion
1:18:05 Q+A
