THE COMPANION: One-Act Opera from THREE WAY
Music by Robert Paterson: [ Ссылка ]
Libretto by David Cote: [ Ссылка ]
Sheen Center for Thought & Culture, New York NY, USA, May 13, 2022
Presented by Mostly Modern Projects: [ Ссылка ]
in Partnership with Cutting Edge Concerts: [ Ссылка ]
DIRECTOR: John de los Santos: [ Ссылка ]
CAST OF CHARACTERS
(in order of appearance)
Maya: Ariadne Greif, Soprano: [ Ссылка ]
Joe: Glenn Seven Allen, Tenor: [ Ссылка ]
Dax: Robert Wesley Mason, Baritone: [ Ссылка ]
AMERICAN MODERN ENSEMBLE
Geoffrey Andrew McDonald, Conductor: [ Ссылка ]
John Romeri, Flute
Kathy Halvorson, Oboe
Pascal Archer, Clarinet
Gina Cuffari, Bassoon
Rachel Drehmann, Horn
Riko Higuma, Piano
Jeremy Levine and Stela Perlic, Percussion
Regia Papa and Max Moston, Violins
Philip Payton, Viola
Issei Herr, Cello
Pawel Knapik, Bass
STAFF
Robert Paterson Artistic Director
Victoria Paterson, Executive Director
Alphonso Ramirez, Administrative Assistant, Stage Crew
Ashley Liebre, Director of Communications
Georgia Piano, Stage Manager
Benjamin Oatmen, Librarian
VIDEO AND AUDIO PRODUCTION
Video and Audio Recording and Editing: [ Ссылка ]
*** Closed Captions are based on the original score. ***
This program is made possible in part with funds from the National Endowment for the Arts and the New York State Council on the Arts (NYSCA).
THREE WAY SITES
Three Way Site: [ Ссылка ]
American Opera Projects (AOP): [ Ссылка ]
Materials available from Bill Holab Music: [ Ссылка ]
Three Way Arias - Male: [ Ссылка ]...
Three Way Arias - Female: [ Ссылка ]...
Three Way Piano/vocal score: [ Ссылка ]...
Music Copyright © 2017 Robert Paterson Music (ASCAP)
Libretto Copyright © 2017 David Cote (ASCAP)
All Rights Reserved.
American Modern Ensemble is a division of Mostly Modern Projects Inc., a 501(c)(3) not-for-profit organization, EIN 20-3563472
Three Way received its 2017 world premiere January 27-29, 2017 at the James K. Polk Theater in a coproduction by Nashville Opera and American Opera Projects. The New York premiere followed on June 15-18, 2017 at the Brooklyn Academy of Music. The opera had developmental support from American Opera Projects’ Composers and the Voice and First Chance programs, Fort Worth Opera’s Frontiers program, Victoria Zielinski, and OPERA America’s Repertoire Development program.
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