Coming a few years after his flirtation with the 20th Century Fox with Beyond the Valley of the Dolls and The Seven Minutes, SuperVixens (1975) finds the titties-obsessed exploitation master back in independent territory and even more obsessed with tits, and quite a bit more savage than anything he had done previously. In it a simple gas station attendant named Clint (Charles Pitts, Skatetown U.S.A.) has a super-sexy, ultra-horny wife named SuperAngel (Shari Eubank, Chesty Anderson U.S. Navy). Unfortunately she is also super-bitchy and is driven into a jealous rage when the busty SuperLorna (Christy Hartburg, Movie Madness) flirts with her guy at his place of business. She takes her rage out on him, savagely attacking Clint when returns home, after fucking him 'natch, and then taking an axe to his truck. The cops are called Sheriff Harry Sledge (Charles Napier, The Silence of the Lambs) responds, the unsettlingly toothy-cop pulling them apart and tells Clint he needs to go cool off at the bar for a while, which he does. Later SuperAngel seduces the cop, unaware that he is a complete psychopath, and when he turns out to be a limp dick she cannot bite her tongue, and chides him for his poor performance, calling him a "faggot", which pushes the cop over the edge. What transpires is a pretty fucking savage attack, with SuperAngel getting the wind knocked out of her with a punch to the gut, before barricading herself in the bathroom. The increasingly unhinged cop repeatedly stabs into the bathroom door with a steak knife, eventually breaking it down and brutally stomping her repeatedly in the bathtub, and when that somehow fails to kill her he tosses a radio into the bathwater, electrocuting her, then burning down the house. Clint meanwhile has been at the bar and should have a pretty tight alibi as he was being pursued by sexy bartender SuperHaji (Haji, Demonoid), but after rebuffing her come-ons and saying she has small tits compared to his wife she refuses to give him an alibi, making him the prime suspect, so he hits the road out of town.

The film sort of has a theme in so much as foxy women in this film throw themselves at Clint, but he's not interested and bad things happen because of that. While thumbing it he's picked up by a swinging young couple in an El Camino, driver Cal (John LaZar, Night of the Scarecrow), and his girlfriend SuperCherry (Colleen Brennan, Foxy Brown). Cal seems to get off on seeing his girlfriend try to get it on with Clint, but when she tries to give him a hand job Clint insists on them pulling over so he can get off, and ends up beaten, robbed and stranded. After that he's picked-up by kindly farmer Lute (Stuart Lancaster, Batman Returns) who offers him work on his farm, but Clint has to fend off the farmer's much younger, busty Austrian mail-order bride SuperSoul (Uschi Digard, Superchick), whose attempts to rape him get him chased off the ranch and the end of a pitchfork. After that he winds up at a motel off the highway where the proprietor warns hm about messing with his sexy deaf-mute daughter SuperEula (Deborah McGuire, The Young Secretaries), but when her father leaves for a few hours SuperEula convinces a somewhat wary Clint take her out into the desert in her dune buggy, topless naturally. All of these busty, sex-craving women throwing themselves at him, all I have to say is that Clint has more will power than me! Anyway, her overly protective father ends up following them out into the desert with the local sheriff in tow, and Clint again finds himself hitting the road to evade the authorities.

The final scenario in this string of sex romps has Clint winding up at SuperVixen's Oasis, a roadside diner and gas station, looking for a cheeseburger, but he hits it off with the diner's owner SuperVixen (the lovely Eubank again) who hires him on as a gas station attendant. The pair become quite an item, life is great, and Clint seems to finally have found a woman he can love who isn't crazy, but is plenty horny. Things take a turn when the murderous cop Harry Sledge shows up with a bag full of dynamite, things go wrong. Clint doesn't recognize him but Sledge knows exactly who he is, and sets his sights on him and his new gal.

This is a quintessential slice of Meyers exploitation, his camera leering over the curvy assets of all the women, obviously a tit-man from way back, Meyer's eye for eye candy is sure to satisfy your craving for busty and lusty women who are larger than life. His appreciation of none-too-subtle phallic symbolism is fully intact, we get plenty of gorgeous women atop phallus shaped rock formations, and his eye for kinky voyeurism is still very much here to enjoy. I love that despite SuperAngel being murdered early on she sort of comes back into Clint's life via an apparition of sorts who might be manipulating events...

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