#veena #gawati #vishwa
Pandit Vishwa Mohan Bhatt gives a soulful rendition of a this evening raag, Gawati in this excerpt from the Darbar festival 2007. Pandit Yogesh Samsi gives a majestic accompaniment on the tabla in this recital.

Enjoy this music piece? You can WATCH THE FULL VIDEO HERE –[ Ссылка ]

You can start your free no-obligation trial of the Darbar Player and watch the full performance today. Click here and sign up for a no obligation 3 trial and watch the full length version of this video now at - [ Ссылка ] - You can also get the Darbar App which will let you download content and watch later, this is great for when you are offline or travelling. Please join us and support Indian classical music and artists. Check out your app stores and search for the Darbar App today.

You might be asking, why is Darbar giving me a free trial? We are passionate about Indian classical music and have the largest online archive of videos - we want everyone to experience the bliss of Indian classical music. This is one of those of things that can’t be put into words, this is something that must be experienced. Even if you decide to leave after this trial, that is perfectly fine.

In closing, the best part of your membership is that you can feel 100% confident that you are supporting Indian classical music and musicians through a registered non-profit organisation.

Click [ Ссылка ] to start your free no-obligation 3 day trial immediately. You are only one click away - transport yourself into the largest online archive of Indian classical music 😊 ______________________________________________________________

More about the music:

Gawati is a lesser-known raga, very close to Raag Bheem. It is difficult to handle due to its peculiar gait that lends to its sweetness. However, some musicians belonging to Patiala and Imdadkhani gharanas perform it lustily. It belongs to the Khamaj Thaat and is an afternoon raga. Its Jati is audav-shadav, that is, it uses five notes in its ascent and 6 notes in its descent. The dominant note is Pa (5th) and sub-dominant note is Sa (1st). It omits re (2nd) and Dha (6th) and deploys komal Ni (flat 7th) in its ascent and drops Ni (7th) altogether in its descent.

Its arohana and avarohana are as follows:

S G M P n S’ (Western Notes: C E F G A# C)

S’ D P M, P G M R n.S (Western Notes: C A G F, G E F D A# C)

According to some this belongs to the time zone of afternoon while many others place it in the late evening or pre-midnight zone. The plain notes lend it a simple but strangely stooping gait (with oft-used G M P n S’D and G M R n.S) that expresses benevolent and happy mood.

Musicians
Pandit Vishwa Mohan Bhatt (mohan veena)
Pandit Yogesh Samsi (tabla)
________________________________________________________________

Darbar believes in the power of Indian classical arts to stir, thrill and inspire. Through shared experiences and digital connectivity, we ensure that one of the world’s finest art forms reaches the widest possible audience. Founded in 2006, we deliver premium quality live events, music education, broadcasts and online engagement through promoting artistic innovation and creative technology. We are also committed to providing a platform for new talent from India and the UK.

All Rights Reserved ©2021 Darbar Arts Culture Heritage Trust

свернуть