(12 Feb 2016) NETHERLANDS BOSCH ART
SOURCE: AP HORIZONS, LIFESTYLE, HEALTH AND TECHNOLOGY
RESTRICTIONS: HORIZONS CLIENTS AND AP LIFESTYLE, HEALTH AND TECHNOLOGY CLIENTS ONLY
LENGTH: 5:24
++VIDEO QUALITY AS INCOMING++
AP Television
's-Hertogenbosch, Netherlands - 11 February 2016
1. Zoom out of painting The Haywain Triptych 1510-1516 Madrid, Museo Nacional del Prado
2. Close of painting The Haywain Triptych 1510-1516
3. Setup shot of Prof. Dr. Jos Koldeweij, Bosch Research and Conservation Project, Exhibition Curator, speaking to man
4. SOUNDBITE (English) Prof. Dr. Jos Koldeweij, Bosch Research and Conservation Project, Exhibition Curator:
"The main theme in the works of Bosch is time and again the struggle of every human being between good and evil. How do I behave? What have I to do? As we see here in the triptych of The Haywain, it's also about good and bad behaviour. The people are running behind the Haywain and that's about earthly richness. And from above Christ is looking down what's happening on the earth."
5. Tilt down of painting The Haywain Triptych 1510-1516
6. Zoom out of painting Saint Jerome at Prayer 1485-1495 Ghent, Museum Voor Schone Kunstend
7. Tilt down of painting Saint Jerome at Prayer 1485-1495
8. Zoom out of painting Saint John the Baptist 1490-1495 Madrid, Museo Fundacion Lazaro Galdiano
9. Close tilt down of painting Saint John the Baptist 1490-1495
10. Tilt up to Christ carrying the cross 1490-1500 Vienna, Kunsthistorisches Museum
11. Wide of visitors looking at paintings
12. SOUNDBITE (English) Dr. Matthijs Ilsink, Project Coordinator Bosch Research and Conservation Project, Exhibition Curator:
"Many of Bosch's motifs appear to be very scary because they are painted in a very naturalistic way. So, a viewer can easily access the imagery and relate to that. And he must have done that on purpose. On the other hand, the amount of tortures and scary images is so big that it almost becomes enjoyable or laughable. So this is a very tricky balance and that's what makes these paintings exciting as well."
13. Wide of painting The Last Judgement triptych 1495-1505 Bruges, Stad Brugge, Groeningemuseum
14. Close of painting The Last Judgement triptych 1495-1505
15. Close of painting The Last Judgement triptych 1495-1505
16. Zoom in of painting Saint-Christopher 1490-1500 Rotterdam, Museum Boijmans Van Beuningen
17. Wide of visitors looking at paintings
18. SOUNDBITE (English) Dr. Matthijs Ilsink, Project Coordinator Bosch Research and Conservation Project, Exhibition Curator:
"We are in the town of 's-Hertogenbosch, a fairly small town, in the provincial museum, so with modest dimensions. Therefore, it was difficult initially to make this exhibition and it was I think a very good idea of the city and of the museum to invest in time and in knowledge. It wasn't possible for the museum to exchange for instance a Rembrandt for a Bosch or a Titian for a Bosch. But what was possible was to set up an extensive research project, like the Bosch Research and Conservation Project, and invest in knowledge and give that back to the museums, work together with the museums and really learn more about the paintings and drawings by Bosch."
19. Various of painting Ecce Homo 1495-1503 Boston, Museum of Fine Arts
20. Wide of painting The Wayfarer 1500-10 Rotterdam, Museum Boijmans Van Beuningen
21. SOUNDBITE (English) Dr. Matthijs Ilsink, Project Coordinator Bosch Research and Conservation Project, Exhibition Curator:
22. Various of museum exterior with exhibition sign
23. Pan left of square
24. Close of statue of Bosch
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