Ahead of his ‘Born to Shine’ concert in Mumbai, Diljit Dosanjh exclusively speaks with Anupama Chopra on Film Companion about touring to packed crowds, working with Imtiaz Ali on the Chamkila biopic, and his most difficult scene from the movie Jogi. The actor-singer also tells us about his dreams for himself and why he won’t stop at global domination!

#diljitdosanjh #diljitdosanjhsongs #celebrityinterviews

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Time Stamps:
00:00 Promo
00:27 Diljit Dosanjh on Anupama Chopra's New Book
01:46 About Diljit’s Born to Shine tour
03:17 Diljit Dosanjh on his manager Sonali, planning his concerts
06:59 Diljit's unfortunate entry during a concert
09:42 Diljit Dosanjh on 'Taaliyon ka Nasha'
12:28 Diljit Dosanjh on being self-aware
15:59 Diljit's POV when someone disagrees
17:14 The most heartbreaking scene of Diljit's film Jogi
20:30 Diljit Dosanjh on working with Imtiaz Ali on singer Chamkila's biopic
24:10 Why Bollywood is 'low priority'
26:10 Untold stories of Bollywood
27:22 Diljit Dosanjh on "doing nothing"
29:45 The importance of 'solitude'
30:47 Diljit considers the whole world to be his home
33:00 Why Diljit won't sign a contract with anyone?
33:59 Diljit Dosanjh on Sidhu Moose Wala's death
37:38 Diljit on trolls & haters
39:18 Diljit Dosanjh on his love for music
40:55 Diljit Dosanjh on spirituality & his internal journey

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The Film Companion is a web channel intended to promote Indian cinema through films review, interviews, discussions, video essays, and analytical compilations. It is intended primarily for the purpose of encouraging informed discussions, criticism, and review of cinema and towards such purpose, the programs use short extracts of cinematograph films, sound recording, and photographic works. These clips and extracts are of a minimal nature and the use is not intended to interfere in any manner with their commercial exploitation of the complete work by the owners of the copyright. The use of works is in compliance with the fair dealing exception provided under Sec. 52 of the Copyright Act, and we assert our use of the works under the exception provided for criticism and review.

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