Join Elæ Moss and Rebecca Lazier for this conversation about the role of creativity and creative publishing projects in navigating challenging times.
Moss and Lazier co-produced an interdisciplinary open-source score and archival artists’ book for the Bessie Award-winning “There Might Be Others.” Now, in preparation for the full production of Lazier’s ambitious, aerial, and architectural performance piece “Noli Timere," they are back at the table thinking together about how they will share this work and the creative process behind it.
Be inspired by these long-time collaborators and educators, whose work spans performance, dance, choreography, public art, and innovative publishing.
Together, we'll explore how these creative practices are more accessible than ever, offering new ways of thinking and making to everyone.
Rebecca Lazier, a 2024 Guggenheim Fellow, is a choreographer and educator who has choreographed more than eighty works, presented in six countries. Her current project, "Noli Timere," a collaboration with visual artist Janet Echelman, is a soaring aerial performance featuring a custom designed Echelman net sculpture exploring how we navigate an unstable world. Her honors include support from the National Dance Project/NEFA, Harkness Foundation for Dance, Trust for Mutual Understanding, The Canada Council for the Arts and residencies at The Joyce Theater Foundation. Rebecca is Professor of the Practice and Associate Director, Program in Dance at Princeton University.
Elæ Moss is a multimodal artist-researcher, information worker, and curator focused on radical collective pedagogy and practice. They are the creative director of Autonomous Mechanics Design Studio and founder of the open-source platform The Operating System and Liminal Lab. Elæ is a Professor at Pratt Institute and a Community Minister at Judson Memorial Church.
Learn More about Elæ Moss:
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Learn More about Rebecca Lazier:
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