As we look ahead to Smt T Balasaraswati's 106th Birth Anniversary next month , BrindaMukthi curates an immortal varnam made her own. We have digitally remastered it for our rasikas.
As seen all through her career , Smt T Balasaraswati stayed true to the margam format or "kutcheri melam" as referred to in yesteryears and emphasized the importance and gradual succession in the order of the pieces performed in a margam. In her Presidential Speech at the Tamil Isai Sangam , she compares the Varnam to the Garbha-Griha or the Sanctum Sanctorum in a a holy shrine giving it prime importance as the very core to the majestic margam. It is fitting to say that she stayed faithful to her Guru Parampara of Sri Kandappa Nattuvanar whose forefathers , the Tanjore Quartet codified and structured for the proscenium stage.
Mohamana En Meedil , a monumental composition of the Quartet in the raga Bhairavi showcases the magnificence and grandeur of Lord Tyagarajaswamy , the presiding deity of the temple town of Tiruvarur in Southern India.
The nayaka nayika bhava brought out in this ornate piece shows both the passion and devotion that the nayika holds for her beloved Lord and extolls his virtues to her sakhi while troubled unable to bear the pangs of love and separation.
Varnam I Mohamana En Meedil I Raga Bhairavi I Rupaka I Tanjore Quartet
Smt T Balasaraswati - Bharatanatyam
Sri K Ramaiah - Nattuvangam
Sri M S Ramadas - Vocal
Sri T Viswanathan - Flute
Sri V Thyagarajan - Violin
Sri Kuppuswami Mudaliar - Mridangam
Sri T Janardhanam - Tambura
Recorded at Prasad Studios , Chennai.
Excerpted from "Bala (1976)" - A documentary on Smt T Balasaraswati by Dr Satyajit Ray produced by the NCPA and Govt of Tamilnadu.
00:00 - Opening Credits
00:06 - Magic of the Mridangam
00:16 - Anklets Sparkle
00:21 - Trikala Jati
01:36 - Pallavi
Mohamana En Meedil Nee Indha Velayil
"Oh , i am stricken with desire for you and in this time".
02:20 - Pallavi
Modi Seyyalamo , En Saami Mettha
" How can you be so indifferent to me , Oh , my beloved Lord"
03:14 - Khanda Jati
03:45 - Anupallavi
Nagarikamana Tirunagaril Vasare
" Oh , the presiding deity of the cultured and well respected temple town of Tiruvarur".
04:29 - Anupallavi
Bhoga Tyagesa Anubhogam Seyya Vaa Kitta
"Oh , handsome and chivalrous Tyagesa , now is the time to come to me for our communion".
05:11 - Sankeerna Jati
05:53 - Chittaswara
N , SRS , NRNDPM , PDPMPG, RS
N , SRGS , RGMP , GMPD , PMPD
PDPD NDN GRS , SRS N GRS NRN DP
PDNS NDP MPDM GRS NSRG MPD
06:45 - Chittaswara Sahitya
Sondamudan Ennai Koodainai Vindhayai Naan Ninaindhe Dhinam
Vaadi Manam Naadi Umai Thedi Uravaada Migavum
Enadhudaladhu Padhrudhu Ini Arai Nimishamum Yugamugudhu
Adharasaaramadhu Thara Idhe Samayam Sarasa Sadgunane
"Imagining the pleasure of our union day in and day out , I have come parched , with my heart in search of you for your companionship.
My body is yearning for even half a minute seems to be an entire eon.
It is the time to enrich me with your lip's essence , Oh my beloved Lord" .
07:44 - Charanam
Maaran Kanaigal Thoovuran , Sara Maariyaaai
" The god of love is showering me this flower arrows , and they are piercing me as if drops from heavy rain".
08:47 - Charana Swara & Sahitya -1
M GM RGRN RS NDN SRG
Ma Veri Kuyilgal Koovuthe Ini Enna Seyyuven
"Oh , the cuckoos are singing love tunes to their hearts content , what do i do now".
09:51 - Charana Swara & Sahitya - 2
M MPMMGRG GPGGRS R
RGRRSNS SNDPNSRG
Marutham Oru Puram Viseedhu Iravinil
Thamadam Ennai Anai Vaa Ini Vasamalla
"Oh , the scented winds are breezing in the moonlight ,
please come without delay and embrace as i am out of control."
10:53 - Charana Sahitya - 4
Sureshan Anudinam Pugazh Varesha Munivar Paniyum Jagadisha
Akhanda Purana Vilasa Adiyavargalarul Puriyum Isha
Akhila Bhuvanamadil Vasa Hari Ayan Ariyada Isha
Varangal Tarum Tiru Tyagesha Pozhiyum Kayilai Vasa Endanai Anaiyum IppO
11:37 - Ragamalika Chitta Swara
11:38 - Raga Bhairavi
S P DNSN NDPMGRN
S P DNSR SRGMPDN
11:48 - Raga Kalyani
S NDPDN DPMP D PGMP MGRS
DS DSRGS RGMPG MPDND MPN
11:59 - Raga Thodi
SRG RSND NPDMPG MPDNSR
GRS RSD SDP DPG PGR GRS NS NSRGM
Please listen to an elaborate rendition by her troupe here
[ Ссылка ]
Note: This video archive has been curated here solely for the purposes for archival and posterity. It also serves as a learning tool for students and rasikas alike to comprehend. It is fully owned by the NCPA and the Government of Tamilnadu in its production and Dr Satyajit Ray. It does not claim ownership of the content whatsoever.
Headphones are recommended for optimum sound quality.
Curated by BrindaMukthi
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