In this video essay, editor and filmmaker Ryan Charles (www.ryan-charles.com) explores famous Russian film theorist Sergei Eisenstein's famous Methods of Montage contained in his seminal work, FILM FORM.
By exploring a number of examples from both modern and classic cinema the essay lays out Eisenstein's Five (5) Methods and how they can be used to affect an audience.
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FILMS CITED:
RAGING BULL (1980)
CITY OF GOD (2002)
JURASSIC PARK (1993)
MAN WITH A MOVIE CAMERA (1929)
THE BOURNE ULTIMATUM (2007)
THE END OF ST. PETERSBURG (1927)
REQUIM FOR A DREAM (2002)
THE FRENCH CONNETION (1971)
PULP FICTION (1994)
THE SHINING (1980)
BATTLESHIP POTEMKIN (1925)
THE UNTOUCHABLES (1987)
NAKED GUN 33 1/3: THE FINAL INSULT (1994)
A CLOCKWORK ORANGE (1971)
THE REVENANT (2015)
THE AGE OF INNOCENCE (1993)
APOCALYPSE NOW (1979)
THE GODFATHER: PART 1 (1972)
THE THIN RED LINE (1998)
MULHOLLAND DRIVE (2001)
2001: A SPACE ODYSSEY
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