Followin the death of Caruso in 1921, the mantle of greatest tenor in the word fell naturally, almost inevitable, round the shoulders of the young Beniamino Gigli. Thus the Italian monopoly continued until the late 1930s, when singers such as Jussi Björling arrived on the inernational stage. Loencavallos Mattinata seems like to be composed especially to Beniamino Gigli

свернуть