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Christopher Preston Thompson ~ director, tenor & Medieval harp
David Dickey ~ countertenor & recorder
Clifton Massey ~ countertenor
Thomas McCargar ~ baritone & percussion
Niccolo Seligmann ~ vielle
Nathaniel Adams ~ tenor

In preparation for a concert of Medieval quartets commissioned by the Santa Cruz Baroque Festival, Concordian Dawn presents "Order in Fours". The number 4 represents stability, a firm foundation, order in the universe, the completion of justice, the bodily humours, and a perfect Pythagorean interval. This program explores such symbolism in variously configured quartets.

0:00 Intro
1:08 Phebi claro nondum orto iubare (Alba of Fleury-sur-Loire)
I-Vb Vat. Lat. 1462, fol. 50v (11th c.)
Reconstructed by Christopher Preston Thompson

3:33 Tunc me discussa (Boethius, Consolation of Philosophy, 1 m. 3)
CA Gg. V. 35, fol. 442r (11th c.)
Reconstructed by Christopher Preston Thompson after Sam Barrett and Benjamin Bagby

5:47 La Septieme Estampie Real
F-Pn fr. 844, 104v (13th c.)
Edited by Timothy McGee in Medieval Instrumental Dances

9:57 Tribum que / Quoniam secta / Merito hec patimur
Philippe de Vitry (Le Roman de Fauvel)
Edited by Sarah Fuller in European Musical Heritage

12:39 La Messe de Nostre Dame (Kyrie ~ Gloria)
Guillaume de Machaut (1300−1377)
Edited by Leo Schade in Guillaume de Machaut Oeuvres Complètes

22:15 Viderunt omnes
Pérotin (1160−1230)
Transcribed by Philippus Legge

34:43 Salterello
GB-Lbl MS Add. 29987, 63v-64r (14th c.)
Edited by Timothy McGee in Medieval Instrumental Dances

40:28 Dame, de qui toute ma joye vient (Le Remede de Fortune)
Guillaume de Machaut (1300−1377)1
Transcribed by Christopher Preston Thompson

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