A completion of Contrapunctus XIV or Art of Fugue by Bach using Indra's 4-voice inversion solution and 2 of his rectus combinations. Much of this isnt my work, but his. My contribution - and the point of posting this, is to show how it all might sound when put together with his ideas about bar length, Goncz's solution with the permutation matrix, and how I feel the 4th exposition should start. Also some filler material is mine and the coda, as well as the execution - deciding on instruments, speed, volumes, etc.

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