This is the Q&A portion following presentations by four panelists for the panel, "The Problem of the Modern in Iran," held at the Hagop Kevorkian Center for Near Eastern Studies on October 19, 2013 within the conference: "On Likeness and Difference: Modern Art of the Middle East and the Confines of Modernism."

Speakers (and the titles of their panel presentations):
-Roshanak Keyghobadi (Artist/Independent Scholar): "Re-examining the 'Modern' in Mohammad Ehsaei's Naqqashi Khatt"
-Maryam Ekhtiar (Metropolitan Museum of Art): "Gauging the 'Iranian-ness' of Modern and Contemporary Iranian Art: Three Artists, Three Generations"
-Hengameh Fouladvand (Center for Iranian Modern Arts): "Issues of Plagiarism and Authenticity in Early Modern Art of Iran: 'Judgment for the Public' as Visual Art Criticism"
-Talinn Grigor (Brandeis University): "'Iranian or Not?' That Indeed Might Not Be the Question"
-Pamela Karimi (UMass, Dartmouth): Discussant

свернуть