1. M.O.P. - Rawness 0:00
2. Red Hot Lover Tone - 4 My Peeps (feat. Notorious B.I.G.) 4:11
3. Channel Live - Mad Izm (Original Remix) (feat. KRS-One) 7:48
4. Big L - MVP (Remix #1) 12:09
5. Funkdoobiest - Rock On (Remix) 15:25
6. Grand Puba - I Like It (Remix) (feat. Sadat X) 19:26
7. Kool Keith - Yo Black (Remix) 24:21
8. Organized Konfusion - Bring It On (Remix) 28:37
9. F.A.T.A.L. Fountain - All About Warz 32:45
10. Artifacts - C'Mon Wit The Git Down (Remix) (feat. Busta Rhymes) 37:33
11. Chubb Rock - What A Year 41:07
12. Showbiz & A.G. - You Know Now (Remix) 44:56
13. Tha Alkoholiks - Daaaaam! (Buckwild Remix) 48:25
14. Brand Nubian - Word Is Born (Remix) 52:50
15. Nas - Life's A Bitch (Remix #1) (feat. AZ) 56:39
16. Sadat X - The Lump Lump (Nubian Remix) (feat. Grand Puba, Lord Jamar) 1:00:18
17. Special Ed - Lyrics (Remix) 1:03:46
18. Diamond D - You Can't Front (feat. Lord Finesse, Sadat X) 1:08:19
19. Reservoir Dogs - The Difference 1:12:50
20. Big L - MVP (Remix #2) 1:16:45
21. Channel Live - Mad Izm ('95 Remix) 1:20:08
22. Street Smartz - Problemz 1:23:38
23. Bushwackass - Caught Up In The Game 1:28:00
24. Artifacts and Buckwild - Ask Niggas 1:32:01
25. Buckwild, Meyhem Lauren & Raekwon - Y-D-N 1:35:55
26. Meyhem Lauren & Buckwild - Honey Champagne Sorbet 1:39:22
27. Flee Lord & Buckwild - Can't Fuck Wit Flee 1:42:30
28. Buckwild & Asun Eastwood - More Life 1:45:16
29. Artifacts & Buckwild - Take A Trip 1:48:18
30. Lace Da Booms - Cut That Weak Shit (Remix) (feat. Kwaze Modoe, Royal Flush) 1:51:56

Anthony Best (born March 20, 1968) professionally known as Buckwild, is an American hip hop record producer. Hailing from The Bronx borough of New York City, he is a member of Diggin' in the Crates Crew, along with Lord Finesse, Showbiz and A.G., Diamond D, Fat Joe, Big L, and O.C. He has produced a number of tracks for prominent rappers in the music industry, including The Notorious B.I.G.'s "I Got a Story to Tell" and Black Rob's "Whoa!". In 2013, he was described by HipHopDX as "one of Hip Hop's most prolific and acclaimed producers".

Among producers, there are those at the forefront who seemingly have nothing but smash singles on their resume. Then there are those who may not touch the charts all the time, but still offer a steady stream of notable bangers. Buckwild, the Bronx-raised DJ-turned producer, who first entered the game as a beatsmith under the guidance of Lord Finesse and is a member of the legendary hip-hop collective Diggin' In The Crates Crew (D.I.T.C.), boasts a discography that’s closer to the latter.

Despite shaping a bulk of Big L and O.C.’s debut efforts in the ‘90s, producing album cuts with much fanfare (The Notorious B.I.G.’s “I Got A Story To Tell”), Billboard chart toppers that were crowd favorites (“Whoa” by Black Rob), and providing beats for some of the industry’s most prestigious names (Nas, Jay-Z, 50 Cent, The Game, & Fat Joe), Buckwild’s storied résumé has rarely been discussed in detail, until now.

“We were doing a lot of things people weren’t really doing. At the time, everyone was straight jazzy. The only jazzy record we had on that album was ‘Word…Life.’ Everything else was hard, chopped up, and grungy. Q-Tip was jazzy, Primo was jazzy, even Pete Rock was jazzy. We did something different because we didn’t really have the money to buy these expensive records, so we just used what we had that were bits and pieces. "

“L was very picky. To me, the pickiest rappers are Finesse, Nas, and Big L. But it’s comedy when we’re not recording. Then in the booth, it’s straight business. I see a lot of kids saying, ‘L was one of the greatest, if he was alive, he’d be giving Jay-Z a run for his money.’ And he would. Around the same time that L was supposed to sign to Roc-A-Fella, I was dealing with Roc management. "

“Of course, I was feeling like, ‘Damn, I came into the game listening to G Rap, now I’m in the studio working with him.’ And me missing being on Illmatic, it was dope now that Nas was on my record. The label wanted something for the radio, so I came up with a record, and I said, ‘Fuck it, it doesn’t sound too bad. Let me give it to them.’

“Back then, we were doing similar things we’re doing now. We made a few beats, and then submitted them. AZ picked the beat, and he goes, ‘I got this beat, and I’m trying to figure out what to do with it.’ Working with him, and coaching his vocals, it’s a good moment in time. I remember recording this at Electric Lady because we booked a lot of sessions there. AZ takes a lot of time and he wants his lyrics perfect.”

“So I went out to Cali, and it took us about two or three sessions. He picked the beat, we sat down and vibed, he kicked the chorus to me saying, ‘Yo, it’s going to be like this, what you think of this?’ He was kicking me the rhymes, and that shit was really dope. First night we laid the foundation out, and the next day we came through and breezed through the whole record. "

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