In 1963, Ariyakudi Ramanuja Iyengar presented the 30 thirupavais he tuned in a two day concert at the Mylapore Fine Arts society. We are very glad to present this as a special upload for Margazhi 2023. The programme details are mentioned below:
Day 1:
Vocal - Ariyakudi Ramanuja Iyengar
Vocal Support - B Rajam Iyer & Madurai N Krishnan
Violin - TN Krishnan
Mridangam - Vellore G Ramabhadran
00:00:00 - Begada - Inta Chalamu (Varnam) - Adi - Vina Kuppaiyyer
00:04:23 - Gaurimanohari - Guruleka Etuvanti - Khanda Chapu - Tyagaraja
00:07:10 - Pashuram 1 - Nattai - Margazhi Thingal - Adi
00:15:33 - Pashuram 2 - Gowla - Vaiyyatu Vazhvirgal - Adi (2 Kalai) -
00:22:29 - Pashuram 3 - Arabhi - Ongi Ulagalanda - Adi
00:30:10 - Pashuram 4 - Varali - Azhimazai Kanna - Adi
00:40:53 - Pashuram 5 - Sri - Mayanai Mannu - Adi (2 Kalai) -
00:47:26 - Pashuram 6 - Shankarabharanam - Pullum Silambina - Misra Chapu
01:01:49 - Pashuram 7 - Bhairavi - Keeshu Keeshu - Misra Chapu
01:14:59 - Pashuram 8 - Dhanyasi - Keezhvanam - Adi
01:22:46 - Pashuram 9 - Hamirkalyani - Thoomani Madattu - Adi
01:30:45 - Pashuram 10 - Thodi - Nottrum Chuvarkam - Misra Chapu
01:51:06 - Tani Avartanam - Misra Chapu
01:53:44 - Pashuram 11 - Huseni - Katru Karavai - Misra Chapu
01:59:59 - Pashuram 12 - Kedaragowla - Kanaithilam - Adi (2 Kalai)
02:05:55 - Pashuram 13 - Atana - Pullinvai - Misra Chapu
02:15:58 - Pashuram 14 - Anandabhairavi - Ungal Puzhakkadai - Adi
02:24:42 - Pashuram 15 - Begada - Elle Ilankiliye - Rupakam
02:31:38 - Sindhubhairavi - Sri Ramachandra (Slokam)
02:36:43 - Sindhubhairavi - Deva Devam - Misra Chapu - Narayana Tirthar
____________________________
Day 2:
Vocal - Ariyakudi Ramanuja Iyengar
Vocal Support - B Rajam Iyer & Madurai N Krishnan
Violin - TN Krishnan
Mridangam - Umayalpuram Sivaraman
02:38:53 - Sri - Sami Ninne (Varnam) - Karur Devudu Ayya
02:43:11 - Reetigowla - Sadguru Swamiki - Adi (2 Kalai) - Poochi Iyengar
02:49:55 - Pashuram 16 - Darbar - Nayakanai Ninra - Adi (2 Kalai)
02:56:47 - Pashuram 17 - Kalyani - Ambarame Tannire - Misra Chapu
03:07:25 - Pashuram 18 - Saveri - Undu Mada Kalitran - Misra Chapu
03:16:59 - Pashuram 19 - Sahana - Kuttu Vilakkeriya - Misra Chapu
03:26:18 - Pashuram 20 - Senchurutti - Muppatti Moovar - Misra Chapu
03:33:40 - Pashuram 21 - Nadanamakriya - Etra Kalangal - Misra Chapu
03:40:35 - Pashuram 22 - Yamunakalyani - Angan Maa Gnalattu - Misra Chapu
03:44:22 - Pashuram 23 - Manirangu - Marimalai Muzhainjil - Misra Chapu
03:47:21 - Pashuram 24 - Sindhubhairavi - Anri Ivvulagam - Adi
03:54:10 - Pashuram 25 - Behag - Oruthi Maganai - Adi
03:59:54 - Pashuram 26 - Kuntalavarali - Male Manivanna - Adi
04:04:44 - Tani Avartanam - Adi
04:14:44 - Pashuram 27 - Poorvikalyani - Koodarai Vellumseer - Misra Chapu
04:28:47 - Pashuram 28 - Kambhoji - Karavaigal Pin Sendru - Adi
04:45:35 - Pashuram 29 - Malayamarutham - Chitram Ciru Kale - Misra Chapu
04:53:30 - Tani Avartanam - Misra Chapu
05:00:07 - Pashuram 30 - Surutti - Vangakadal - Rupakam
05:07:01 - Madhyamavathi - Sri Ramachandra (Slokam) -
05:08:00 - Sourashtram - Ni Nama Rupamulaku (Mangalam) - Adi - Tyagaraja
#Ariyakudi #Margazhi #DecemberSeason #AriyakudiRamanujaIyengar #Andal #Thirupavai
Ariyakudi Ramanuja Iyengar, live at Jagannatha Bhaktha Sabha, 1957 - [ Ссылка ]
Through this initiative we aim to archive concerts by various artists and bring to our viewers the experience of listening to complete concerts. These concerts are carefully chosen from Vaak's archives and cleaned up for the best listening experience.
The purpose of this upload is to assist the students and the lifelong learners of India in their pursuit of an education so that they may better their status and their opportunities and to secure for themselves and for others justice, social, economic and political. This has been posted for non-commercial purposes and facilitates fair dealing usage of academic and research materials for private use including research, for criticism and review of the work or of other works and reproduction by teachers and students in the course of instruction. Many of these materials are either unavailable or inaccessible in libraries in India, especially in some of the poorer states and this collection seeks to fill a major gap that exists in access to knowledge.
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