Cataloguing sculpture, an inherently reproducible medium, requires deep understanding of lifetime and posthumously-made art. This panel takes up the topic from different viewpoints and varied approaches, through complex case studies such as Boccioni and Arp.
Moderator:
Penelope Curtis, Curator & Art Historian, former Director of Tate Britain and Museu Gulbenkian
Speakers:
Rosalind McKever, Curator & Art Historian, Victoria & Albert Museum.
Arie Hartog, Director of Gerhard Marcks Haus, Author of Hans Arp Sculptures: a critical survey
Guy Rub, Professor of Law, Michael E. Moritz College of Law
‘Sculpture and the Catalogue Raisonné: From Antiquity to NFTs’
organised by Dr Sharon Hecker
